Society of Singularities. Andreas Reckwitz

Society of Singularities - Andreas Reckwitz


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within this framework, to take a closer look at the specific structures of late modernity. And this is precisely what should be expected of sociology: that it should not fall prey to the ever-shifting trends of media debates, with their tug-of-war sort of emotional communication, but rather that it should analyze the longue durée of social development in terms of its structures and processes, which can be measured in decades (or even in centuries). With this perspective on (late) modernity in mind, it will be difficult to dismiss the idea that the opportunities and promises of today’s society have the same structural cause as its problems and dilemmas: they are both based on industrial society’s logic of the general losing its primacy to late-modern society’s logic of the particular.

      No simple assessments or short-term solutions should be expected from any sociological analysis of the society of singularities, and this is because the causes of the opportunities and the causes of the problems in today’s society cannot be neatly separated. On the contrary, they are identical. In themselves, processes of singularization are neither good nor bad. It is therefore no more appropriate to join a romantic celebration of singularities or the uncritical choir of hopeful optimists than it is to reserve a luxury suite at the “Grand Hotel Abyss” – that is, to offer a sweeping cultural-critical condemnation of late modernity as a refuge for irrational and calamitous affect against the general. This does not mean, however, that sociology should make itself too comfortable on the high seat of the distanced observer. In my understanding, it should rather be engaged in a critical analysis of the present and its genesis. For me, however, critical analysis does not mean normative theory. Rather, it entails developing a sensibility for the configurations of the social and its historicity in order to recognize how it engenders structures of domination and hegemony whose participants might only be hazily aware of them. In such a way, it is possible to identify significant fields of tension, unintended consequences, and new mechanisms of exclusion.15 Without imposing any conclusions itself, this book aims to consider the personal and political implications that can be drawn from the social constellation at the beginning of the twenty-first century.

      Having described the economic and technological foundations of the society of singularities, I then turn in Part V to the question of how it has affected lifestyles and the structure of society. Here it is shown that the contradictory basic formula of a singularistic lifestyle is that of “successful self-actualization” and that its most significant proponents are the members of the new, highly educated middle class. A central aspect of the social structure of late modernity is not only social, but also cultural, polarization between this new middle class and new underclass, a divide that involves aspects of the culturalization of inequality. Part VI is concerned with the singulariz­ation and culturalization of the political – with the politics of the particular. Here it is shown that late modernity is characterized by political antagonism between liberal hyperculture, which is the basis of both economic and social liberalism today, and communitarian cultural essentialism of various sorts. In my conclusion, I offer an outlook in response to the main socio-political question raised by the society of singularities: is there a crisis of the general?

      In a fundamental way, this study is connected to my previous book, which dealt with processes of social aestheticization.16 Thus, certain structural features, which I referred to there as the “creativity dispositif,” can also be found in the economy of singularities, its cultural capitalism, as well as in the digital culture machine and on the level of lifestyles. Now, however, my focus has shifted. Whereas The Invention of Creativity was chiefly concerned with historical genealogy, The Society of Singularities has at its heart a social-theoretical claim. On the one hand, it is more theoretically oriented, while on the other hand it is more strongly focused on the present. For this reason, I have also sought to address certain traditional issues of sociological analysis – labor, technology, class, and politics, for instance – in light of how the transformation to the society of singularities has affected such matters. My impression is that this shift of analytic focus from the guiding concept of creativity to that of singularity or singularization – and the concomitant shift from aestheticization to culturalization – has enabled me both to expand and to sharpen my perspective.17


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