Digital Media Ethics. Charles Ess

Digital Media Ethics - Charles  Ess


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pursuing classics and religious studies scholarship and translation, provided invaluable assistance with both Greek philosophy and English style.

      The deepest gratitude remains with my parents, Bob and Betty Ess. They have now passed on beyond us. Like any mother, she was always pleased with and proud of her children’s accomplishments – especially those that sought to be of use to others. She was especially happy to see me working on the first edition of this volume. In many ways, she was also the person primarily responsible for my pursuing philosophy: she loved discussing ideas and current events from a variety of perspectives – a practice hence deeply interwoven in our lives. My father provided unfailing care and encouragement, including the most exemplary kind – namely, supporting my ethical and political choices even when they differed sharply from his own. My parents’ examples and practices thus remain the foundations of the core values motivating this book – beginning with keen interest in different approaches and views, and the spirit of enacting deep care for others.

      Morally as well as physically, there is only one world, and we all have to live in it.

      (Midgley [1981] 1996, 119)

      We open with a classic case-study of cyberbullying that introduces representative ethical issues evoked by digital media. This case-study is accompanied by one of the primary pedagogical/teaching elements of the book – questions designed to foster initial reflection and discussion (for individuals, small groups, or a class at large), followed by additional questions that can be used for further reflection and writing.

      After an introduction to the main body of the chapter, the section “(Ethical) life in the (post-)digital age?” provides a first overview of digital media and their ethical dimensions. I also highlight how more popular treatments of these, however, can become counterproductive to clear and careful ethical reflection. We turn next to some of the distinctive characteristics of digital media – convergence, digital information as “greased,” and digital media as communication technologies – that occasion specific ethical issues treated in this volume. We then take up initial considerations on how to “do” ethics in the age of digital media. Finally, I describe the pedagogical features of the book and provide some suggestions for how it is designed to be used – including specific suggestions for the order in which the chapters may be read.

      Her stalker did not go away, and Amanda’s responses became more and more desperate. In September, 2012, she posted a video on YouTube that described her experience (www.youtube.com/watch?v=KRxfTyNa24A). On October 10, Amanda, now 15 years old, committed suicide. Her death – including her video – attracted significant attention: by February, 2013, it had logged over 4 million views, and has now been seen by tens of millions. Alongside the initial official investigations, the group Anonymous claimed to have identified her stalker and published his name and address: not surprisingly, he received death threats. Meanwhile, “Amanda Todd jokes” – and, presumably, the original pictures and video – continue to circulate online (Warren and Keneally 2012).

       first reflection/discussion/writing questions

      1. Given your experiences – and those of your friends and family – how do you react to Amanda Todd’s suicide after some three years of cyberbullying? For example, does it seem to you that this is indeed a serious problem for those of us living in “a digital age” – i.e., as immersed in a world of digital media more or less seamlessly interconnected and interwoven with our offline lives? Remember here that part of Amanda’s difficulty was that, while she could – and did – physically move and change schools, her stalker was always able to find her again easily through her online profile and activities.

      (B) Whatever your responses to “(A),” now go back and do your best to provide whatever reasons, grounds, feelings, and/or other sorts of claims and evidence that you can offer at this stage to support these first points.

      2. A common phenomenon in reporting on new technologies in “the media” is that of a “moral panic” (Drotner 1999). That is, stories are often developed around sensational – and so very often the sexual – but risky possibilities of a new technology. Sometimes a panic ensues – e.g., cries for new efforts somehow to regulate or otherwise restrain clearly undesirable behaviors and consequences. Such panics are not always misplaced: they can sometimes inspire responses and changes that may effectively improve our social and ethical lives. But for us, the difficulty is that such a “moral panic” reporting style has us frame (if we don’t think about it too much) new technologies and their possibilities in an “either/or” dilemma: we are caught between having to reject new technologies – e.g., as they lead, in this case, to the stalking and suicide of a young girl – or defending these technologies wholesale (as, for example, the US National Rifle Association finds itself compelled to do in the wake of every new school shooting: Pane 2018).

      Reflect on some of the examples of media coverage given here, as well as others that you can easily find on your own, perhaps with the help of the Wikipedia article on Amanda Todd (https://en.wikipedia.org/wiki/Suicide_of_Amanda_Todd). Compare these more popularly oriented accounts with more empirical research on cyberbullying, e.g.:

      Global Kids Online


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