The Glory That Was Greece: a survey of Hellenic culture and civilisation. J. C. Stobart

The Glory That Was Greece: a survey of Hellenic culture and civilisation - J. C. Stobart


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196 From a photograph by Bruckmann of the original at Munich. See p. 214 63 THE MARBLE FAUN, AFTER PRAXITELES (Fig. 1) 198 From a photograph by Anderson of a copy in the Capitoline Gallery, Rome. See p. 214 63 THE EROS OF CENTOCELLE (Fig. 2) From a photograph by Anderson of a copy in the Vatican. See p. 215 64 HEAD OF A YOUTH (Fig. 1) 202 From a photograph by Brogi of the bronze at Naples. See p. 215 64 WINGED HEAD OF HYPNOS (SLEEP) (Fig. 2)S From a photograph by Mansell & Co. of the original bronze in the British Museum. See p. 220 65 THE HERMES OF PRAXITELES 204 From a photograph by the English Photo Co., Athens, of the original at Olympia. See p. 215 66 THE HERMES OF PRAXITELES: HEAD 206 From a photograph by the English Photo Co., Athens, of the original at Olympia. See p. 215 67 APOLLO AND MARSYAS 208 From a photograph by the English Photo Co., Athens, of the relief from Mantinea. See p. 216 68 MELEAGER: HEAD, AFTER SCOPAS 210 From a photograph by Anderson of the marble at Rome. The head, which does not belong to the body, has been recognised as representing the style of Scopas (fourth century B.C.). See p. 218 69 THE DEMETER OF CNIDOS 212 From a photograph by Mansell & Co. of the marble in the British Museum. See p. 219 70 SCULPTURED COLUMN FROM THE TEMPLE OF ARTEMIS AT EPHESUS 214 From a photograph by Mansell & Co. of the original in the British Museum. This belonged to the new temple built after the fire of 356 B.C. See p. 219 71 FIGURE OF A YOUTH. FROM CERIGO 216 From a photograph by the English Photo Co. of the bronze at Athens. See p. 220 72 THE “LUDOVISI” ARES 218 From a photograph by Anderson of the marble at Rome. The cupid between the god’s feet is certainly a later addition. See p. 220 73 THE “RONDANINI” MEDUSA (Fig. 1) 220 From a photograph by Bruckmann of the marble copy at Munich. The original was in bronze. See p. 220 73 RELIEF FROM THE MAUSOLEUM (Fig. 2) From a photograph by Mansell & Co. of the original in the British Museum. Representing a combat between Greeks and Amazons. See p. 222 74 STATUE OF MAUSOLUS, FROM THE MAUSOLEUM 222 As the last. See p. 222 75 A NIOBID 224 From a photograph by Anderson of the recently discovered original at Rome. See p. 222 76 ATHLETES BOXING. FROM A PANATHENAIC AMPHORA 226 Drawn from Vase B 607 in the Fourth Vase Room, British Museum. It is inscribed with the name of the Archon Pythodelos, giving the date 336 B.C. The figures are in black, but this is a survival from the earlier style. See p. 224 77 COINS OF THE FOURTH CENTURY 228 Photographed from casts in the British Museum. See p. 225 Case III. 1 Gold Stater of Rhodes, A 37 Obverse: Head of the Sun-god. Reverse: A rose 2 Athenian Gold Stater, B 30 Obverse: Head of Athena. Reverse: Owl and olive-branch 3 Gold Stater of Panticapæum, B 2 Obverse: Head of Pan. Reverse: Gryphon and barley (the latter typifying the corn trade) 4 Silver Tetradrachm of Tenedos, A 20 Obverse: Janiform head. Reverse: Double axe and bee in a wreath 5 Sicilian Decadrachm, C 29 Obverse: Head of Arethusa or Persephone. Reverse: Four-horse chariot with Victory above and armour below 78 GREEK GEMS 230 From photographs by Mansell & Co. of gems in the British Museum. See p. 225 1 A Quoit-thrower or Hyacinthus; probably fourth century B.C. 2 A Wounded Warrior 3 Harper (compare Pl. 32). Fine work of the fifth century, cornelian intaglio
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