The Greatest Crime Novels of Frank L. Packard (14 Titles in One Edition). Frank L. Packard
him everything was in disorder; not the disorder habitual to such a place where odds and ends of the heterogeneous accumulation of Melinoff’s stock in trade might be expected to be deposited wherever convenience and not system dictated, but a disorder that seemed to hold within itself something of ominous promise. Old clothes, for instance, that might at least have been expected, even with the most profound carelessness and indifference, to have received better treatment, were strewn and scattered about the floor in all directions.
And now Jimmie Dale stood still again. There was a sound at last; but a sound that he could not immediately define. It came from the room beyond—like a dull, muffled thud mingling with a low, long-drawn gasp. It was repeated—and then, unmistakably, there came a moan.
In a flash now, Jimmie Dale, his automatic thrust forward, was at the door. He stooped with his eye to the keyhole; and the next instant, his face hard and tense, he flung the door open, and jumped forward into the room.
Those words of the Pippin’s note seemed to be searing through his brain in letters of fire—“go the limit—go the limit.” There was no need to speculate longer on their meaning; they meant—murder. On the floor, a dark ugly, crimson pool beside him, lay Melinoff, the old-clothes dealer. And as Jimmie Dale sprang to the other’s side, there came again that curious muffled thud—as the old man weakly lifted his head a few inches from the floor only to have it fall limply back again. The man was nearly gone—it needed no experienced eye to tell that. Melinoff’s face was grayish in its pallor, and his eyes, open, seemed to have lost their lustre; but as Jimmie Dale knelt and lifted the man’s shoulders and supported the other’s head upon his knee, the light in the old-clothes dealer’s black eyes seemed suddenly to return and to glow with a strange, passionate, eager fire, as they fixed on Jimmie Dale’s face. Melinoff’s lips moved. Jimmie Dale bent his head to Catch the words that were almost inaudible.
“The—the Pippin. Here”—the old man’s hand struggled toward his side where a dark crimson blotch had soaked his shirt—“here—he—he stabbed me—because—because—” The voice failed and died away, and the man’s head fell back on Jimmie Dale’s arm.
Jimmie Dale raised the other’s head gently again.
“Yes!” he said quickly, striving to rouse the other. “Yes; go on! I understand. The Pippin stabbed you. Because—what? Go on, Melinoff! Go on! I am listening.”
The eyes opened once more—but the light was dying out of them, and they were filming now. And then suddenly the man forced himself forward into a sitting posture, and his voice rang wildly through the room:
“It is a lie! A lie! I played square—do you hear! Old Melinoff played square! I did not understand at first—but I did not forget. I remembered. Old Melinoff would never forget—never forget—never for—”
A tremor ran through the old man’s form, the voice was stilled—it was the end.
For a moment, his lips tight and set, Jimmie Dale held the other there in his arms, as he stared at a little object on the floor where Melinoff had been lying, and that previously had been hidden beneath the other’s body—an object that glittered and sparkled now as the light caught it. There had even been then, it seemed, no need for Melinoff’s dying accusation—the evidence of the Pippin’s guilt would have been plain enough to the first person who found old Melinoff and moved the old man’s body. For himself, Jimmie Dale, the Pippin’s note, since it had actuated him in coming here, would have been enough to have fixed the guilt in his mind where it belonged; but the police, for instance, would not have been so well informed! The police, however, would now have all, and more than all the evidence they required. That little thing that glittered there was one of the Pippin’s notorious diamond-snake cuff links.
Jimmie Dale did not disturb it. He laid old Melinoff back on the floor, and the old man’s body covered the cuff link again as it had done before. He stood up then, and looked around him. The room seemed to have been used for no one particular purpose. It was partitioned off from the shop proper, it was true; but, equally, it appeared to have been used as a sort of overflow for the shop’s stock in trade. Here, as in front, clothing of all descriptions littered the floor; and also there were signs that a violent struggle had taken place. The room, which had obviously served, apart from being a store-room, as kitchen, dining room, and, in fact, for everything save a bedroom, was in a state of chaos—chairs were upset, a table stood up-ended against the wall, aid broken crockery was strewn everywhere.
At the rear of the room was another door. Jimmie Dale reached up, turned off the gas-jet, crossed to the door, found it unlocked, opened it a few inches, and looked out. It gave on the rear of the courtyard, and in the darkness he could just make out a high fence that bordered the adjoining property. It was presumably the way by which the Pippin had made his escape, since he, Jimmie Dale, had found the front door locked.
He closed the door again, re-lighted the gas, and, moving swiftly now, passed through into the shop and locked the front door. Then, returning to the upper end of the shop close to the connecting door, which he closed until it was just ajar, Jimmie Dale slipped a black silk mask over his face, seated himself on a box of some sort that he found at hand, and, save that his fingers mechanically tested the automatic in his hand, remained motionless, his eyes fixed on the rear door across the lighted room in which old Melinoff lay.
It was dark here and silent, except that from out across the courtyard came faintly now and then the voices of the children at play in the gutters, and except that a faint glow stole timidly out from the slightly opened door only to merge almost immediately with the surrounding blackness. The tight lips had curved downward at the corners of his mouth into a grim, merciless droop; and into the dark, steady eyes there had come a smouldering fire. It was a brutal, cowardly thing that had been done there in that room, and the Pippin had finished his work and gone—but it was not at all unlikely that the Pippin would be back!
The sharp lines at the corners of Jimmie Dale’s mouth grew a little more pronounced. Nor should the Pippin be long in returning! A man could not very well lose a cuff link and be unaware of that fact for any extended length of time. And that cuff link was damning, irrefutable, incontrovertible evidence, exactly the evidence the police required to convict the guilty man! Yes, undoubtedly, the Pippin would be back—and at any moment now. Figuring that the Pippin had left Bristol Bob’s half an hour before he, Jimmie Dale, had started out, and allowing, say, twenty minutes for the struggle and subsequent murder here, the Pippin could only have been gone a matter of some ten minutes. In the excitement, and probably a run through lanes and alleyways, it was quite possible that the Pippin would not have noticed his loss in that length of time; but he could not, with a loose cuff, and especially when it was usually fastened by so highly prized a link, have remained much longer than that in ignorance of his loss.
Jimmie Dale smiled grimly now in the darkness. It was almost analogous to Meighan’s waiting for the return of the Magpie, except that he, Jimmie Dale, had neither the desire nor the intention of usurping the functions of the police. “Smarlinghue,” for very obvious reasons, could neither appear nor bear witness in the case; he could take no chances of the discovery being made that “Smarlinghue” was but a character that cloaked Jimmie Dale and the Gray Seal—and, above all, he could take no chances to-night when at last he was on the threshold of the return to his old normal life again! But he had, nevertheless, no intention of permitting the Pippin to elude the law, or to escape the consequences of the act to which that mute form lying in there on the crimsoned floor bore hideous testimony. The cuff link, obviously loosened and dropped unnoticed on the floor during the struggle, would not only connect the Pippin with the crime, but would convict him of it as well; he, Jimmie Dale, therefore, did not propose to allow the Pippin to return and remove that evidence—that was all. It should not be very difficult to prevent it; nor should it even necessitate his showing himself to the Pippin. A shot, for instance, fired at the floor, as the Pippin stole in through that rear door again should be enough to send the man flying back for shelter to the recesses of the underworld. The Pippin’s nerves, as he crept back to the scene of his crime, would be badly frayed and unstrung, unless he was a man lacking wholly in imagination, which the Pippin, once having been an actor, inherently could not be; and,