The Hampstead Mystery (Thriller Novel). Arthur J. Rees

The Hampstead Mystery (Thriller Novel) - Arthur J. Rees


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But find out from Sir Horace's hosier if he sold it. Here's the address of the hosiers,--Bruden and Marshall, in the Strand."

      Rolfe went slowly downstairs into the room in which the corpse lay, and closed the door behind him. It was a very large room, overlooking the garden on the right side of the house. Somebody had lowered the Venetian blinds as a conventional intimation to the outside world that the house was one of mourning, and the room was almost dark. For nearly a minute Rolfe stood in silence, his hand resting on the knob of the door he had closed behind him. Gradually the outline of the room and the objects within it began to reveal themselves in shadowy shape as his eyes became accustomed to the dim light. He had a growing impression of a big lofty room, with heavy furniture, and a huddled up figure lying on a couch at the end furthest from the window and deepest in shadow.

      He stepped across to the window and gently raised one of the blinds. The light of an August sun penetrated through the screen of trees in front of the house and revealed the interior of the room more clearly. Rolfe was amazed at its size. From the window to the couch at the other end of the room, where the body lay, was nearly thirty feet. Glancing down the apartment, he noticed that it was really two rooms, divided in the middle by folding doors. These doors folded neatly into a slightly protruding ridge or arch almost opposite the door by which he had entered, and were screened from observation by heavy damask curtains, which drooped over the archway slightly into the room.

      Evidently the deceased judge had been in the habit of using the divided rooms as a single apartment, for the heavier furniture in both halves of it was of the same pattern. The chairs and tables were of heavy, ponderous, mid-Victorian make, and they were matched by a number of old-fashioned mahogany sideboards and presses, arranged methodically at regular intervals on both sides of the room. Rolfe, as his eye took in these articles, wondered why Sir Horace Fewbanks had bought so many. One sideboard, a vast piece of furniture fully eight feet long, had a whisky decanter and siphon of soda water on it, as though Sir Horace had served himself with refreshments on his return to the house. The tops of the other sideboards were bare, and the presses, use in such a room Rolfe was at a loss to conjecture, were locked up. The antique sombre uniformity of the furniture as a whole was broken at odd intervals by several articles of bizarre modernity, including a few daring French prints, which struck an odd note of incongruity in such a room.

      The murdered man had been laid on an old-fashioned sofa at the end of this double apartment which was furthest from the window. Rolfe walked slowly over the thick Turkey carpets and rugs with which the floor was covered, glanced at the sofa curiously, and then turned down the sheet from the dead man's face.

      At the time of his death Sir Horace Fewbanks was 58 years of age, but since death the grey bristles had grown so rapidly through his clean-shaven face that he looked much older. The face showed none of the wonted placidity of death. The mouth was twisted in an ugly fashion, as though the murdered man had endeavoured to cry for help and had been attacked and killed while doing so. One of Sir Horace's arms--the right one--was thrust forward diagonally across his breast as if in self-defence, and the hand was tightly clenched. Rolfe, who had last seen His Honour presiding on the Bench in the full pomp and majesty of law, felt a chill strike his heart at the fell power of death which did not even respect the person of a High Court judge, and had stripped him of every vestige of human dignity in the pangs of a violent end. The face he had last seen on the Bench full of wisdom and austerity of the law was now distorted into a livid mask in which it was hard to trace any semblance of the features of the dead judge.

      Rolfe's official alertness of mind in the face of a mysterious crime soon reasserted itself, however, and he shook off the feeling of sentiment and proceeded to make a closer examination of the dead body. As he turned down the sheet to examine the wound which had ended the judge's life, it slipped from his hand and fell on the floor, revealing that the judge had been laid on the couch just as he had been killed, fully clothed. He had been shot through the body near the heart, and a large patch of blood had welled from the wound and congealed in his shirt. One trouser leg was ruffled up, and had caught in the top of the boot.

      The corpse presented a repellent spectacle, but Rolfe, who had seen unpleasant sights of various kinds in his career, bent over the body with keen interest, noting these details, with all his professional instincts aroused. For though Rolfe had not yet risen very high in the police force, he had many of the qualities which make the good detective--observation, sagacity, and some imagination. The extraordinary crime which he had been called upon to help unravel presented a baffling mystery which was likely to test the value of these qualities to the utmost.

      Rolfe looked steadily at the corpse for some time, impressing a picture of it in every detail on his mental retina. Struck by an idea, he bent over and touched the patch of blood in the dead man's breast, then looked at his finger. There was no stain. The blood was quite congealed. Then he tried to unclench the judge's right hand, but it was rigid.

      As Rolfe stood there gazing intently at the corpse, and trying to form some theory of the reason for the murder, certain old stories he had heard of Sir Horace Fewbanks's private life and character recurred to him. These rumours had not been much--a jocular hint or two among his fellows at Scotland Yard that His Honour had a weakness for a pretty face and in private life led a less decorous existence than a judge ought to do. Rolfe wondered how much or how little truth was contained in these stories. He glanced around the vast room. Certainly it was not the sort of apartment in which a High Court judge might be expected to do his entertaining, but Rolfe recalled that he had heard gossip to the effect that Sir Horace, because of his virtual estrangement from his daughter, did very little entertaining beyond an occasional bridge or supper party to his sporting friends, and rarely went into Society.

      Rolfe began to scrutinise the articles of furniture in the room, wondering if there was anything about them which might reveal something of the habits of the dead man. He produced a small electric torch from his pocket, and with its light to guide him in the half-darkened room, he closely inspected each piece of furniture. Then, with the torch in his hand, he returned to the sofa and flashed it over the dead body. He started violently when the light, falling on the dead man's closed hand, revealed a tiny scrap of white. Eagerly he endeavoured to release the fragment from the tenacious clutch of the dead without tearing it, and eventually he managed to detach it. His heart bounded when he saw that it was a small torn piece of lace and muslin. He placed it in the palm of his left hand and examined it closely under the light of his torch. To him it looked to be part of a fashionable lady's dainty handkerchief. He was elated at his discovery and he wondered how Inspector Chippenfield had overlooked it. Then the explanation struck him. The small piece of lace and muslin had been effectually hidden in the dead man's clenched hand, and his efforts to open the hand had loosened it.

      "Well, Rolfe," said Inspector Chippenfield, when his subordinate reappeared, "you've been long enough to have unearthed the criminal or revived the corpse. Have you discovered anything fresh?"

      "Only this," replied Rolfe, displaying the piece of handkerchief.

      The find startled Inspector Chippenfield out of his air of bantering superiority.

      "Where did you get that?" he stammered, as he reached out eagerly for it.

      "The dead man had it clenched in his right hand. I wondered if he had anything hidden in his hand when I saw it so tightly clenched. I tried to force open the fingers and that fell out."

      Inspector Chippenfield was by no means pleased at his subordinate's discovery of what promised to be an important clue, especially after the clue had been missed by himself. But he congratulated Rolfe in a tone of fictitious heartiness.

      "Well done, Rolfe!" he exclaimed. "You are coming on. Anyone can see that you've the makings of a good detective."

      Rolfe could afford to ignore the sting contained in such faint praise.

      "What do you make of it?" he asked.

      "Looks as though there is a woman in it," said the inspector, who was still examining the scrap of lace and muslin.

      "There can't be much doubt about that," replied Rolfe.

      "We mustn't be in a hurry in jumping at conclusions," remarked the inspector.

      "No,


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