In the Roar of the Sea. S. (Sabine) Baring-Gould
and the body was recovered headless on the Doom Bar. That violence had been used was undoubted, but who had committed the crime was not known, though suspicion pointed to Coppinger. Thenceforth none ever called him Curll; by one consent he was named Cruel. In the West of England every one is given his Christian name. An old man is Uncle, and an old woman Aunt, and any one in command is a Captain. So Coppinger was known as Captain Cruel, or as Cruel Coppinger.
Strange vessels were often seen appearing at regular intervals on the coast, and signals were flashed from the one window of Pentyre Glaze that looked out to sea.
Among these vessels, one, a full-rigged schooner, soon became ominously conspicuous. She was for long the terror of the Cornish coast. Her name was The Black Prince. Once, with Coppinger on board, she led a revenue cutter into an intricate channel among the rocks, where, from knowledge of the bearings, The Black Prince escaped scathless, while the king’s vessel perished with all on board.
Immunity increased Coppinger’s daring. There were certain bridle-roads along the fields over which he exercised exclusive control. He issued orders that no man should pass over them by night, and accordingly from that hour none ever did.[A]
[A] Many stories of Cruel Coppinger may be found in Hawker’s Footprints of Former Men in Cornwall. I have also told them in my Vicar of Morwenstow. I have ventured to translate the scene of Coppinger’s activity further west, from Wellcombe to S. Enodoc. But, indeed, he is told of in many places on this coast.
Moreover, if report spoke true—and reports do not arise without cause—Coppinger was not averse from taking advantage, and that unlawful advantage, of a wreck. By “lawful” and “unlawful” two categories of acts are distinguished, not by the laws of the land but by common consent of the Cornish conscience. That same Cornish conscience distinguished wrecking into two classes, as it distinguished then, and distinguishes still, witchcraft into two classes. The one, white witchcraft, is legitimate and profitable, and to be upheld; the other, black witchcraft, is reprehensible, unlawful, and to be put down. So with wrecking. The Bristol Channel teemed with shipping, flights of white sails passed in the offing, and these vessels were, when inward bound, laden with sugars and spices from the Indies, or with spirits and wines from France. If outward bound they were deep in the water with a cargo of the riches of England.
Now, should a gale spring up suddenly and catch any of these vessels, and should the gale be—as it usually is, and to the Cornish folk, favorably is—from the northwest, then there was no harbor of refuge along that rock-bound coast, and a ship that could not make for the open was bound inevitably to be pounded to pieces against the precipitous walls of the peninsula. If such were the case, it was perfectly legitimate for every householder in the district to come down on the wreck and strip it of everything it contained.
But, on the other hand, there was wrecking that was disapproved of, though practised by a few, so rumor said, and that consisted in luring a vessel that was in doubt as to her course, by false signals, upon a reef or bar, and then, having made a wreck of her, to pillage her. When on a morning after a night in which there had been no gale, a ship was found on the rocks, and picked as clean as the carcase of a camel in the desert, it was open to suspicion that this ship had not been driven there by wind or current; and when the survivors, if they reached the shore, told that they had been led to steer in the direction where they had been cast away by certain lights that had wholly deceived them, then it was also open to suspicion that these lights had been purposely exhibited for the sake of bringing that vessel to destruction; and when, further, it was proved that a certain set or gang of men had garnered all the profits, or almost all the profits, that accrued from a wreck, before the countryside was aware that a wreck had occurred, then it was certainly no very random conjecture that the wreck had been contrived in some fashion by those who profited by it. There were atrocious tales of murder of shipwrecked men circulating, but these were probably wholly, or at all events in part, untrue. If when a vessel ran upon the rocks she was deserted by her crew, if they took to the boats and made for shore, then there remained no impediment to the wreckers taking possession; it was only in the event of their finding a skipper on board to maintain right over the grounded vessel, or the mariners still on her engaged in getting her off, that any temptation to violence could arise. But it was improbable that a crew would cling to a ship on such a coast when once she was on the breakers. It was a moral certainty that they would desert her, and leave the wreck to be pillaged by the rats from shore, without offer of resistance. The character of the coast-wreckers was known to seamen, or rather a legend full of horror circulated relative to their remorseless savagery. The fear of wreckers added to the fear of the sea would combine to drive a crew, to the last man, into the boats. Consequently, though it is possible that in some cases murder of castaway men may have occurred, such cases must have been most exceptional. The wreckers were only too glad to build a golden bridge by which the wrecked might escape. Morally, without a question, those who lured a hapless merchantman upon the rocks were guilty of the deaths of those sailors who were upset in their boats in escaping from the vessel, or were dashed against the cliffs in their attempts to land, but there was no direct blood-guiltiness felt in such cases; and those who had reaped a harvest from the sea counted their gains individually, and made no estimate of the misery accruing thereby to others.
CHAPTER IV.
HOP-O’-MY-THUMB.
“Listen to me,” said Judith.
“Yes, Ju!”
The orphans were together in the room that had been their father’s, the room in which for some days he had lain with the blinds down, the atmosphere heavy with the perfume of flowers, and that indescribable, unmistakable scent of death. Often, every day, almost every hour, had Judith stolen into the room while he lay there, to wonder with infinite reverence and admiration at the purity and dignity of the dead face. It was that of the dear, dear father, but sublimed beyond her imagination. All the old vacillation was gone, the expression of distress and discouragement had passed away, and in their place had come a fixity and a calm, such as one sees in the busts of the ancient Roman Cæsars, but with a superadded ethereality, if such a word can be used, that a piece of pagan statuary never reached. Marvellous, past finding out, it is that death, which takes from man the spiritual element, should give to the mere clay a look of angelic spirituality, yet so it is—so it was with the dead Peter Trevisa; and Judith, with eyes filling as fast as dried, stood, her hands folded, looking into his face, felt that she had never loved, never admired him half enough when he was alive. Life had been the simmer in which all the scum of trivialities, of infirmities, of sordidness had come to and shown itself on the surface. Now Death had cleared these all away, and in the peaceful face of the dead was seen the real man, the nobility, sanctity, delicacy that formed the texture of his soul, and which had impressed the very clay wrapped about that volatile essence.
As long as the dear father’s body lay in the house Judith had not realized her utter desolation. But now the funeral was over, and she had returned with her brother to the parsonage, to draw up the blinds, and let the light once more enter, and search out, and revivify the dead rooms.
She was very pale, with reddened eyes, and looking more fragile and transparent than ever she did before, worn and exhausted by tearful, wakeful nights, and by days of alternating gusts of sorrow and busy preparation for the funeral, of painful recollections of joyous days that were past, and of doubtful searchings into a future that was full of cloud.
Her black frock served to enhance her pallor, and to make her look thinner, smaller than when in white or in color.
She had taken her place in her father’s high-backed leather chair, studded thick with brass nails, the leather dulled and fretted by constant use, but the nail-heads burnished by the same treatment.
Her brother was in the same chair with her; both his arms