From a photograph by the English Photo Co., Athens. See p. 107
29
STELE OF ARISTION (Fig. 1)
114
From a photograph by the English Photo Co., Athens, of the original in the National Museum. See p. 114
29
HARMODIUS (Fig. 2)
From a photograph by Alinari of the original in the Naples Museum. See p. 116
30
SCULPTURED COLUMN FROM THE OLD TEMPLE OF ARTEMIS AT EPHESUS (Fig. 1)
122
From a photograph by Mansell & Co. of the original in the British Museum. It was dedicated, as the inscription shows, by King Crœsus. See p. 123
30
RELIEF FROM THE HARPY TOMB: NORTH SIDE (Fig. 2)
122
From a photograph by Mansell & Co. of the original in the Archaic Room, British Museum. In the centre, a warrior yielding up his armour to Pluto. On the right and left, Fates (“Harpies”) carrying off the souls of the dead. In the right corner, a woman mourning. See p. 123
31
RELIEFS FROM THE “LUDOVISI THRONE”
124
From photographs by Alinari of the originals at Rome. See p. 124
Collotype plate, from photographs of the originals in the Museum of Fine Arts, Boston, Mass., U.S.A., by kind permission of the Director. See p. 125
33
THE TEMPLE OF POSEIDON AT PÆSTO
128
From a photograph. See p. 128
34
METOPES FROM THE TEMPLE OF HERA AT SELINUS
130
Perseus and Gorgon (Fig. 1)
Hera and Zeus (Fig. 2)
From photographs by Alinari of the originals, now in the Palermo Museum. See p. 130
35
EARLY COINS OF SICILY AND MAGNA GRÆCIA
132
Photographed from casts in the British Museum. See p. 131
Case I, Section C.
1. Silver Didrachm of Naxos, No. 31
Obverse: Head of Dionysus crowned with ivy. Reverse: Bunch of grapes and inscription
2. Silver Didrachm of Tarentum, No. 7
Reverse: Archaic head, ? Taras. Obverse: Taras (the city’s hero) riding a dolphin, cockle-shell and inscription
3. Silver Tetradrachm of Catana, No. 25
Reverse: Winged Victory holding a wreath. Obverse: River-god as a bull with man’s head, a fish below and a water-bird above
4. Silver Tetradrachm of Syracuse, No. 35
Reverse: Head of Arethusa surrounded with dolphins. Obverse: Four-horse chariot with Victory above
36
THE PLAIN OF MARATHON
134
From a photograph by the English Photo Co., Athens. See p. 134
37
THE BAY OF SALAMIS
138
From a photograph by the English Photo Co., Athens. See p. 138
38
PERICLES
140
From a photograph by Mansell & Co. of the original in the British Museum, after Cresilas. See p. 142
39
PEDIMENTAL FIGURES FROM THE TEMPLE OF APHAIA AT ÆGINA
142
From photographs by Bruckmann of the originals at Munich. See p. 147
40
SCULPTURES OF THE EASTERN PEDIMENT OF THE PARTHENON
146
From photographs by Mansell & Co. of the originals in the Elgin Room, British Museum. See p. 151
41
PORTIONS OF THE EAST FRIEZE OF THE PARTHENON
148
Figures referenced, 30–48 in the British Museum. See p. 154
42
PORTIONS OF THE WEST FRIEZE OF THE PARTHENON
150
Figures referenced, 2–3, 16–19, and 28–30 in the British Museum. From photographs by Mansell & Co. of the originals and casts in the British Museum. (Some of the marbles are still in situ at Athens.) See p. 155
43
THE “STRANGFORD” SHIELD (Fig. 1)
152
From a photograph by Mansell & Co. of the marble copy in the British Museum. The old Greek striking down an Amazon is said to be a portrait of Pheidias by himself. See p. 156
43
RECONSTRUCTION OF THE ACROPOLIS (Fig. 2)S
From a drawing by R. Bohn in the British Museum. See p. 163
