A History of the Japanese People. Kikuchi Dairoku
the reading of the document was concluded, a high noble stepped forward, took it from the envoy's hands and advanced with it towards the audience-hall, from which another noble came out to meet him, received the letter, deposited it on a table before the chief entrance, and then reported the facts to the Empress. This ended the ceremony. The haughty condescension of the Chinese despatch does not appear to have offended the Japanese, nor did they cavil at the omission of one important ideograph from the title applied to their Empress. China's greatness seems to have been fully recognized. When, a month later, the envoy took his departure, the same Imoko was deputed to accompany him, bearing a despatch* in which, to China's simple "greeting," Japan returned a "respectful address;" to China's expression of ineffable superiority Japan replied that the coming of the embassy had "dissolved her long-harboured cares;" and to China's grandiloquent prolixity Japan made answer with half a dozen brief lines. Imoko was now accompanied by eight students four of literature and four of religion. Thus was established, and for long afterwards maintained, a bridge over which the literature, arts, ethics, and philosophies of China were copiously imported into Japan.
*In this despatch Japan called herself "the place where the sun comes forth," and designated China as "the place where the sun sets." The idea, doubtless, was merely to distinguish between east and west, but the Sui sovereign resented the diction of this "barbarian letter."
RANKS
It will be recognized by considering the uji system that while many titles existed in Japan, there was practically no promotion. A man might be raised to uji rank. Several instances of that kind have been noted, especially in the case of foreign artists or artisans migrating to the island from Korea or China. But nothing higher was within reach, and for the hereditary Kami of an uji no reward offered except a gift of land, whatever services he might render to the State. Such a system could not but tend to perfunctoriness in the discharge of duty. Perception of this defect induced the regent, Shotoku, to import from China (A.D. 603) the method of official promotion in vogue under the Sui dynasty and to employ caps as insignia of rank.* Twelve of such grades were instituted, and the terminology applied to them was based on the names of six moral qualities—virtue, benevolence, propriety, faith, justice, and knowledge—each comprising two degrees, "greater" and "lesser." The caps were made of sarcenet, a distinctive colour for each grade, the cap being gathered upon the crown in the shape of a bag with a border attached. The three highest ranks of all were not included in this category.
*In China to-day the distinguishing mark is a button of varying material fastened on the top of the cap.
THE EMPEROR JOMEI AND THE EMPRESS KOGYOKU
In the year 626, the omnipotent Soga chief, the o-omi Umako, died. His brief eulogy in the Chronicles is that he had "a talent for military tactics," was "gifted with eloquence," and deeply reverenced "the Three Precious Things" (Buddha, Dharma, and Samgha). In the court-yard of his residence a pond was dug with a miniature island in the centre, and so much attention did this innovation attract that the great minister was popularly called Shima (island) no o-omi. His office of o-omi was conferred on his son, Emishi, who behaved with even greater arrogance and arbitrariness than his father had shown. The Empress Suiko died in 628, and the question of the accession at once became acute. Two princes were eligible; Tamura, grandson of the Emperor Bidatsu, and Yamashiro, son of Shotoku Taishi. Prince Yamashiro was a calm, virtuous, and faithful man. He stated explicitly that the Empress, on the eve of her demise, had nominated him to be her successor. But Prince Tamura had the support of the o-omi, Emishi, whose daughter he admired. No one ventured to oppose the will of the Soga chieftain except Sakaibe no Marise, and he with his son were ruthlessly slain by the orders of the o-omi.
Prince Tamura then (629) ascended the throne—he is known in history as Jomei—but Soga no Emishi virtually ruled the empire. Jomei died in 641, after a reign of twelve years, and by the contrivance of Emishi the sceptre was placed in the hands of an Empress, Kogyoku, a great-granddaughter of the Emperor Bidatsu, the claims of the son of Shotoku Taishi being again ignored. One of the first acts of the new sovereign was to raise Emishi to the rank held by his father, the rank of o-omi, and there then came into prominence Emishi's son, Iruka, who soon wielded power greater than even that possessed by his father. Iruka's administration, however, does not appear to have been altogether unwholesome. The Chronicles say that "thieves and robbers were in dread of him, and that things dropped on the highway were not picked up." But Emishi rendered himself conspicuous chiefly by aping Imperial state. He erected an ancestral temple; organized performances of a Chinese dance (yatsura) which was essentially an Imperial pageant; levied imposts on the people at large for the construction of tombs—one for himself, another for his son, Iruka—which were openly designated misasagi (Imperial sepulchres); called his private residence mikado (sacred gate); conferred on his children the title of miko (august child), and exacted forced labour from all the people of the Kamutsumiya estate, which belonged to the Shotoku family.
This last outrage provoked a remonstrance from Shotoku Taishi's daughter, and she was thenceforth reckoned among the enemies of the Soga. One year later (643), this feud ended in bloodshed. Emishi's usurpation of Imperial authority was carried so far that he did not hesitate to confer the rank of o-omi on his son, Iruka, and upon the latter's younger brother also. Iruka now conceived the design of placing upon the throne Prince Furubito, a son of the Emperor Jomei. It will be remembered that the Soga chief, Emishi, had lent his omnipotent influence to secure the sceptre for Jomei, because of the latter's affection for Emishi's daughter. This lady, having become one of Jomei's consorts, had borne to him Prince Furubito, who was consequently Iruka's uncle. Iruka determined that the prince should succeed the Empress Kogyoku. To that end it was necessary to remove the Shotoku family, against which, as shown above, the Soga had also a special grudge. Not even the form of devising a protest was observed. Orders were simply issued to a military force that the Shotoku house should be extirpated. Its representative was Prince Yamashiro, the same who had effaced himself so magnanimously at the time of Jomei's accession. He behaved with ever greater nobility on this occasion. Having by a ruse escaped from the Soga troops, he was urged by his followers to flee to the eastern provinces, and there raising an army, to march back to the attack of the Soga.
There is reason to think that this policy would have succeeded. But the prince replied: "I do not wish it to be said by after generations that, for my sake, anyone has mourned the loss of a father or a mother. Is it only when one has conquered in battle that one is to be called a hero? Is he not also a hero who has made firm his country at the expense of his own life?" He then returned to the temple at Ikaruga, which his father had built, and being presently besieged there by the Soga forces, he and the members of his family, twenty-three in all, committed suicide. This tragedy shocked even Emishi. He warned Iruka against the peril of such extreme measures.
ENGRAVING: FUJIWARA KAMATAKI
There now appears a statesman destined to leave his name indelibly written on the pages of Japanese history, Kamatari, muraji of the Nakatomi-uji. The Nakatomi's functions were specially connected with Shinto rites, and Kamatari must be supposed to have entertained little good-will towards the Soga, who were the leaders of the Buddhist faction, and whose feud with the military party sixty-seven years previously had involved the violent death of Katsumi, then (587) muraji of the Nakatomi. Moreover, Kamatari makes his first appearance in the annals as chief Shinto official. Nevertheless, it is not apparent that religious zeal or personal resentment was primarily responsible for Kamatari's determination to compass the ruin of the Soga. Essentially an upright man and a loyal subject, he seems to have been inspired by a frank resolve to protect the Throne against schemes of lawless ambitions, unconscious that his own family, the Fujiwara, were destined to repeat on a still larger scale the same abuses.
The succession may be said to have had three aspirants at that time: first, Prince Karu, younger brother of the Empress Kogyoku; secondly, Prince Naka, her son, and thirdly, Prince Furubito, uncle of Soga no Iruka. The last was, of course, excluded from Kamatari's calculations, and as between the first two he judged it wiser that Prince Karu should have precedence in the succession, Prince Naka not being old enough. The conspiracy that ensued presents no specially remarkable feature. Kamatari and Prince Naka