Society of Singularities. Andreas Reckwitz
(London: Merlin Press, 1964). 4 On traditional religious systems, see Max Weber, The Sociology of Religion, trans. Ephraim Fischoff (Boston, MA: Beacon Press, 1999); and Helmut von Glasenapp, Die fünf Weltreligionen (Cologne: Dietrichs, 1985). On courtly cultures, see Norbert Elias, The Court Society, trans. Edmund Jephcott and Stephen Mennell (New York: Pantheon, 1983). On folk culture, see Mikhail Bakhtin, Rabelais and His World, trans. Hélène Iswolsky (Bloomington: Indiana University Press, 1984). 5 This is a multifaceted topic. See, for instance, Jan A. Aersten and Andreas Speer, eds., Individuum und Individualität im Mittelalter (Berlin: De Gruyter, 1996). 6 See, for example, Gottfried Kerscher, Architektur als Repräsentation: Spätmittelalterliche Palastbaukunst zwischen Pracht und zeremoniellen Voraussetzungen (Tübingen: Wasmuth, 2000). 7 See Chapter 1 in this Part. 8 See Manfred Hettling, “Bürgerliche Kultur: Bürgerlichkeit als kulturelles System,” in Sozial- und Kulturgeschichte des Bürgertums, ed. Peter Lundgreen (Göttingen: Vandenhoeck & Ruprecht, 2000), pp. 319–40; Thomas Nipperday, Wie das Bürgertum die Moderne fand (Stuttgart: Reclam, 1998); and Dieter Hein and Andreas Schulz, eds., Bürgerkultur im 19. Jahrhundert: Bildung, Kunst und Lebenswelt (Munich: Beck, 1996). 9 See the second chapter of Reckwitz, The Invention of Creativity, as well as Pierre Bourdieu, The Rules of Art: Genesis and Structure of the Literary Field, trans. Susan Emanuel (Stanford University Press, 1996); and Oskar Bätschmann, Ausstellungskünstler: Kult und Karriere im modernen Kunstsystem (Cologne: DuMont, 1997). 10 See Georg Bollenbeck, Bildung und Kultur: Glanz und Elend eines deutschen Deutungsmuster (Frankfurt am Main: Suhrkamp, 2001). 11 See Reckwitz, Das hybride Subjekt, pp. 204–30; Lothar Pikulik, Romantik als Ungenügen an der Normalität: Am Beispiel Tiecks, Hoffmanns, Eichendorffs (Frankfurt am Main: Suhrkamp, 1979); Gerald N. Izenberg, Impossible Individuality: Romanticism, Revolution, and the Origins of Modern Selfhood, 1787–1802 (Princeton University Press, 2001); Isaiah Berlin, The Roots of Romanticism, ed. Henry Hardy (Princeton University Press, 2014); and Taylor, Sources of the Self, pp. 368–92. 12 See Eric Hobsbawm, Nations and Nationalism since 1780: Program, Myth, Reality (Cambridge University Press, 1992); and Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism, 2nd edn. (London: Verso, 1991). Regarding Asia in particular, see Pankaj Mishra, From the Ruins of Empire: The Revolt Against the West and the Remaking of Asia (London: Penguin, 2012). 13 See T. J. Jackson Lears, Fables of Abundance: A Cultural History of Advertising in America (New York: Basic Books, 1993); and Janet Ward, Weimar Surfaces: Urban Visual Culture in 1920s Germany (Berkeley: University of California Press, 2001). 14 See Georg Simmel, “Fashion,” The American Journal of Sociology 62 (1957), pp. 541–8. 15 See Michael Makropoulos, “Massenkultur als Kontingenzkultur,” in Lautloses irren – Ways of Worldmaking Too …, ed. Harm Lux (Berlin: Harm Lux, 2003), pp. 151–73. 16 For further discussion of this phenomenon, see Reckwitz, Das hybride Subjekt, pp. 409–40. On consumption and imitation, see Whyte, The Organization Man, pp. 312–14. 17 In their book Dialectic of Enlightenment, however, Adorno and Horkheimer reduced the cinematic film to a place in which the commercial logic of the general could operate. 18 See Edgar Morin, The Stars (Minneapolis: University of Minnesota Press, 2005). 19 The “new middle class” has been analyzed from a number of different theoretical perspectives. From the perspective of the knowledge society, see Daniel Bell, The Coming of Post-Industrial Society: A Venture in Social Forecasting (New York: Basic Books, 1973); or Peter Drucker, Post-Capitalist Society (New York: Harper Business, 1994). From the perspective of post-Fordism, see Lazzarato’s essay “Immaterial Labor,” and Yann Moulier Boutang, Cognitive Capitalism, trans. Ed Emery (Cambridge: Polity, 2011). 20 See Ronald Inglehart, The Silent Revolution: Changing Values and Political Styles Among Western Publics (Princeton University Press, 1977); Paul Leinberger and Bruce Tucker, The New Individualists: The Generation After the Organization Man (New York: Harper Collins, 1991); and Daniel Bell, The Cultural Contradictions of Capitalism (New York: Basic Books, 1976). Recently, the transformation of values that has taken place in Germany has been empirically confirmed yet again – see Jutta Allmendinger, Das Land, in dem wir leben wollen: Wie die Deutschen sich ihre Zukunft vorstellen (Munich: Pantheon, 2017). 21 See Michael Piore and Charles Sabel, The Second Industrial Divide: Possibilities for Prosperity (New York: Basic Books, 1984); and David Harvey, The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (Oxford: Blackwell, 1989), pp. 121–200. 22 See Paul E. Ceruzzi, A History of Modern Computing (Cambridge, MA: MIT Press, 2003). 23 See Marion von Osten, ed., Norm der Abweichung (Zurich: Edition Voldemeer, 2003).
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