The She-Wolf. Морис Дрюон

The She-Wolf - Морис Дрюон


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in England an unstable, dishonest and incompetent king, a prey to an amorous passion for his favourite, was fighting his barons and bishops. He, too, was soaking the soil of his kingdom with his subjects’ blood.

      And there a Princess of France was living a life of humiliation and ignominy both as wife and queen. She was afraid for her life, was conspiring for her own safety, and dreaming of vengeance.

      It was as if Isabella, the daughter of the Iron King and the sister of Charles IV of France, had carried the curse of the Templars across the Channel.

PART ONE

       1

       ‘No One ever Escapes from the Tower of London’

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      A MONSTROUS RAVEN, HUGE, gleaming and black, nearly as big as a goose, was hopping about in front of the dungeon window. Sometimes it halted, lowered a wing and hypocritically closed its little round eye as if in sleep. Then, suddenly darting out its beak, it pecked at the man’s eye shining behind the bars. His grey, flint-coloured eyes seemed to have a special attraction for the bird. But the prisoner was too quick for it and had already drawn his face back out of danger. The raven continued its constitutional, taking short, heavy hops.

      Then the man reached his hand out of the window. It was a long, shapely, sinewy hand. He moved it forward slowly, then let it lie still, like a twig on the dusty ground, hoping to seize the raven by the neck.

      But the bird, in spite of its size, could move quickly too; it hopped aside, emitting a hoarse croak.

      ‘Take care, Edward, take care,’ said the man behind the bars. ‘I’ll strangle you one day.’

      For the prisoner had given the treacherous bird the name of his enemy, the King of England.

      This game had been going on for eighteen months, eighteen months during which the raven had pecked at the prisoner’s eyes, eighteen months during which the prisoner had tried to strangle the bird, eighteen months during which Roger Mortimer, eighth Baron of Wigmore, Lord of the Welsh Marches, and the King’s ex-Lieutenant of Ireland, had been imprisoned, together with his uncle, Roger Mortimer of Chirk, one-time Justiciar of Wales, in a dungeon in the Tower of London. For prisoners of their rank, and they belonged to the most ancient aristocracy in the kingdom, it was the normal custom to provide a decent lodging. But King Edward II, when he had taken the two Mortimers prisoner at the Battle of Shrewsbury, where he had defeated his rebellious barons, had assigned them to this low and narrow prison, whose only daylight came from ground-level, in the new buildings he had had constructed to the right of the Clock Tower. Compelled, under pressure from the Court, the bishops and even the common people, to commute the death sentence he had first decreed against the Mortimers to life imprisonment, the King had good hopes that this unhealthy prison cell, this dungeon in which their heads touched the ceiling, would in the long run perform the executioner’s office for him.

      And, indeed, though Roger Mortimer of Wigmore, who was now thirty-six years of age, had been able to endure the miserable prison, the eighteen months of fog pouring in through the low window and rain trickling down the walls, or, in the summer season, the oppressive, stagnant, stifling heat at the bottom of their hole seemed to have got the better of the Lord of Chirk. The elder Mortimer was losing his hair and his teeth, his legs had swollen and his hands were crippled with rheumatism. He scarcely ever left the oak plank that served him for bed, while his nephew stood by the window, staring out into the light.

      It was the second summer they had spent in the dungeon.

      Dawn had broken two hours ago over this most famous of English fortresses, which was the heart of the kingdom and the symbol of its princes’ power, on the White Tower, the huge square keep, which gave an impression of architectural lightness in spite of its gigantic proportions, and which William the Conqueror had built on the foundations of the remains of the ancient Roman castrum, on the surrounding towers, on the crenellated walls built by Richard Cœur de Lion, on the King’s House, on the Chapel of St Peter ad Vincula, and on the Traitor’s Gate. The day was going to be hot, sultry even, as yesterday had been. The sun glowed pink on the stonework and there was a slightly nauseating stench of mud coming from the banks of the Thames, which lay close at hand, flowing past the embankments of the moat.1 fn1

      Edward, the raven, had joined the other giant ravens on that famous and melancholy lawn, the Green, where the block was set up on days of execution; the birds pecked at the grass that had been nourished by the blood of Scottish patriots, state criminals, and fallen favourites.

      The Green was being raked and the paved paths surrounding it swept, but the ravens were unconcerned. No one would have dared harm the birds, for ravens had lived here since time immemorial, and were the objects of a sort of superstition. The soldiers of the guard began emerging from their barracks. They were hurriedly buckling their belts and leggings and donning their steel helmets to assemble for the daily parade which had, this morning, a particular importance for it was August 1, the Feast of St Peter ad Vincula – to whom the chapel was dedicated – and also the annual Feast Day in the Tower.

      There was a grinding of locks and bolts on the low door of the Mortimers’ dungeon. The turnkey opened it, glanced inside, and let the barber in. The barber, a man with beady eyes, a long nose and a round mouth, came once a week to shave Roger Mortimer, the younger. The operation was torture to the prisoner during the winter months. For the Constable, Stephen Seagrave, Governor of the Tower,2 had said: ‘If Lord Mortimer wishes to be shaved, I will send him the barber, but I have no obligation to provide him with hot water.’

      But Lord Mortimer had held to it, in the first place to defy the Constable, secondly because his detested enemy, King Edward, wore a handsome blond beard, and finally, and above all, for his own morale, knowing well that if he yielded on this point, he would give way progressively to the physical deterioration that lies in wait for the prisoner. He had before his eyes the example of his uncle, who no longer took any care of his person; his chin a matted thicket, his hair thinning on his skull, the Lord of Chirk had begun to look like an old anchorite and continually complained of the multiple ills assailing him.

      ‘It is only my poor body’s pain,’ he sometimes said, ‘that reminds me I am still alive.’

      Young Roger Mortimer had therefore welcomed barber Ogle week after week, even when they had to break the ice in the bowl and the razor left his cheeks bleeding. But he had had his reward, for he had realized after a few months that Ogle could be used as a link with the outside world. The man’s character was a strange one; he was rapacious and yet capable of devotion; he suffered from the lowly position he occupied in life, for he considered it inferior to his true worth; conspiracy offered him an opportunity for secret revenge, and also enabled him to acquire, by sharing the secrets of the great, importance in his own eyes. The Baron of Wigmore was undoubtedly the most noble man, both by birth and nature, he had ever met. Besides, a prisoner who insisted on being shaved, even in frosty weather, was certainly to be admired.

      Thanks to the barber, Mortimer had established tenuous yet regular communication with his partisans, and particularly with Adam Orleton, Bishop of Hereford; again through the barber, he had learned that the Lieutenant of the Tower, Gerard de Alspaye, might be won over to his cause; and, through the barber once more, he had set on foot the dilatory negotiations for his escape. The Bishop had promised him he would be rescued by summer. And summer had now come.

      The turnkey looked through the spy-hole in the door from time to time, not because he was particularly suspicious, but merely out of professional habit.

      Roger Mortimer, a wooden bowl under his chin – would he ever again have a fine basin of beaten silver as in the past? –


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