Old Kensington. Anne Thackeray Ritchie
dear who would listen to the praises of her children.
Robert Henley, as I have said, was also studying with John Morgan. He had just left Eton. Lady Sarah asked him to Church House at her sister-in-law's request; but he did not often find time to come and see them. He used to be tramping off to Putney, where he and his friend Frank Raban kept a boat; or they would be locked up together with ink and blots and paper in John Morgan's study. Raban was older than Henley. He was at College, but he had come up for a time to read for his degree.
Old Betty, the cook at John Morgan's, was a Yorkshire woman, and she took a motherly interest in the pupils. She had much to say about young Mr. Raban, whose relations she knew in Yorkshire. Betty used to call Frank Raban 'a noist young man.'
'He's Squoire's hair and grandsun loike,' she told Rhoda and Dolly one day. 'They cannot do n' less nor roast a hox when 'a cooms t' hage.'
After this Rhoda used to stand on tip-toe and respectfully peep through the study window at the heads and the books and the tobacco-smoke within; but there was a big table in the way, and she could never see much more than her own nose reflected in the glass. Once or twice, when George was in the way, as a great favour he would be allowed to accompany the young men in one of their long expeditions in big boots. They would come home late in the evening, tired and hungry and calling out for food. At whatever hour they came old Betty had a meal of cold meat and cake for them, of which George partook with good appetite. At Church House, if George was late for dinner he had to wait for tea and thin bread-and-butter at eight o'clock. Lady Sarah, who had fought many a battle for George's father, now—from some curious retrospective feeling—seemed to feel it her duty to revive many of her late husband's peculiarities, and one of them was that nothing was to be allowed to interfere with the routine of the house. Routine there was none at the curate's, although there were more hours, perhaps, than in any other house in Old Street. The sun rose and set, the seasons drifted through the back garden in changing tints and lights, each day brought its burden, and the dinner-time was shifted to it.
CHAPTER IV.
AN AFTERNOON AT PENFOLD'S.
Whilst yet the calm hours creep,
Whilst flowers are gay,
Whilst eyes that change ere night
Make glad the day,
Whilst yet the calm hours creep,
Dream thou, and from thy sleep
Then wake to weep.
To this day Dolly remembers the light of a certain afternoon in May when all was hot and silent and sleepy in the school-room at Church House. The boards cracked, the dust-moats floated; down below, the garden burnt with that first summer glow of heat that makes a new world out of such old, well-worn materials as twigs, clouds, birds, and the human beings all round us. The little girls had been at work, and practised, and multiplied, and divided again; they had recollected various facts connected with the reign of Richard the Second. Mademoiselle had suppressed many a yawn, Dolly was droning over her sum—six and five made thirteen—over and over again. 'That I should have been, that thou shouldst have been, that he shouldst have been,' drawled poor little Rhoda. Then a great fly hums by, as the door opens, and Lady Sarah appears with a zigzag of sunlight shooting in from the passage—a ray of hope. Lady Sarah has her bonnet on, and a sort of put-away-your-lessons-children face.
Is there any happiness like that escape on a summer's day from the dull struggle with vacuity, brown paper-covered books, dates, ink-blots, cramps, and crotchets, into the open air of birds, sounds, flowers, liberty everywhere? As the children come out into the garden with Lady Sarah, two butterflies are flitting along the terrace. The Spanish jessamine has flowered in the night, and spreads its branches out fragrant with its golden drops. Lady Sarah gathers a sprig and opens her parasol. She is carrying a book and a shawl, and is actually smiling. The pigeons go whirring up and down from their pigeon-cote high up in the air. Four o'clock comes sounding across the ivy-wall, the notes strike mellow and distinct above the hum of human insects out and about. Half Lady Sarah's district is sunning itself on the door-steps, children are squatting in the middle of the road. The benches are full in Kensington Gardens, so are the steamers on the river. To these people walking in their garden there comes the creaking sound of a large wheelbarrow, and at the turn of the path they discover Mr. Penfold superintending a boy and a load of gravel. Mr. Penfold is a cheerful little man, with gloomy views of human nature. According to Penfold's account there were those (whoever they might be) who was always a plotting against you. They was hup to everything, and there was no saying what they was not at the bottom of. But Penfold could be heven with them, and he kep' hisself to hisself, and named no names. Dolly felt grateful to these unknown beings when she heard Mr. Penfold telling Lady Sarah they had said as how that Miss Dorothea 'ad been makin' hinquiry respectin' of some puppies. He did not know as how she wished it generally know'd, but he might mention as he 'ad two nice pups down at his place, and Miss Dorothea was welcome to take her choice.
It is a dream Dolly can scarcely trust herself to contemplate. Lady Sarah does not say no, but she looks at her watch, telling Dolly to run back to the house, and see if the post is come in, and continues graciously, 'I am much obliged to you, Penfold; I have no doubt Miss Dorothea will be glad to have one of your puppies. What is your daughter doing? Is she at home?'
'Yes, my lady,' says Penfold, mysteriously pointing over his shoulder with his thumb. 'They would have 'ad us send the gurl away, but she is a good gurl, though she takes her own way, and there are those as puts her hup to it.'
'We all like our own way, without anybody's suggestions,' said Lady Sarah, smiling. Then Dolly comes flying from the house, and tumbles over a broom-stick, so that she has to stop to pick up her handful of letters.
'Thank you, my dear: now if you like we will go and see the puppies,' says Aunt Sarah. 'No Indian letter' (in a disappointed voice). 'I wish your mother would——. Run on, Dolly.'
So Dolly runs on with Rhoda, thinking of puppies, and Lady Sarah follows thinking of her Indian letter, which is lying under the laurel-tree where Dolly dropped it, and where Penfold presently spies it out and picks it up, unconscious of its contents. After examining the seal and some serious thought, he determines to follow the trio. They have been advancing in the shadow of the hedges, through the gaps of which they can see people at work in the sunshiny cabbage-fields. Then they come to Earl's Court, and its quaint old row of houses, with their lattices stuffed with spring-flowers, and so to the pond by the road-side (how cool and deep it looked as they passed by), and then by the wicket-gate they wander into Penfold's orchard, of which some of the trees are still in flower, and where Lady Sarah is soon established on the stump of a tree. Her magazine pages flutter as the warm, sweet winds come blowing from across the fields—the shadows travel on so quietly that you cannot tell when they go or whither. There is no sound but a little calf bleating somewhere. Rhoda is picking daisies in the shade, Dolly is chirping to herself by the hedge that separates the orchard from the Penfolds' garden. There is a ditch along one part of the hedge, with a tangle of grass and dock-leaves and mallows; a bird flies out of the hedge, close by Dolly's nose, and goes thrilling and chirping up into the sky, where the stars are at night; the daisies and buttercups look so big, the grass is so long and so green; there are two purple flowers with long stalks close at hand, but Dolly does not pick them; her little heart seems to shake like the bird's song, it is all so pretty; the dandelions are like lamps burning. She tries to think she is a bird, and that she lives in the beautiful hedges.
From behind the hawthorn hedge some voices come that Dolly should certainly know. …
'You'll believe me another time,' cries some one, with a sort of sniff, and speaking in tones so familiar that Dolly, without an instant's hesitation, sets off running to the wicket-gate, which had been left open, and through