A Life of William Shakespeare with portraits and facsimiles. Sir Sidney Lee

A Life of William Shakespeare with portraits and facsimiles - Sir Sidney Lee


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108 VIII—THE BORROWED CONCEITS OF THE SONNETS Slender autobiographical element in Shakespeare’s sonnets 109 The imitative element 109 Shakespeare’s claims of immortality for his sonnets a borrowed conceit 113 Conceits in sonnets addressed to a woman 117 The praise of ‘blackness’ 118 The sonnets of vituperation 120 Gabriel Harvey’s Amorous Odious sonnet 121 Jodelle’s Contr’ Amours 122 IX—THE PATRONAGE OF THE EARL OF SOUTHAMPTON Biographic fact in the ‘dedicatory’ sonnets 125 The Earl of Southampton the poet’s sole patron 126 Rivals in Southampton’s favour 130 Shakespeare’s fear of another poet 132 Barnabe Barnes probably the chief rival 133 Other theories as to the chief rival’s identity 134 Sonnets of friendship 136 Extravagances of literary compliment 138 Patrons habitually addressed in affectionate terms 139 Direct references to Southampton in the sonnets of friendship 142 His youthfulness 143 The evidence of portraits 144 Sonnet cvii. the last of the series 147 Allusions to Queen Elizabeth’s death 147 Allusions to Southampton’s release from prison 149 X—THE SUPPOSED STORY OF INTRIGUE IN THE SONNETS Sonnets of melancholy and self-reproach 151 The youth’s relations with the poet’s mistress 153 Willobie his Avisa (1594) 155 Summary of conclusions respecting the sonnets 158 XI—THE DEVELOPMENT OF DRAMATIC POWER 1594–95 Midsummer Night’s Dream 161 1595 All’s Well that Ends Well 162 1595 The Taming of The Shrew 163 Stratford allusions in the Induction 164 Wincot 165 1597 Henry IV 167 Falstaff 199 1597 The Merry Wives of Windsor 171 1598 Henry V 173 Essex and the rebellion of 1601 174 Shakespeare’s popularity and influence 176 Shakespeare’s friendship with Ben Jonson 176 The Mermaid meetings 177 1598 Meres’s eulogy 178 Value of his name to publishers
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