Prostitution Divine. Short stories, movie script and essay. Михаил Армалинский

Prostitution Divine. Short stories, movie script and essay - Михаил Армалинский


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it’s John,” she answered.

      “Give him my regards.” I turned to face the skeleton. “You’ll have to excuse me now, I must get back to my bed.”

      “All right.” She got up to leave.

      “How long will you be working?” I asked as she was almost out the door.

      “I can stay two weeks, but I’d rather leave sooner.”

      “You can leave in a week.”

      She thanked me and left. I listened to her footsteps, and the final soft closing of the front door. I stared for quite a while into Mary’s skull. She didn’t stir, and her teeth without lips to cover them seemed bared in a constant smile. She was so close to my eyes that her contours blurred and undulated. I put my hand on her ribcage, and the weight of it made them creak.

      I withdrew my hand, afraid of breaking her, and smiled to myself at the thought of the damage a simple embrace might do.

      I pressed my forehead against her cold, dry collarbone. ‘You won’t go away to any John,’ I thought sleepily. ‘The men who slept with you have no power now… you’ve no memory of them, no flesh. everything you have left belongs to me.’ I drifted into the living oblivion of sleep, where I remained until late in the evening. The room was dark when I awoke, and my hand had found its way onto her empty stomach, where it lay pressed into her clumsy backbone. I tucked my hand under the blanket and went back to sleep.

      I was awakened in the morning by the birds singing outside my window. The fever was gone. I shook my head to test, and felt no pain. My body surged with joy at being cured. The skeleton still lay at my side, and to my refreshed mind this seemed a little strange. Overcoming the lingering weakness in my body, I got up and went to the bathroom where I sat in the tub for my shower, still unable to stay on my feet. In spite of my weak condition, I knew I had to go to the office. My responsibilities there rapidly turned into an unbearable weight around my neck if I let them to go, even for a day.

      I remembered Mary’s announcement that she was quitting my company – and my life. Both departures saddened me, though sadness had become a familiar feeling to me because of all the separations I had endured in my life. Mary was an exceptional secretary and mistress, and she had brought definite convenience to my self-contained life.

      At the office I sorted through the stacks of mail and phone messages, wrote replies, and generally did everything I could to make up for lost time. I felt weak, but in response to polite of obsequious questions about my health, I responded with the same standard “I’m fine.”

      I went home in the afternoon, locking my eyes briefly with Mary on my way out. She was much cooler toward me now that she had made her decision to leave, but she didn’t try to avoid me.

      The house seemed unusually big when I got home. It was big, of course, but in the past it had always secretly pleased me to think of all space I wasn’t using. Space that was always there, waiting for me. Today that space reminded me only of another space – the empty space defined by the thin bones of a skeleton. That space awaited me as well.

      I entered the bedroom. She lay on the bed, with her legs of bone spread wide apart, with her eternally grinning skull. I envisioned her with muscle and flesh and blood around the white framework, building a woman upon it in my mind, and then mentally tearing her down, undressing her to this final, fragile diagram.

      “You know, I’m as lonely as your bones are for their meat,” I said, and the sound of my voice echoed hollowly from the walls. I studied the bedspread through her breasts would have been, slowly letting my fingers fall through the empty slots between her ribs. I then took my hand and placed it inside her ribcage, my fingers reaching and closing around the spot where I knew her heart should have been. But there was no heart, and my fist closed only on empty air.

      Still, her heartlessness was no disappointment. It was her silence and openness I felt drawn towards. With her I was calm – as I was with everyone I didn’t love. I sat down next to her on the bed and stroked her skull, its fine smooth coldness contrasted nicely with the other more porous bones of her body. A coldness and hardness that had known life and death. ‘You’ll listen to me,’ I thought, ‘you’ll be with me, experienced, knowing… maybe I’ll even come to love you for your natural devotion.’

      The sound of the doorbell intruded on the silence. I don’t like uninvited guests, and I couldn’t think of anyone I would be happy to see. I flung the door open irritably. Before me stood a man in jeans and a jacket.

      “Good evening, excuse me for the intrusion,” he said in a gentle voice which seemed incongruous coming from this rough face that seemed oddly familiar. “The boss sent me for the skeleton.”

      It was then that I noticed his jeans were made with two differently colored legs, and I recognized the workman from Rail’s estate.

      I was stunned. I stared at him stupidly for a moment, then asked, “What did you say?”

      “The Boss sent me for the skeleton,” he repeated, more slowly this time.

      “I thought it was a gift,” I said wanly.

      He shrugged his shoulders inside the loose fitting jacket and fixed me with a steady gaze.

      At a loss, I invited him into the living room, where he followed me after removing his shoes. I offered him a drink, but he refused. I grabbed a bottle and poured something into a glass, gulping it down quickly.

      “Where is it? Let me get it,” he said.

      “Wait a minute. I want to buy it. Her. How much does Rail want?”

      A strangely familiar look flickered in the workman’s eyes. “The Boss say’s it’s not for sale. But he’ll trade.”

      “For what?”

      “The ring.”

      Relief flooded my body as if a wave had washed me from head to toe. With weak fingers I slipped the ring from my hand and dropped it into the workman’s outstretched palm. His fingers closed around the ring, making a tight fist.

      “Wait,” I said, stopping him at the door. I almost smiled at the look of surprise on his face.

      “Give me a receipt.”

1984

      Hero[3]

      They decided to call the baby Hero. Such an unusual name showed the despairing ambition of the parents, who used the birth of a son as a generally accepted pretext for giving up on their own lives and transferring all of their unfulfilled hope to the child. When Hero was old enough to understand the meaning of his name, he began to feel that people constantly expected him to provide some justification of this meaning. And since he provided no justification, the name elicited laughter at first and then derision.

      At school, for instance, he tried to distinguish himself in gymnastics classes, but neither strength nor agility was in his movements, and after the last in a sequence of failed exercises the instructor’s voice often thundered: “You there, Hero!” In an attempt to elude ridicule, Hero called himself Harold among his peers. But they soon found out somehow or other that he was not Harold but Hero.

      The older he grew the more hopelessly convinced he became that he could not fulfill the obligations imposed on him by his name; and by the time he entered technical college to become an engineer he was a stoop-shouldered young man with a stomach ulcer. Although he considered himself a writer and wrote poetry instead of taking notes at lectures, here again he was deficient in that heroism which in art is called “talent.” In his love life also something essential was lacking, and since women guessing this, paid him no particular attention, he developed in himself what is known as a lofty attitude, which allowed him to avoid taking any sort of initiative.

      One day the customary exchange of amorous experience was taking place in Hero’s peer group, and each boy discussed in detail the sensations felt and exhibited by his partners in love. Following the end of one lurid story, everyone turned to Hero, since it was his turn to talk. With a disdainful expression on his face Hero recited the following:

      “Better


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<p>3</p>

Hero was published in "Mid-American Review", a literary journal of Bowling Green State University, Volume VI, Number 2, 1986, p. 87–96.