The House with the Green Shutters. George Douglas Brown

The House with the Green Shutters - George Douglas Brown


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clock across the Square struck the hour, eight soft, slow strokes, that melted away in the beauty of the morning. Five minutes passed. Gourlay turned his head to listen, but no further sound came from the yard. He walked to the green gate, his slippers making no noise.

      "Are ye sleeping, my pretty men?" he said softly. … "Eih?"

      The "Eih" leapt like a sword, with a slicing sharpness in its tone that made it a sinister contrast to the first sweet question to his "pretty men." "Eih?" he said again, and stared with open mouth and fierce, dark eyes.

      "Hurry up, Peter," whispered the gaffer, "hurry up, for God sake. He has the black glower in his een."

      "Ready, sir; ready now!" cried Peter Riney, running out to open the other half of the gate. Peter was a wizened little man, with a sandy fringe of beard beneath his chin, a wart on the end of his long, slanting-out nose, light blue eyes, and bushy eyebrows of a reddish gray. The bearded red brows, close above the pale blueness of his eyes, made them more vivid by contrast; they were like pools of blue light amid the brownness of his face. Peter always ran about his work with eager alacrity. A simple and willing old man, he affected the quick readiness of youth to atone for his insignificance.

      "Hup, horse; hup then!" cried courageous Peter, walking backwards with curved body through the gate, and tugging at the reins of a horse the feet of which struck sparks from the paved ground as they stressed painfully on edge to get weigh on the great wagon behind. The cart rolled through, then another, and another, till twelve of them had passed. Gourlay stood aside to watch them. All the horses were brown; "he makes a point of that," the neighbours would have told you. As each horse passed the gate the driver left its head, and took his place by the wheel, cracking his whip, with many a "Hup, horse; yean, horse; woa, lad; steady!"

      In a dull little country town the passing of a single cart is an event, and a gig is followed with the eye till it disappears. Anything is welcome that breaks the long monotony of the hours and suggests a topic for the evening's talk. "Any news?" a body will gravely inquire. "Ou ay," another will answer with equal gravity: "I saw Kennedy's gig going past in the forenoon." "Ay, man; where would he be off till? He's owre often in his gig, I'm thinking." And then Kennedy and his affairs will last them till bedtime.

      Thus the appearance of Gourlay's carts woke Barbie from its morning lethargy. The smith came out in his leather apron, shoving back, as he gazed, the grimy cap from his white-sweating brow; bowed old men stood in front of their doorways, leaning with one hand on short, trembling staffs, while the slaver slid unheeded along the cutties which the left hand held to their toothless mouths; white-mutched grannies were keeking past the jambs; an early urchin, standing wide-legged to stare, waved his cap and shouted, "Hooray!"—and all because John Gourlay's carts were setting off upon their morning rounds, a brave procession for a single town! Gourlay, standing great-shouldered in the middle of the road, took in every detail, devoured it grimly as a homage to his pride. "Ha, ha, ye dogs!" said the soul within him. Past the pillar of the Red Lion door he could see a white peep of the landlord's waistcoat—though the rest of the mountainous man was hidden deep within his porch. (On summer mornings the vast totality of the landlord was always inferential to the town from the tiny white peep of him revealed.) Even fat Simpson had waddled to the door to see the carts going past. It was fat Simpson—might the Universe blast his adipose—who had once tried to infringe Gourlay's monopoly as the sole carrier in Barbie. There had been a rush to him at first, but Gourlay set his teeth and drove him off the road, carrying stuff for nothing till Simpson had nothing to carry, so that the local wit suggested "a wee parcel in a big cart" as a new sign for his hotel. The twelve browns prancing past would be a pill to Simpson! There was no smile about Gourlay's mouth—a fiercer glower was the only sign of his pride—but it put a bloom on his morning, he felt, to see the suggestive round of Simpson's waistcoat, down yonder at the porch. Simpson, the swine! He had made short work o' him!

      Ere the last of the carts had issued from the yard at the House with the Green Shutters the foremost was already near the Red Lion. Gourlay swore beneath his breath when Miss Toddle—described in the local records as "a spinster of independent means"—came fluttering out with a silly little parcel to accost one of the carriers. Did the auld fool mean to stop Andy Gow about her petty affairs, and thus break the line of carts on the only morning they had ever been able to go down the brae together? But no. Andy tossed her parcel carelessly up among his other packages, and left her bawling instructions from the gutter, with a portentous shaking of her corkscrew curls. Gourlay's men took their cue from their master, and were contemptuous of Barbie, most unchivalrous scorners of its old maids.

      Gourlay was pleased with Andy for snubbing Sandy Toddle's sister. When he and Elshie Hogg reached the Cross they would have to break off from the rest to complete their loads; but they had been down Main Street over night as usual picking up their commissions, and until they reached the Bend o' the Brae it was unlikely that any business should arrest them now. Gourlay hoped that it might be so; and he had his desire, for, with the exception of Miss Toddle, no customer appeared. The teams went slowly down the steep side of the Square in an unbroken line, and slowly down the street leading from its near corner. On the slope the horses were unable to go fast—being forced to stell themselves back against the heavy propulsion of the carts behind; and thus the procession endured for a length of time worthy its surpassing greatness. When it disappeared round the Bend o' the Brae the watching bodies disappeared too; the event of the day had passed, and vacancy resumed her reign. The street and the Square lay empty to the morning sun. Gourlay alone stood idly at his gate, lapped in his own satisfaction.

      It had been a big morning, he felt. It was the first time for many a year that all his men, quarrymen and carriers, carters of cheese and carters of grain, had led their teams down the brae together in the full view of his rivals. "I hope they liked it!" he thought, and he nodded several times at the town beneath his feet, with a slow up-and-down motion of the head, like a man nodding grimly to his beaten enemy. It was as if he said, "See what I have done to ye!"

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      Only a man of Gourlay's brute force of character could have kept all the carrying trade of Barbie in his own hands. Even in these days of railways, nearly every parish has a pair of carriers at the least, journeying once or twice a week to the nearest town. In the days when Gourlay was the great man of Barbie, railways were only beginning to thrust themselves among the quiet hills, and the bulk of inland commerce was still being drawn by horses along the country roads. Yet Gourlay was the only carrier in the town. The wonder is diminished when we remember that it had been a decaying burgh for thirty years, and that its trade, at the best of times, was of meagre volume. Even so, it was astonishing that he should be the only carrier. If you asked the natives how he did it, "Ou," they said, "he makes the one hand wash the other, doan't ye know?"—meaning thereby that he had so many horses travelling on his own business, that he could afford to carry other people's goods at rates that must cripple his rivals.

      "But that's very stupid, surely," said a visitor once, who thought of entering into competition. "It's cutting off his nose to spite his face! Why is he so anxious to be the only carrier in Barbie that he carries stuff for next to noathing the moment another man tries to work the roads? It's a daft-like thing to do!"

      "To be sure is't, to be sure is't! Just the stupeedity o' spite! Oh, there are times when Gourlay makes little or noathing from the carrying; but then, ye see, it gies him a fine chance to annoy folk! If you ask him to bring ye ocht, 'Oh,' he growls, 'I'll see if it suits my own convenience.' And ye have to be content. He has made so much money of late that the pride of him's not to be endured."

      It was not the insolence of sudden wealth, however, that made Gourlay haughty to his neighbours; it was a repressiveness natural to the man and a fierce contempt of their scoffing envy. But it was true that he had made large sums of money during recent years. From his father (who had risen in the world) he inherited a fine trade in cheese; also the carrying to Skeighan on the one side and Fleckie on the other. When he married Miss Richmond of Tenshillingland, he started


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