Death Mask. Alex Archer
fingers moved quickly across the keyboard, picking out commands in rapid-fire succession, then pausing a beat as he waited for responses to come back to him.
Oscar swore under his breath, suddenly working faster.
“There’s a worm embedded in the file,” he said. “It’s trying to take over my system. It’s got the processor going crazy, and the core temp is rising. I think it’s trying to blow my battery. Ingenious bastard. Well, at least this is going to be fun now.”
He turned the machine slightly so Annja could see what was happening—not that she knew what she was looking at beyond a guy hammering out what seemed to be random letters on a keyboard.
“I’m just making sure I’ve got a backup of everything here. Assume the worst,” he said, but even as he spoke, streams of numbers and letters filled the screen, superimposed with picture after picture. The deepening furrow in the hacker’s brow worried her. So much for “shouldn’t be too difficult.”
He swore again and killed the Net connection, disabling the Wi-Fi. That didn’t slow the virus now that it was in his hard drive, and it continued chewing up data and spitting it out again, faster and faster until trying to focus on it hurt Annja’s eyes. The fan whined as the first faint whiff of smoke curled up from beneath the laptop.
Oscar acted quickly, closing the lid and flipping the machine over.
It took two hands to release the catch and pop the battery, but the second he did it heads turned, drawn by the stench of burning.
He dropped the battery, staring at the smoldering plastic housing as if his entire understanding of the world had just been betrayed.
“What the hell just happened?” Annja asked.
“Some serious piece of code. Some seriously serious piece of code. The virus overloaded the system resources, then created a surge back into the battery. That’s not an easy thing.”
“So we’re up against someone who knows what they’re doing—IP masking, making computers burn up...”
“Yep, we’re not talking spotty teenagers in their bedroom, that’s for sure.”
“Is there anything you can do?”
He looked at the sorry state of the battery. “This thing’s fried, but there’s always something that can be done if you’re resourceful enough,” he said, fishing inside his laptop bag for a small device that he connected to her phone. “I’m going to make an image of your phone—basically clone it—and see if I can trick the code into thinking it’s your phone that’s trying to access the file, not my laptop. It could take me a while, but sooner or later I’ll crack it.”
“Unfortunately, time’s the one thing I don’t have.”
“This is personal now. Trust me. I’ll get you what you need. There’s something I can tell you right now, though.”
“What’s that?”
“You were watching a recording. It wasn’t a video chat.”
21:05—Valladolid
Plaza Mayor was already a hive of early-morning activity, bustling with tourists and locals when Annja reached Valladolid.
Even with the steady hubbub, the huge plaza still felt like a wide-open space in the claustrophobic Old Town. The city wasn’t what she’d been hoping to find, even if she wasn’t entirely sure what that had been. The buildings might not have been as thoroughly modern as many of the cities she’d visited around the world—all glass, concrete and steel—but everything here was still far too new to be hiding any ancient secrets. Almost all of the buildings appeared to have been built in the past hundred and fifty years. There was absolutely nothing amid all of the banks, gift shops, cafés and restaurants that could have been standing even two hundred years after Torquemada’s death, never mind the early days of the Inquisition.
Annja slammed down the kickstand and parked the bike up. She walked around the outskirts of the plaza, taking a closer look at each building, but no matter how desperately she willed it, she found nothing of interest. Feeling her mood darkening, she realized she hadn’t eaten all day. She didn’t want to stop the search, not when time was so short, but she wasn’t going to be any use to Garin if she starved herself, so she went inside the nearest café and ordered a coffee and a Caesar salad. It would be enough to keep her going.
There were a dozen metal tables and chairs outside the café, so she picked one and, like a tourist, stretched out her legs to ease the cramped muscles and soak up the sun while she waited for her meal. On any other day, she could have happily wasted a couple of hours just drinking in the ambience, but today wasn’t a day like any other. Today she had a job to do. She pulled out her phone and called Roux. She knew he’d be in the air. All she wanted to do was leave a voice mail he could check as he landed. Her message was to the point. “I’m in Valladolid. Following leads I picked up at Ávila. Everything points to this place being central to Torquemada’s tale. I’m not sure what I’m looking for. I’m just hoping I’ll recognize it when I see it.” She killed the call.
A flyer on the table caught her eye. She picked it up. The flyer showed the same image as the billboard outside a theater on the opposite side of the square—a woman dressed in nothing but black underwear, smoking a cigarette from a long holder, obviously advertising some kind of burlesque show. It seemed out of place among the restrained buildings. It took Annja a moment to realize that the woman was actually a man. That brought a smile to her lips; clearly things weren’t always what they seemed to be. There was a good lesson there. First impressions could be deceptive. She flipped the leaflet over and read the small blurb that explained the show was taking place at the Teatro Zorrilla.
“It’s very good, even if you can’t speak Spanish.” Annja looked up to see a waitress clearing plates from one of the neighboring tables. She was surprised that the waitress spoke to her in English until she realized she must have overheard at least part of the message she left for Roux.
“I’m afraid I’m not going to be around long enough to take in a show.”
“Ah, that’s a shame.”
The girl smiled and started back toward the door, balancing a tray of dirty cups.
“I know this might seem like a stupid question,” Annja said. “But I don’t suppose you know where the Convent of San Francisco used to be?”
The girl shrugged. “Sorry. Was it around here?”
“I was really hoping so, but I can’t see anything to even suggest where it might have been.”
“Well, it depends how old it is. Most of the buildings around the plaza were built in the 1800s, I think, and some of it is more modern than that. A lot of the old buildings that were here before that were demolished to make way for the new. There’s some kind of plaque on the theater—one of those historic-landmark things—but I can’t remember what it says. Sorry.”
“That’s okay. Thanks, anyway,” Annja said. “I’ll go take a look.”
The theater was closed, its front doors locked and everything inside dark. Even the box office. The plaque was on the wall beside the main door. It detailed how the Zorrilla had been built on the original site of the Convent of San Francisco.
A dead end, Annja thought miserably, realizing how much time she’d wasted only to reach a standstill.
She was already three hours down and all she had to show for it was a burlesque theater built on the site of an old convent. That wasn’t going to help Garin.
Or was it?
That very much depended upon what had happened to the convent and whether the theater had been constructed in its place or on top of its partial remains. She’d seen enough buildings that had been built directly