The Iliad (Wisehouse Classics Edition). Homer
have been one of the most celebrated festivals, since, even according to the interpretation of antiquity, Homer alludes to it when he speaks of Jupiter’s visit to the Ethiopians, and his twelve days’ absence.”— Long, “Egyptian Antiquities” vol. 1 p. 96. Eustathius, vol. 1 p. 98, sq. (ed. Basil) gives this interpretation, and likewise an allegorical one, which we will spare the reader.
28 Atoned, i.e. reconciled. This is the proper and most natural meaning of the word, as may be seen from Taylor’s remarks in Calmet’s Dictionary, p.110, of my edition.
29 That is, drawing back their necks while they cut their throats. “If the sacrifice was in honour of the celestial gods, the throat was bent upwards towards heaven; but if made to the heroes, or infernal deities, it was killed with its throat toward the ground.”— “Elgin Marbles,” vol i. p.81.
“The jolly crew, unmindful of the past,
The quarry share, their plenteous dinner haste,
Some strip the skin; some portion out the spoil;
The limbs yet trembling, in the caldrons boil;
Some on the fire the reeking entrails broil.
Stretch’d on the grassy turf, at ease they dine,
Restore their strength with meat, and cheer their souls with wine.”
Dryden’s “Virgil,” i. 293.
30 Crown’d, i.e. filled to the brim. The custom of adorning goblets with flowers was of later date.
31 He spoke, &c. “When a friend inquired of Phidias what pattern he had formed his Olympian Jupiter, he is said to have answered by repeating the lines of the first Iliad in which the poet represents the majesty of the god in the most sublime terms; thereby signifying that the genius of Homer had inspired him with it. Those who beheld this statue are said to have been so struck with it as to have asked whether Jupiter had descended from heaven to show himself to Phidias, or whether Phidias had been carried thither to contemplate the god.”— “Elgin Marbles,” vol. xii p.124.
32 “So was his will
Pronounced among the gods, and by an oath,
That shook heav’n’s whole circumference, confirm’d.”
“Paradise Lost” ii. 351.
33 A double bowl, i.e. a vessel with a cup at both ends, something like the measures by which a halfpenny or pennyworth of nuts is sold. See Buttmann, Lexic. p. 93 sq.
34 “Paradise Lost,” i. 44.
“Him th’ Almighty power
Hurl’d headlong flaming from th ethereal sky,
With hideous ruin and combustion”
35 The occasion on which Vulcan incurred Jove’s displeasure was this — After Hercules, had taken and pillaged Troy, Juno raised a storm, which drove him to the island of Cos, having previously cast Jove into a sleep, to prevent him aiding his son. Jove, in revenge, fastened iron anvils to her feet, and hung her from the sky, and Vulcan, attempting to relieve her, was kicked down from Olympus in the manner described. The allegorists have gone mad in finding deep explanations for this amusing fiction. See Heraclides, ‘Ponticus,” p. 463 sq., ed Gale. The story is told by Homer himself in Book xv. The Sinthians were a race of robbers, the ancient inhabitants of Lemnos which island was ever after sacred to Vulcan.
“Nor was his name unheard or unadored
In ancient Greece, and in Ausonian land
Men call’d him Mulciber, and how he fell
From heaven, they fabled, thrown by angry Jove
Sheer o’er the crystal battlements from morn
To noon he fell, from noon to dewy eve,
A summer’s day and with the setting sun
Dropp’d from the zenith like a falling star
On Lemnos, th’ Aegean isle thus they relate.”
“Paradise Lost,” i. 738
36 It is ingeniously observed by Grote, vol i p. 463, that “The gods formed a sort of political community of their own which had its hierarchy, its distribution of ranks and duties, its contentions for power and occasional revolutions, its public meetings in the agora of Olympus, and its multitudinous banquets or festivals.” ., |
Argument.
THE TRIAL OF THE ARMY, AND CATALOGUE OF THE FORCES.
Jupiter, in pursuance of the request of Thetis, sends a deceitful vision to Agamemnon, persuading him to lead the army to battle, in order to make the Greeks sensible of their want of Achilles. The general, who is deluded with the hopes of taking Troy without his assistance, but fears the army was discouraged by his absence, and the late plague, as well as by the length of time, contrives to make trial of their disposition by a stratagem. He first communicates his design to the princes in council, that he would propose a return to the soldiers, and that they should put a stop to them if the proposal was embraced. Then he assembles the whole host, and upon moving for a return to Greece, they unanimously agree to it, and run to prepare the ships. They are detained by the management of Ulysses, who chastises the insolence of Thersites. The assembly is recalled, several speeches made on the occasion, and at length the advice of Nestor followed, which was to make a general muster of the troops, and to divide them into their several nations, before they proceeded to battle. This gives occasion to the poet to enumerate all the forces of the Greeks and Trojans, and in a large catalogue.
The time employed in this book consists not entirely of one day. The scene lies in the Grecian camp, and upon the sea-shore; towards the end it removes to Troy.
Now pleasing sleep had seal’d each mortal eye,
Stretch’d in the tents the Grecian leaders lie:
The immortals slumber’d on their thrones above;
All, but the ever-wakeful eyes of Jove. 1
To honour Thetis’ son he bends his care,
And plunge the Greeks in all the woes of war:
Then bids an empty phantom rise to sight,
And thus commands the vision of the night.
“Fly hence, deluding Dream! and light as air, 2
To Agamemnon’s ample tent repair.
Bid him in arms draw forth the embattled train,
Lead all his Grecians to the dusty plain.
Declare, e’en now ’tis given him to destroy
The lofty towers of wide-extended Troy.
For now no more the gods with fate contend,
At Juno’s suit the heavenly factions end.
Destruction hangs o’er yon devoted wall,
And nodding Ilion waits the impending fall.”
Swift as the word the vain illusion fled,
Descends, and hovers o’er Atrides’ head;
Clothed in the figure of the Pylian sage,
Renown’d for wisdom, and revered for age:
Around his temples spreads his golden wing,
And thus the flattering dream deceives the king.
“Canst thou,