The Cultural Construction of Monstrous Children. Группа авторов

The Cultural Construction of Monstrous Children - Группа авторов


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behaviour, and his father’s drastic interpretation of it, were some powerful and complex ideas about the connection between magic and the spirit world.

      2. The Possession

      

       Figure 1.1Fabric image used to perform a curse. Image used with kind permission of the Museum of Witchcraft and Magic, Boscastle, Cornwall. © 2015. Photograph by the author.

      It is likely that he also used a widely known charm that invoked the help of the three Magi:

      Gaspar fert myrrham, thus Melchior, Balthasar aurum,

      Hoec tria qui secum portabit nomina regum,

      [Gaspar brought myrrh, Melchior frankincense, Balthasar gold, / Whoever carries the names of these three kings with them, / Will be freed from the falling sickness by the compassion of Christ.]

      It is less clear how Edmund would have handled John’s emotional problems. One possibility is a medieval fever charm that was also adapted for a wide range of other purposes:

      Whether or not this was the exact charm Edmund used to treat John, it epitomizes the qualities that led to these charms having a very effective psychological impact on patients. The magical practitioner would have been holding a hazel wand as he or she recited the charm, so that the use of direct speech and the present tense not only generated dramatic immediacy but also blurred the distinction between Jesus addressing the wand and the practitioner saying the charm. The effect was to create the impression that the practitioner was Christ’s representative, the channel for his divine healing power. And this is underlined by the way the transformation of the hazel stick into a healing wand is likened to the transformation of bread into the body of Christ during mass. These charms were not innocent tributes to Christian folk traditions. They were profoundly heretical, because through them magical practitioners portrayed themselves as members of a priesthood with the power to bridge the gap between the material and spiritual worlds.

      

       Figure 1.2Woodland at Huntroyde where Edmund Hartlay performed his circle ritual. © 2015 Frank Grace. Used with permission.