Jack. Alphonse Daudet
was to be seen. The negro, with his head on his hands, his eyes fixed as in a trance, looked like a little black silhouette against a scarlet background. His mouth opened in intense delight, and his eyes were perfectly round. He seemed to be drinking in the heat and the light with the greatest avidity, while outside the snow had begun to fall silently and slowly.
Jack was very sad, for he fancied that Moronval had a wicked look, notwithstanding his honeyed words. And, then, in this strange house the poor child felt himself utterly lost and desolate, discarded by his mother, and rendered still more miserable by the vague idea that these colored pupils, from every corner of the globe, had brought with them an atmosphere of unhappiness and of restlessness. He remembered, too, the Jesuits’ college, so fresh and sweet; the fine trees, the green-houses, the whole appearance of refinement, and the kind hand of the Superior laid for a moment upon his head.
Ah! why had he not remained there? And as this occurred to him, he said to himself, that perhaps they would not have him here either. He looked toward the table. There by the big register the husband and wife were busy whispering with Madame Constant. They looked at him, and he caught a word now and then. The little woman sighed, and twice Jack heard her say, as did the priest—“Poor child!”
She also pitied him. And why? What was he, then, that they pitied him? Jack asked himself.
This compassion that others felt for him weighed sorely on his little heart. He could have wept with shame, for in his childish mind he attributed this disdainful compassion to some peculiarity of costume, his bare legs, or his long curls.
But he thought of his mother’s despair. Should he meet with another refusal? Suddenly he saw Constant draw her purse and hand to the principal some notes and gold pieces. Yes, they were going to keep him. He was delighted, poor child, for he little knew that the great misfortune of his life was now inaugurated there in that room.
At this moment a tremendous bass voice came up from the garden below, singing the chorus of an old song. The windows of the room had not recovered from the shock, when a stout, short man, in a velvet coat, close-cut hair, and heavy beard, burst into the room.
“Hallo!” he cried, in a tone of comic astonishment, “a fire in the parlor? What a luxury!” and he drew a long breath. In fact, the new-comer was in the habit of drawing long breaths at the end of each sentence, a habit he had acquired in singing; and these breaths were almost like the roaring of a wild beast. Catching sight of the strangers and the pile of money, he stopped short with the words on his lips. Delight and surprise succeeded each other on his countenance, whose muscles seemed habituated to all facial contortions.
Moronval turned gravely toward the waiting woman. “M. Labassandre, of the Imperial Academy of Music, our Professor of Music.” Labassandre bowed once, twice, three times, and then, by way of restoring his self-possession, and putting matters at once on a pleasant footing for all parties, administered a kick to the black boy, who did not seem at all astonished, but picked himself up and disappeared from the room.
The door again opened, and two persons entered. One was very ugly—a mean face without a beard, huge spectacles with convex glasses, and wearing an overcoat buttoned to the chin, which bore all up and down the front too visible indications of-the awkwardness of a near-sighted man. This was Dr. Hirsch, Professor of Mathematics and of Natural Sciences. He exhaled a strong odor of alkalies, and, thanks to his chemical manipulations, his fingers were every color of the rainbow. The last comer was very different. Imagine a handsome man, dressed with the greatest care, scrupulously gloved and shod, his hair thrown back from a forehead already unnaturally high. He had a haughty, aggressive air; his heavy blonde moustache, much twisted at the ends, and a large, pale face, gave him the look of a sick soldier.
Moronval presented him as “our great poet, Amaury d’Argenton, Professor of Literature.”
He, too, looked as astonished, when he caught sight of the gold pieces, as did Dr. Hirsch and the singer Labassandre. His cold eyes had a gleam of light, but it disappeared as he glanced from the child to his nurse.
Then he approached the other professors standing in front of the fire, and, saluting them, listened in silence. Madame Constant thought this Argenton looked proud; but upon Jack the man made a very strong impression, and the child shrank from him with terror and repugnance.
Jack felt that all these men might make him wretched, but this one more than all others. Instinctively, on seeing him enter, the child felt him to be his future enemy, and that cold, hard glance meeting his own, froze him to the core of his heart. How many times, in days to come, was he to encounter those pale, blue eyes, with half-shut, heavy lids, whose glances were cold as steel! The eyes have been called the windows of the soul, but D’Argenton’s eyes were windows so closely barred and locked, that one had no reason to suppose that there was a soul behind them.
The conversation finished between Moronval and Constant, the principal approached his new pupil, and giving him a little friendly tap on the cheek, he said, “Come, come, my young friend, you must look brighter than this.”
And in fact, Jack, as the moment drew near that he must say farewell to his mother’s maid, felt his eyes swimming in tears. Not that he had any great affection for this woman, but she was a part of his home, she saw his mother daily, and the separation was final when she was gone.
“Constant,” he whispered, catching her dress, “you will tell mamma to come and see me.”
“Certainly. She will come, of course. But don’t cry.”
The child was sorely tempted to burst into tears; but it seemed to him that all these strange eyes were fixed upon him, and that the Professor of Literature examined him with especial severity: and he controlled himself.
The snow fell heavily. Moronval proposed to send for a carriage, but the maid said that Augustin and the coupé were waiting at the end of the lane.
“A coupé!” said the principal to himself, in astonished admiration.
“Speaking of Augustin,” said she: “he charged me with a commission. Have you a pupil named Said?”
“To be sure—certainly—a delightful person,” said Moronval.
“And a superb voice. You must hear him,” interrupted Labassandre, opening the door and calling Said in a voice of thunder.
A frightful howl was heard in reply, followed by the appearance of the delightful person.
An awkward schoolboy appeared, whose tunic, like all tunics, and, indeed, like all the clothing of boys of a certain age, was too short and too tight for him; drawn in, in the fashion of a caftan, it told the story at once of an Egyptian in European clothing. His features were regular and delicate enough, but the yellow skin was stretched so tightly over the bones and muscles that the eyes seemed to close of themselves whenever the mouth opened, and vice versa.
This miserable young man, whose skin was so scanty, inspired you with a strong desire to relieve his sufferings by cutting a slit somewhere. He at once remembered Augustin, who had been his parents’ coachman, and who had given him all his cigar-stumps.
“What shall I say to him from you?” asked Constant, in her most amiable tone.
“Nothing,” answered Said, promptly.
“And your parents, how are they? Have you had any news from them lately?”
“No.”
“Have they returned to Egypt, as they thought of doing?”
“Don’t know: they never write.”
It was evident that this pupil of the Moronval Academy had not been educated in the art of conversation, and Jack listened with many misgivings.
The indifferent fashion with which this youth spoke of his parents, added to what M. Moronval had previously said of the family influences of which most of his pupils had been deprived since infancy, impressed him unfavorably.
It seemed to the child that he was to live