The Iliad (Wisehouse Classics Edition). Homer
while Jove assumes the throne,
All, but the god’s imperious queen alone:
Late had she view’d the silver-footed dame,
And all her passions kindled into flame.
“Say, artful manager of heaven (she cries),
Who now partakes the secrets of the skies?
Thy Juno knows not the decrees of fate,
In vain the partner of imperial state.
What favourite goddess then those cares divides,
Which Jove in prudence from his consort hides?”
To this the thunderer: “Seek not thou to find
The sacred counsels of almighty mind:
Involved in darkness likes the great decree,
Nor can the depths of fate be pierced by thee.
What fits thy knowledge, thou the first shalt know;
The first of gods above, and men below;
But thou, nor they, shall search the thoughts that roll
Deep in the close recesses of my soul.”
Full on the sire the goddess of the skies
Roll’d the large orbs of her majestic eyes,
And thus return’d:—“Austere Saturnius, say,
From whence this wrath, or who controls thy sway?
Thy boundless will, for me, remains in force,
And all thy counsels take the destined course.
But ’tis for Greece I fear: for late was seen,
In close consult, the silver-footed queen.
Jove to his Thetis nothing could deny,
Nor was the signal vain that shook the sky.
What fatal favour has the goddess won,
To grace her fierce, inexorable son?
Perhaps in Grecian blood to drench the plain,
And glut his vengeance with my people slain.”
Then thus the god: “O restless fate of pride,
That strives to learn what heaven resolves to hide;
Vain is the search, presumptuous and abhorr’d,
Anxious to thee, and odious to thy lord.
Let this suffice: the immutable decree
No force can shake: what is, that ought to be.
Goddess, submit; nor dare our will withstand,
But dread the power of this avenging hand:
The united strength of all the gods above
In vain resists the omnipotence of Jove.”
The thunderer spoke, nor durst the queen reply;
A reverent horror silenced all the sky.
The feast disturb’d, with sorrow Vulcan saw
His mother menaced, and the gods in awe;
Peace at his heart, and pleasure his design,
Thus interposed the architect divine:
“The wretched quarrels of the mortal state
Are far unworthy, gods! of your debate:
Let men their days in senseless strife employ,
We, in eternal peace and constant joy.
Thou, goddess-mother, with our sire comply,
Nor break the sacred union of the sky:
Lest, roused to rage, he shake the bless’d abodes,
Launch the red lightning, and dethrone the gods.
If you submit, the thunderer stands appeased;
The gracious power is willing to be pleased.”
Thus Vulcan spoke: and rising with a bound,
The double bowl with sparkling nectar crown’d, 33
Which held to Juno in a cheerful way,
“Goddess (he cried), be patient and obey.
Dear as you are, if Jove his arm extend,
I can but grieve, unable to defend
What god so daring in your aid to move,
Or lift his hand against the force of Jove?
Once in your cause I felt his matchless might,
Hurl’d headlong down from the ethereal height; 34
Toss’d all the day in rapid circles round,
Nor till the sun descended touch’d the ground.
Breathless I fell, in giddy motion lost;
The Sinthians raised me on the Lemnian coast; 35
He said, and to her hands the goblet heaved,
Which, with a smile, the white-arm’d queen received
Then, to the rest he fill’d; and in his turn,
Each to his lips applied the nectar’d urn,
Vulcan with awkward grace his office plies,
And unextinguish’d laughter shakes the skies.
Thus the blest gods the genial day prolong,
In feasts ambrosial, and celestial song. 36
Apollo tuned the lyre; the Muses round
With voice alternate aid the silver sound.
Meantime the radiant sun to mortal sight
Descending swift, roll’d down the rapid light:
Then to their starry domes the gods depart,
The shining monuments of Vulcan’s art:
Jove on his couch reclined his awful head,
And Juno slumber’d on the golden bed.
1 The following argument of the Iliad, corrected in a few particulars, is translated from Bitaube, and is, perhaps, the neatest summary that has ever been drawn up:—“A hero, injured by his general, and animated with a noble resentment, retires to his tent; and for a season withdraws himself and his troops from the war. During this interval, victory abandons the army, which for nine years has been occupied in a great enterprise, upon the successful termination of which the honour of their country depends. The general, at length opening his eyes to the fault which he had committed, deputes the principal officers of his army to the incensed hero, with commission to make compensation for the injury, and to tender magnificent presents. The hero, according to the proud obstinacy of his character, persists in his animosity; the army is again defeated, and is on the verge of entire destruction. This inexorable man has a friend; this friend weeps before him, and asks for the hero’s arms, and for permission to go to the war in his stead. The eloquence of friendship prevails more than the intercession of the ambassadors or the gifts of the general. He lends his armour to his friend, but commands him not to engage with the chief of the enemy’s army, because he reserves to himself the honour of that combat, and because he also fears for his friend’s life. The prohibition is forgotten; the friend listens to nothing but his courage; his corpse is brought back to the hero, and the hero’s arms become the prize of the conqueror. Then the hero, given up to the most lively despair, prepares to fight; he receives from a divinity new armour, is reconciled with his general and, thirsting for glory and revenge, enacts prodigies of valour, recovers the victory, slays the enemy’s chief,