Chronicles of Chicora Wood. Elizabeth W. Allston Pringle

Chronicles of Chicora Wood - Elizabeth W. Allston Pringle


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and the moccasin. The crane and the bittern are always there, the fish-hawk and the soaring eagle build their nests on the tall cypress-trees left here and there on the banks of the river; the beautiful wood-duck is also always there, and at certain seasons the big mallard or English duck come in great flocks; but, alas, they no longer come in clouds, as they used to do (so that a single shot has been known to kill sixty on the wing). For them too the country is ruined, for them too all is changed. Those that come do not stay. It was the abundant shattered rice of the cultivated fields, flooded as soon as the harvest was over, which brought them in myriads from their nesting-grounds in the far north, to spend their winters in these fat feeding-grounds, in the congenial climate of Carolina. Now there is no shattered rice on which to feed, and in their wonderful zigzag flight they stop a day or two to see if the abundance of which their forefathers have quacked to them has returned, and not finding it they pass on to Florida and other warm climes to seek their winter food. Thus this rich storehouse and granary is desolate. With the modern machinery for making dikes and banks these fields could be restored to a productive condition and made to produce again, without a very heavy expenditure. But alas! those who owned them had absolutely no money, and after the destruction of the banks and flood-gates by the great storm of 1906 no restoration was made. A few of the plantations in Georgetown County have been bought by wealthy Northern men as game-preserves. One multimillionaire, Emerson, who bought a very fine rice-plantation, Prospect Hill, formerly property of William Allston, has some fields planted in rice every year, simply for the ducks, the grain not being harvested at all, but left to attract the flocks to settle down and stay there, ready for the sportsman’s gun.

      The public roads were also my father’s constant care, and all through that country were beautifully kept. The method was simple; each land-owner sent out twice a year a number of hands, proportioned to his land, and the different gentlemen took turns to superintend the work. Our top-soil goes down about two feet, before reaching clay. The roads were kept in fine condition by digging a good ditch on each side of a sixty-foot highway; the clay from the ditch being originally thrown into the middle of the road, and then twice a year those ditches were cleared out, and a little more clay from them thrown on the road each time. The great difficulty in road-making and road-keeping, as I know from my personal observation in the present, is not the amount of labor, but the proper, intelligent direction of the work. In my father’s day, the office of road commissioner and supervisor were unpaid, and my father gave his time, work, and interest unstintedly.

      My father’s love of art, and of music, and of all

      ROBERT FRANCIS WITHERS ALLSTON, PRESIDENT OF THE SENATE.

      Portrait by Flagg about 1850.

      beauty was very great. It made all the difference in the world to us, his children, growing up in the country, so far from picture-galleries and concerts and every kind of music. At the sale of the Bonaparte collection of pictures in Baltimore my father commissioned the artist, Sully, to attend the sale and select and buy for him six pictures. Papa was much pleased with Mr. Sully’s selection. They included:

      “A Turk’s Head,” by Rembrandt.

      “The Supper at Emmaus,” by Gherardo del Notte.

      “The Holy Family,” a very beautiful Gobelin tapestry. For this picture Mr. Sully was offered double the price he paid before it left the gallery.

      “Io,” whom Juno in jealous rage had transformed into a white heifer. A very large and beautiful canvas, a landscape with the heifer ruminating in the foreground, watched by Cerberus, while on a mountainside Mercury sits playing on his flute, trying to lull him to sleep. (I still own this painting.)

      “St. Paul on the Island of Melita,” a very large canvas representing a group of shipwrecked mariners around a fire of sticks; in the midst stands the figure of St. Paul just shaking from his finger a viper, into the fire, very dramatic.

      “St. Peter in Prison,” awakened by the angel while his keepers sleep.

      This is the match picture to the above and the same size.

      These works of art on the walls of our country home awoke in us all an appreciation and recognition of fine paintings for which we can never be sufficiently grateful.

      This great love for art and his confidence in its elevating influence is shown by his buying and having placed in the grounds of the State capitol a replica of Houdon’s statue of Washington.

      Another and most characteristic evidence is furnished by the following note from a friend, to whom I wrote, asking for some facts as to my father’s public life, for I had thus far written of him entirely as I knew him in his family and home life, except for the bare outline by the dates of his election to different offices, and though I have no desire or intention of making this a history of his official and political career, feeling myself entirely unfitted for that, I felt I should give something to show his service in his own State. In reply Mr. Yates Snowden wrote:

      “The day before your letter came my eye lit upon the invitation of R. F. W. Allston, president of the Carolina Art Association, inviting the members of the Convention Secession to visit the Gallery of Art in Meeting Street whilst deliberating here for the public weal. It is hoped that an hour bestowed occasionally in viewing some specimens of art, including Leutze’s illustration


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