Western Civilization. Paul R. Waibel

Western Civilization - Paul R. Waibel


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the virtues and morality of the old Roman Republic. Among the “greats” whom Augustus patronized, four names stand out as particularly noteworthy, Virgil (70–19 BC), Horace (65–8 BC), Livy (59 BC–AD 17), and Ovid (43 BC–AD 17).

      Virgil's Aeneid is considered the greatest piece of Roman poetry by Rome's greatest poet. It relates the exploits of Aeneas, son of Anchises and hero of the Trojan War after the fall of Troy. In so doing, it tells the story of the founding of Rome. The Aeneid became a national epic, and, like Homer's Iliad and Odyssey, served as an inspiration and model for many subsequent epics in Western literature, including those of Dante and John Milton.

      Livy was a historian whose History recorded the history of Rome from its foundation to Livy's own day. Only 35 of its 142 books have survived. The main theme in Livy's portrayal of Rome's history is the moral decline and corruption of the Roman citizens following the end of the Punic Wars. The pursuit of personal peace and luxury replaced the old virtues of civic duty.

      Ovid was a prolific poet and one of the leading figures in Roman society until his Art of Love, a sort of poetic handbook on how to seduce a lover, earned him the wrath of Augustus. His works were banished, and he was exiled to a remote corner of the Empire on the Black Sea.

      The Augustan Age was followed by the Silver Age, referring to a group of writers who wrote during the period between the death of Augustus and c. 130. Their works are considered “great,” but not of the caliber of the Augustan Age. Noteworthy in this group are the stoic philosopher, Senecca (4 BC–AD 65); Petronius (27–66), author of Satykricon; the historian Tacitus (56–117), who recorded the period 14–96, and tells us much of what we know about the Germanic tribes in his Histories, Annals, and Germania; Juvenal (c. 55–127 AD) who satirized the immoral lifestyle of the Roman aristocracy in Satires; Suetonius (70–130), whose sensational Lives of the Caesars portrays in tabloid fashion, the decadent lives of the Caesars from Julius to Domitian; and finally Plutarch (45–120), who provides parallel biographical sketches of famous Greeks and Romans in Parallel Lives.

      In other areas of cultural expression, the Romans tended to copy the Greeks. Roman sculptures are mostly copies of Greek originals. Portrait sculpture was one area in which the Romans broke with the past. They turned away from the idealized portraiture of the Greeks and portrayed the subject as he or she really was, with all the warts, scars, wrinkles, and other defects faithfully presented. Mosaics found wherever Romans settled was another area in which the Romans excelled. Few examples of Roman painting have survived, mostly in the ruins of Pompeii and Herculaneum, buried in 79 by the eruption of Mt. Vesuvius. Of Roman music, nothing remains. Those who have studied the references to it in Roman literature have concluded that we are not poorer for its loss.

      The nearly two centuries of world peace known as the Pax Romana, or Peace of Rome, was one of Rome's greatest achievements. Though it was a period of unparalleled peace and prosperity, looking back from the present, we can see there were signs of trouble ahead. One that played an increasingly important role in Rome's long decline was what was happening to the “soul” of the Roman Empire.

      The Mediterranean world was experiencing a spiritual crisis during the Pax Romana. The official state cults rooted in Greek mythology no longer provided answers to the perennial questions of meaning and purpose. Neither did Greek philosophy with its emphasis on reason. Stoicism, the most popular pseudo‐religion of the sophisticated classes, was fatalistic. Like the state cults, it did not provide any emotional satisfaction or hope for the individual. There was a widespread, unsatisfied spiritual longing among the masses who felt that their age was increasingly bankrupt, both morally and spiritually.

      Many people turned to the mystery religions that provided mysticism, emotional experience, and contact with the divine. The mystery religions originated in the East. Included among them were the cults of Cybele (Asia Minor), Isis (Egypt), Mithras (Persia), and the Unconquered Sun (Syria). The mystery religions were secret societies with elaborate initiatory rites. Most featured a god who had died and was resurrected. Initiates into the cult of Cybele, for example, were baptized in a shower of blood as a bull was slaughtered above them. The mystery religions had certain things in common with Christianity, but there were profound differences.

      A major difference between the mystery religions and Christianity was that Jesus of Nazareth (c. 4 BC–c. AD 30/33), the founder of Christianity, was an actual, historic figure, not a myth. Jesus was born in Bethlehem, an obscure corner of the empire, during the reign of Augustus and died during the reign of Tiberius. Virtually nothing is known of his youth, and what is known of his adult life and teaching is found in the Bible's New Testament.

      Jesus gathered a following over a period of three years during which he traveled throughout Judea, Samaria, and Galilee, accompanied by 12 followers whom he chose to be his disciples. His teachings were a clear threat to the Jewish establishment, whose teaching was based on a strict adherence to tradition. On the eve of the Jewish Passover, probably in the year 33 or 34, Jesus was executed by order of Pontius Pilate, Roman procurator (actually prefect, or governor) of Judea.

      Christianity may well have


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