Old Kensington. Anne Thackeray Ritchie

Old Kensington - Anne Thackeray Ritchie


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a faulty creature, frail and delicate, and of little power; and yet, with all my faults, I feel that I am necessary to him, and, wreck as I am, there are those who do not utterly forget me. And, as he says with his quaint humour, there is not much to choose between the saints and sinners of the world. A thousand thousand kisses to my precious children. You will bring them to meet me next year, will you not, when Captain Palmer promises that I shall return to my real home—for your home is my home, is it not?

      For the present, I remain on a visit to my friend Mrs. M'Grudder, an intimate friend of Captain Palmer, with one only daughter.

      The marriage will not, of course, take place for six weeks. Joanna will describe her brother to you. I am anxious to hear all she says about Hawtry and myself and our marriage. Pray announce my great news to my darlings. Let them write to me without reserve.

      Ever, dearest Sarah,

       Your very devoted

       Philippa.

      Poor Lady Sarah read the letter one white, cold, east-windy day, when the sun shone, and the dry, parching wind blew the wreaths of dust along the ground. As she read the curious, heartless words, it seemed to her that the east-wind was blowing into the room—into her heart—drying up all faith in life, all tears for the past, all hope for the future. Had she a heart, this cruel woman, poor Stan's wife and Dolly's mother? Can women live and be loved, and bear children, and go through life without one human feeling, one natural emotion; take every blessing of God, and every sacred sorrow, and live on, without knowing either the blessing or the sorrow? Lady Sarah tore the letter up carefully and very quietly, for Dolly was by her side, and would have asked to see it. She was not angry just then, but cold and sad, unspeakably sad. 'Poor woman!' she thought, 'was this all; this the end of Stan's tender life devotion; this the end of his pride and tender trust?' She could see him now, whispering to Philippa, as they sat together on the old bench by the pond, a handsome pair, people said, and well suited. Well suited! She got up shivering from her chair, and went to the fire, and threw the letter in, shred by shred, while the sun poured in fierce, and put out the flames.

      'Are you cold, Aunt Sarah?' said Dolly, coming to her side. Sarah moved away. She was afraid that even now it was burnt Dolly might read the cruel letter in the fire. 'For my children's sake!' The little red flames seemed to be crackling the words, as they smouldered among the coals, and a shrill, sudden blast against the window seemed hissing out that Captain Palmer was a man of iron will. As they stood side by side, Lady Sarah looked steadily away from little Dolly's eyes, and told her that her mamma was going to marry again.

      Poor Dolly turned the colour of the little flames when her aunt told her. She said nothing, not even to Rhoda, nor to Mrs. Morgan, who called immediately upon hearing the rumour. Lady Sarah was not at home, but Mrs. Morgan came in all the same, and closely questioned Dolly upon the subject.

      'What is the gentleman's name, my dear?' she asked.

      'I don't know,' said Dolly.

      'Why, Mr. Palmer, to be sure,' said Rhoda.

      In due time the news came of the marriage, and then poor Aunt Sarah had to wipe her eyes, and to give up writing on black-edged paper. The clocks went round and round, and the earth rolled on, and seasons spread their feasts, and the winds swept them away in turn; summer burnt into autumn in cloud and vapour. The winter came closing in, and the snow fell thick upon the lanes and the gardens, on the Kensington house-tops and laurel-trees, on the old church tower, and the curate's well-worn waterproof cape, as he trudged to and fro. It fell on the old garden walls and slanting roof of Church House, with little Dolly, safe sheltered within, warming herself by the baked Dutch tiles.

       Table of Contents

       Table of Contents

      D'un linceuil de point d'Angleterre

       Que l'on recouvre sa beauté …

       Que des violettes de parme

       Au lieu des tristes fleurs des morts,

       Où chaque fleur est une larme,

       Pleuvent en bouquets sur son corps.

      —T. Gautier.

      There are old houses in other places besides Kensington. Perhaps, it is from early associations that Dolly has always had so great a liking for walls furnished with some upholstery of the past, and set up by strong hands that seem to have had their own secrets for making their work last on. Some of these old piles stand like rocks, defying our lives as they have defied the generations before us. We come upon them everywhere, set upon high hills, standing in wide country-places, crowded into the narrow streets of a city. Perhaps it is the golden Tiber that flows past the old doorways, perhaps it is the Danube rushing by, or the grey Thames running to the marshes, or the Seine as it shines between the banks. There is an old house in the Champs Elysées at Paris where most English people have lived in turn, and to which Dolly's fate brought her when she was about twelve years old.

      The prompter rings the bell, and the scene shifts to the Maison Vâlin, and to one night, twenty years ago, when the two little girls were tucked up in bed. The dim night-light was put on the round marble table, the curtains were drawn, but all the same they could hear the noise of the horses trampling and the sabots clanking in the courtyard down below. Lady Sarah had sent her little niece to bed, and she now stood at the door and said, 'Good-night, my dears.' The second nightcap was only that of a little stray school-girl come to spend a holiday, from one of those vast and dreary establishments scattered all about the deserted suburbs of the great city: of which the lights were blazing from the uncurtained drawing-room windows, and its great semicircle of dark hills flashing.

      Lady Sarah had come to Paris to meet Dolly's mamma, who had been married more than a year by this time, and who was expected home at last. She was coming alone, she wrote. She had at length received Captain Palmer's permission to visit her children; but not even her wishes could induce him to quit his beloved frigate. She should, therefore, leave him cruising along the Coromandel coast, and start in January, for which month her passage was taken. She implored Lady Sarah to meet her in Paris, where some weeks' rest would be absolutely necessary, she said, to recruit her strength after the fatigue of her journey; and Lady Sarah, with some misgiving, yielded to Dolly's wistful entreaties, and wrote to her old friend the Rev. W. Lovejoy, of the Marmouton Chapel, to take rooms for her for a few weeks, during which Dolly might improve her French accent and her style of dancing (Dolly had been pronounced clumsy by Mrs. Morgan) in the companionship of little Rhoda, who had been sent some time before to be established for a year in a boarding-school near Paris, there to put on the armour of accomplishments that she would require some day in the dismal battle of life.

      John Morgan had been loth that the little girl should go; he was afraid the child might feel lonely away from them all; but Rhoda said, very sensibly, that, if she was to be a governess, she supposed she had better learn things. So Rhoda was sent off for a year to Madame Laplanche's, towards the end of which time Lady Sarah came to Paris with Dolly and the faithful Marker in attendance.

      Dolly did not trouble her head very much about her accent, but she was delighted to be with her friend again, to say nothing of seeing the world and the prospect of meeting her mother. She went twice a week to Rhoda's school to learn to point her bronze toes and play on the well-worn piano; and then every morning came Madame de St. Honoré, an old lady who instructed Mademoiselle Dolli in the grammar and literature of the country to which she belonged. French literature, according to Madame de St. Honoré, was in one snuffy volume which she happened to possess. Dolly asked no questions, and greatly preferred stray scenes out of Athalie and odd pages from Paul and Virginia to Noel and Chapsal, and l'Abbé Gaultier's Geography. The two would sit at the dining-room table with the windows open, and the cupboards full of French china, and with the


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