The Hampstead Mystery (Thriller Novel). Arthur J. Rees

The Hampstead Mystery (Thriller Novel) - Arthur J. Rees


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"what do you think of Flack?"

      Rolfe had obtained from the police-constable a straightforward story of what he had seen, and in this way had picked up some useful information about the crime which it would have taken a long time to extract from the inspector, but he was a sufficiently good detective to have learned that by disparaging the source of your information you add to your own reputation for acumen in drawing conclusions in regard to it. He nodded his head in a deprecating way and emitted a slight cough which was meant to express contempt.

      "It looks very much like a case of burglary and murder," he said.

      He was anxious to know what theory his superior officer had formed.

      "And how do you fit in the letter advising us of the murder?" asked the inspector.

      He produced the letter from his pocket-book and looked at it earnestly.

      "There were two of them in it--one a savage ruffian who will stick at nothing, and the other a chicken-hearted specimen. They often work in pairs like that."

      "So your theory is that one of the two shot him, and the other was so unnerved that he sent us the letter and put us on the track to save his own neck?"

      "Something like that."

      "It is not impossible," was the senior officer's comment. "Mind you, I don't say it is my theory. In fact, I am in no hurry to form one. I believe in going carefully over the whole ground first, collecting all the clues and then selecting the right one."

      Rolfe admitted that his chief's way of setting to work to solve a mystery was an ideal one, but he made the reservation that it was a difficult one to put into operation. He was convinced that the only way of finding the right clue was to follow up every one until it was proved to be a wrong one.

      Inspector Chippenfield continued his study of the mysterious message which had been sent to Scotland Yard. It was written on a sheet of paper which had been taken from a writing pad of the kind sold for a few pence by all stationers. It was flimsy and blue-lined, and the message it contained was smudged and badly printed. But to the inspector's annoyance, there were no finger-prints on the paper. The finger-print expert at Scotland Yard had examined it under the microscope, but his search for finger-prints had been vain.

      "Depend upon it, we'll hear from this chap again," said the inspector, tapping the sheet of paper with a finger. "I think I may go so far as to say that this fellow thinks suspicion will be directed to him and he wants to save his neck."

      "It's a disguised hand," said Rolfe. "Of course he printed it in order not to give us a specimen of his handwriting. There are telltale things about a man's handwriting which give him away even when he tries to disguise it. But he's tried to disguise even his printing. Look how irregular the letters are--some slanting to the right and some to the left, and some are upright. Look at the two different kinds of 'U's.'"

      "He's used two different kinds of pens," said Inspector Chippenfield. "Look at the difference in the thickness of the letters."

      "The sooner he writes again the better," said Rolfe. "I am curious to know what he'll say next."

      "My idea is to find out who he is and make him speak," said the inspector, "Speaking is quicker than writing. I could frighten more out of him in ten minutes than he would give away voluntarily in a month of Sundays."

      Again Rolfe had to admit that his chief's plan to get at the truth was an ideal one.

      "Have you any idea who he is?" he asked.

      Inspector Chippenfield had brought his methods too near to perfection to make it possible for him to fall into an open trap.

      "I won't be very long putting my hand on him," he said.

      "But this thing has been in the papers," said Rolfe. "Don't you think the murderer will bolt out of the country when he knows his mate is prepared to turn King's evidence against him?"

      "Ah," said Inspector Chippenfield, "I haven't adopted your theory."

      "Then you think that the man who wrote this note knew of the murder but doesn't know who did it?"

      "Now you are going too far," said Inspector Chippenfield.

      The inspector was so wary about disclosing what was in his mind in regard to the letter that Rolfe, who disliked his chief very cordially, jumped to the conclusion that Inspector Chippenfield had no intelligible ideas concerning it.

      "If it was burglars they took nothing as far as we can ascertain up to the present," said Inspector Chippenfield after a pause.

      "They were surprised to find anyone in the house. And after the shot was fired they immediately bolted for fear the noise would attract attention."

      "What knocks a hole in the burglar theory is the fact that Sir Horace was fully dressed when he was shot," said the inspector. "Burglars don't break into a house when there are lights about, especially after having been led to believe that the house was empty."

      "So you think," said Rolfe, "that the window was forced after the murder with the object of misleading us."

      "I haven't said so," replied the inspector. "All I am prepared to say is that even that was not impossible."

      "It was forced from the outside," continued Rolfe. "I've seen the marks of a jemmy on the window-sill. If it was forced after the murder the murderer was a cool hand."

      "You can take it from me," exclaimed Inspector Chippenfield with unexpected candour, "that he was a cool hand. We are going to have a bit of trouble in getting to the bottom of this, Rolfe."

      "If anyone can get to the bottom of it, you can," said Rolfe, who believed with Voltaire that speech was given us in order to enable us to conceal our thoughts.

      Inspector Chippenfield was so astonished at this handsome compliment that he began to think he had underrated Rolfe's powers of discernment. His tone of cold official superiority immediately thawed.

      "There were two shots fired," he said, "but whether both were fired by the murderer I don't know yet. One of them may have been fired by Sir Horace. Just behind you in the wall is the mark of one of the bullets. I dug it out of the plaster yesterday and here it is." He produced from a waistcoat pocket a flattened bullet. "The other is inside him at present." He waved his hand in the direction of the room in which the corpse lay.

      "Of course you cannot say yet whether both bullets are out of the same revolver?" said Rolfe.

      "Can't tell till after the post-mortem," said the inspector. "And then all we can tell for certain is whether they are of the same pattern. They might be the same size, and yet be fired out of different revolvers of the same calibre."

      "Well, it is no use theorising about what happened in this room until after the post-mortem," said Rolfe.

      "You'd better give it some thought," suggested the inspector. "In the meantime I want you to interview the people in the neighbourhood and ascertain whether they heard any shots. They'll all say they did whether they heard them or not--you know how people persuade themselves into imagining things so as to get some sort of prominence in these crimes. But you can sift what they tell you and preserve the grain of truth. Try and get them to be accurate as to the time, as we want to fix the time of the crime as near as possible. Ask Flack to tell you something about the neighbours--he's been in this district fifteen years, and ought to know all about them. While you're away I'll go through these private papers. I want to find out why he came back from Scotland so suddenly. If we knew that the rest might be easy."

      "I haven't seen the body yet," said Rolfe. "I'd like to look at it. Where is it?"

      "I had it removed downstairs. You will find it in a big room on the left as you go down the hall. By the by, there is another matter, Rolfe. This glove was found in the room. It may be a clue, but it is more likely that it is one of Sir Horace's gloves and that he lost the other one on his way up from Scotland. It's a left-hand glove--men always lose the right-hand glove because they take it off so often. I've compared it with other gloves in Sir Horace's wardrobe, and I find it is the same size and much the same


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