The Glory of English Prose. Stephen Coleridge

The Glory of English Prose - Stephen Coleridge


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Joseph made haste; for his bowels did yearn upon his brother: and he sought where to weep; and he entered into his chamber, and wept there."

      The whole of the forty-fifth chapter is touching and beautiful beyond all criticism, transcending all art. To read it is to believe every word of it to be true, and to recognise the sublimity of such a relation.

      No narrative of the great Greek writers reaches the heart so directly and poignantly as does this astonishing story. It moves swiftly and surely along from incident to incident till Joseph's loving soul can contain itself no more:—

      "Then Joseph could not refrain himself before all of them that stood by him; and he cried, Cause every man to go out from me.

      "And there stood no man with him, while Joseph made himself known unto his brethren.

      "And he wept aloud: and the Egyptians and the house of Pharaoh heard.

      "And Joseph said unto his brethren, I am Joseph; doth my father yet live? And he fell upon his brother Benjamin's neck, and wept; and Benjamin wept upon his neck. Moreover he kissed all his brethren and wept upon them.

      "And after that his brethren talked with him."

      And this wonderful chapter ends thus:—

      "And they went up out of Egypt, and came unto the land of Canaan unto Jacob their father, and told him, saying, Joseph is yet alive, and is governor over all the land of Egypt.

      "And Jacob's heart fainted, for he believed them not.

      "And they told him all the words of Joseph, which he had said unto them: and when he saw the wagons which Joseph had sent to carry him, the spirit of Jacob their father revived:

      "And Israel said, It is enough; Joseph my son is yet alive: I will go and see him before I die."

      If you read the story of Joseph through from start to finish, you will see that it is a perfect narrative of the life of a man without fault, who suffered much but without resentment, was great of heart in evil days, and, when Fortune placed him in a position of glory and greatness, showed a stainless magnanimity and a brotherly love that nothing could abate. It is the first and most perfect story in literature of the nobility of man's soul, and as such it must remain a treasured and priceless possession to the world's end.

      In the short Book of Ruth there lies embalmed in the finest English a very tender love story, set in all the sweet surroundings of the ripening corn, the gathered harvest, and the humble gleaners. Nothing can be more delightful than the direction of Boaz, the great land-owner, to his men, after he had espied Ruth in her beauty gleaning in his fields:—

      "And when she was risen up to glean, Boaz commanded his young men, saying, Let her glean even among the sheaves, and reproach her not:

      "And let fall also some of the handfuls on purpose for her, and leave them, that she may glean them, and rebuke her not."

      This little gem in the books of the Bible inspired Hood to write one of his most perfect lyrics:—

      "She stood breast high amid the corn

       Clasped by the golden light of morn,

       Like the sweetheart of the sun,

       Who many a glowing kiss had won.

      Thus she stood amid the stocks,

       Praising God with sweetest looks.

       Sure, I said, Heaven did not mean

       Where I reap thou should'st but glean;

       Lay thy sheaf adown and come,

       Share my harvest and my home."

      That the Bible was translated into English at the time when the language was spoken and written in its most noble form, by men whose style has never been surpassed in strength combined with simplicity, has been a priceless blessing to the English-speaking race. The land of its birth, once flowing with milk and honey, has been for long centuries a place of barren rocks and arid deserts: Persians and Greeks and Romans and Turks have successively swept over it; the descendants of those who at different times produced its different books are scattered to the ends of the earth; but the English translation has for long years been the head corner-stone in homes innumerable as the sands of the sea in number.

      No upheavals of the earth, no fire, pestilence, famine, or slaughter, can ever now blot it out from the ken of men.

      When all else is lost we may be sure that the old English version of the Bible will survive. "Heaven and earth shall pass away, but my words shall not pass away."

      Do not think it enough therefore, Antony, to hear it read badly and without intelligence or emotion, in little detached snippets, in church once a week.

      Read it for yourself, and learn to rejoice in the perfect balance, harmony, and strength of its noble style.

      Your loving old

       G.P.

       Table of Contents

      My Dear Antony,

      I could write you many letters like my last one about the Bible, and perhaps some day I will go back to that wonderful Book and write you some more letters about it; but now I will go on and tell you about some of the great writers of English prose that came after the translation of the Bible.

      Those translators were the great founders of the English language, which is probably on the whole the most glorious organ of human expression that the world has yet known.

      It blends the classic purity of Greek and the stately severity of Latin with the sanguine passions and noble emotions of our race.

      A whole life devoted to its study will not make you or me perfectly familiar with all the splendid passages that have been spoken and written in it. But I shall show in my letters, at least some of the glorious utterances scattered around me here in my library, so that you may recognise, as you ought, the pomp and majesty of the speech of England.

      One of the great qualities that was always present in the writings of Englishmen from the time of Elizabeth down to the beginning of the nineteenth century was its restraint.

      Those men never became hysterical or lost their perfect self-control.

      The deeper the emotion of the writer the more manifest became the noble mastery of himself.

      When Sir Walter Ralegh, that glorious son of Devon, from which county you and I, Antony, are proud to have sprung, lay in the Tower of London awaiting his cowardly and shameful execution the next day at the hands of that miserable James I., writing to his beloved wife, with a piece of coal, because they even denied him pen and ink, face to face with death, he yet observed a calm and noble language that is truly magnifical—to use the old Bible word.

      "For the rest," he wrote, "when you have travailed and wearied your thoughts on all sorts of worldly cogitations, you shall sit down by sorrow in the end. Teach your son also to serve and fear God while he is young, that the fear of God may grow up in him. Then will God be a Husband unto you and a Father unto him; a Husband and a Father which can never be taken from you.

      "I cannot write much. God knows how hardly I stole this time when all sleep; and it is time to separate my thoughts from the world.

      "Beg my dead body, which living was denied you; and either lay it at Sherburne, if the land continue, or in Exeter Church by my father and mother. I can write no more. Time and Death call me away.

      "The Everlasting, Infinite, Powerful and Inscrutable God, that Almighty God that is goodness itself, mercy itself, the true life and light, keep you and yours, and have mercy on me and teach me to forgive my persecutors and false accusers, and send us to meet in His Glorious Kingdom. My true wife, farewell. Bless my poor boy, pray for me. My true God hold you both in His Arms.

      "Written with


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