The Heavenly Twins. Grand Sarah

The Heavenly Twins - Grand Sarah


Скачать книгу
them great pleasure to entertain him.

      Tea being ready, they took him to the schoolroom, where he found a square table, just large enough for four, daintily decorated with flowers, and very nice china.

      "We have to buy our own china, because we break so much," Angelica said, seeing that the tutor noticed it. "That was the kind of thing papa got for us"—indicating a hugely thick white cup and saucer, which stood on the mantelpiece on a stand of royal blue plush, and covered with a glass shade.

      "We broke the others, but we had that one mounted as a warning to him.

       Papa has no taste at all."

      The tutor's face was a study. It was the first of these remarks he had heard.

      The children decided that it would balance the table better if he poured out the tea, and he good-naturedly acquiesced, and sat down with Angelica on his right, and Diavolo on his left. The fourth seat opposite was unoccupied, but there was a cover laid, and he asked who was expected.

      "Oh, that is for the Peace Angel," said Diavolo casually.

      "Prevents difficulties at tea, you know," Angelica supplemented. "We don't mind difficulties, but we thought you might object, so we asked his holiness"—indicating the empty chair—"to preserve order."

      Mr. Ellis did not at first appreciate the boon which was conferred on him by the presence of the Peace Angel, but he soon learnt to.

      "I am on my honour and thick bread and butter to-day," said Diavolo, looking longingly at the plentiful supply and variety of cakes on the table.

      "What does that mean exactly?" Mr. Ellis asked, pausing with the teapot raised to pour.

      "Why, you see, he was naughty this morning," Angelica explained. "And as mamma was going out, she put him on his honour, as a punishment, not to eat cake."

      "I've a good mind not to eat anything," said Diavolo, considering the plate of thick bread and butter beside him discontentedly.

      "Then you'll be cutting off your nose to vex your face," said Angelica.

      Diavolo caught up a piece of bread and butter to throw at her; but she held up her hand, crying: "I appeal to the Peace Angel!"

      "I forgot," said Diavolo, transferring the bread to his plate.

      The children studied the tutor during tea.

      He was a man of thirty, somewhat careworn about the eyes, but with an excessively kind and pleasant face, clean shaven; and thick, reddy-brown hair. He was above the middle height, a little stooped at the shoulders, but of average strength.

      "I like the look of you," said Angelica frankly.

      "Thank you," he answered, smiling.

      "And I vote for a permanent arrangement," she said, looking at Diavolo.

      He was just then hidden behind a huge slice of bread, biting it, but he nodded intelligently.

      The permanent arrangement referred to was to have the tutor to tea, and he agreed, wisely stipulating, however, that the presence of the Peace Angel should also be permanent. He even tried to persuade the twins to invite him to lessons; but that they firmly declined.

      "You'll like being our tutor, I think," Diavolo observed during this first tea.

      "He will if we like him," said Angelica significantly.

      "Are we going to?" Diavolo asked.

      "Yes, I think so," she answered, taking another good look at Mr. Ellis. "I like the look of that red in his hair."

      "Now, isn't that a woman's reason?" Diavolo exclaimed, appealing to Mr.

       Ellis.

      "Yes, it is," said Angelica, preparing to defend it by shuffling a note-book out of her pocket, and ruffling the leaves over: "Listen to this"—and she read—"'A tinge of red in the hair denotes strength and energy of character and good staying power.' We don't want a muff for a tutor, do we? There are born muffs enough in the family without importing them. And a woman's reason is always a good one, as men might see if they'd only stop chattering and listen to it."

      "It mayn't be well expressed, but it will bear examination," Mr. Ellis suggested.

      "Do you like being a tutor?" Diavolo.

      "It depends on whom I have to teach."

      "If you're a good fellow, you'll have a nice time here—on the whole—I hope, sir," Angelica observed. "But why are you a tutor?"

      "To earn my living," Mr. Ellis answered, smiling again.

      The children remembered this, and when they were having tea under the shadow of the supposititious Peace Angel's wing, after the first occasion on which, when the tutor tried to separate them during a fight at lessons, they had turned simultaneously and attacked him, they made it the text of some recommendations. He expressed a strong objection to having manual labour imposed upon him as well as his other work: but they maintained that if only he had called the affray "a struggle for daily bread" or "a fight for a livelihood," he would quite have enjoyed it; and they further suggested that such diversion must be much more interesting than being a mere commonplace tutor who only taught lessons. They could not understand why a fight was not as much fun for him as for them, and thought him unreasonable when they found he was not to be persuaded to countenance that way of varying the monotony. Not that there was ever much monotony in the neighbourhood of the Heavenly Twins; they managed to introduce variety into everything, and their quickness of action, when both were roused, was phenomenal. One day while at work they saw a sparrow pick up a piece of bread, take it to the roof-tree of an angle of the house visible from the schoolroom window, drop it, and chase it as it fell; and the twins had made a bet as to which would beat, bird or bread, quarrelled because they could not agree as to which had bet on bird and which on bread, and boxed each other's ears almost before the race was over.

      Mr. Ellis, although continually upon his guard, was not by any means always a match for them. Over and over again he found that his caution had been fanned to sleep by flattering attentions, while traps were being laid for him with the most innocent air in the world, as on one occasion when Diavolo betrayed him into a dissertation on the consistency of the Scriptures, and Angelica asked him to kindly show her how to reconcile Prov. viii. 2: "For wisdom is better than rubies; and all the things that may be desired are not be compared to it," with Eccles. i. 18: "For in much wisdom is much grief; and he that increaseth knowledge increaseth sorrow."

      His way with them was admirable, however, and he completely won their hearts. The thing that they respected him for most was the fact that he took in Punch on his own account, and could show you a lot of things in it that you could never have discovered yourself, as Angelica said, and read bits in a way that made them seem ever so much funnier than when you read them; and could tell you who drew the pictures the moment he looked at them—so that "Punch Day" came to be looked forward to by the children as one of the pleasantest events of the week. Lessons were suspended the moment the paper arrived, if they had been good; but when they were naughty Mr. Ellis put the paper in his pocket, and that was the greatest punishment he could inflict upon them—the only one that ever made them sulk. They would be good for hours in advance to earn the right of having Punch shown to them the moment it came. And it was certainly by means of his intelligent interpretation of it that their tutor managed to cultivate their tastes in many ways, and give them true ideas of art, and the importance of art, at the outset, and also of ethics. He was as careful of Angelica's physical as of her mental education, being himself strongly imbued by the then new idea that a woman should have the full use of her limbs, lungs, heart, and every other organ and muscle, so that life might be a pleasure to her and not a continual exertion. He had a strong objection to the artificial waist, and impressed the beauty of Tenniel's classical purity of figure upon the children by teaching them to appreciate the contrast it presents to the bulging vulgarities made manifest by Keene; and showed them also that while Du Maurier depicted with admirable artistic interpretation the refined surroundings and attenuated forms


Скачать книгу