Studies in the Psychology of Sex (Vol. 1-6). Havelock Ellis

Studies in the Psychology of Sex (Vol. 1-6) - Havelock  Ellis


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his long life is there evidence even of friendship with a woman, while he was very sensitive to the beauty of men, and his friendships were very tender and enthusiastic. At the same time there is no reason to suppose that he formed any physically passionate relationships with men, and even his enemies seldom or never made this accusation against him. We may probably accept the estimate of his character given by Symonds:—

      A temperament of this kind seems to have had no significance for the men of those days; they were blind to all homosexual emotion which had no result in sodomy. Plato found such attraction a subject for sentimental metaphysics, but it was not until nearly our own time that it again became a subject of interest and study. Yet it undoubtedly had profound influence on Michelangelo's art, impelling him to find every kind of human beauty in the male form, and only a grave dignity or tenderness, divorced from every quality that is sexually desirable, in the female form. This deeply rooted abnormality is at once the key to the melancholy of Michelangelo and to the mystery of his art.

      While it is peculiarly easy to name men of distinguished ability who, either certainly or in all probability, have been affected by homosexual tendencies, they are not isolated manifestations. They spring out of an element of diffused homosexuality which is at least as marked in civilization as it is in savagery. It is easy to find illustrations in every country. Here it may suffice to refer to France, Germany, and England.

      A few years later, at the beginning of the fourteenth century, sodomy was still regarded as very prevalent. At that time it was especially associated with the Templars who, it has been supposed, brought it from the East. Such a supposition, however, is not required to account for the existence of homosexuality in France. Nor is it necessary, at a somewhat later period, to invoke, as is frequently done, the Italian origin of Catherine de Medici, in order to explain the prevalence of homosexual practices at her court.