The Manga Artist's Handbook: Drawing Dynamic Manga Characters. Junka Morozumi

The Manga Artist's Handbook: Drawing Dynamic Manga Characters - Junka Morozumi


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HUDDLED OVER IN PAIN 59

       HOLDING AN INJURED PERSON 60

       DRAWING A PISTOL 61

       EXPERT TIPS 3 62

       BATTLE SCARS

       CHAPTER 4

       The Softer Side

       BLUSH LINES 64

       GETTING BUTTERFLIES IN THE STOMACH 65

       HANDS CLASPED IN ANTICIPATION 66

       SCRATCHING THE HEAD FROM EMBARRASSMENT 67

       CLASPING BOTH HANDS BEHIND THE BACK AND LOOKING OVER THE SHOULDER 68

       WATCHING FROM THE SHADOWS 69

       EMBRACING FROM BEHIND 70

       A KISS ON THE CHEEK 71

       WHISPERING IN SOMEONE‛S EAR 72

       A PAT ON THE HEAD 73

       CONFESSING FEELINGS OF LOVE 74

       ARRIVING AT A RENDEZVOUS 75

       HUGGING A STUFFED ANIMAL 76

       PLAYING KEEP AWAY 77

       EMBRACING 78

       A LEAPING EMBRACE 79

       EXPERT TIPS 4 80

       BLOCK IT ALL IN

       CHAPTER 5

       Tense Situations

       THE HORROR! 82

       DAWNING REALIZATION 83

       INSANE LAUGHTER 84

       GASPING 85

       SHAKING WITH FEAR 86

       SLAPPING SOMEONE‛S FACE 87

       EXHAUSTED 88

       BACKED INTO A CORNER 1 89

       BACKED INTO A CORNER 2 90

       EXPERT TIPS 5 91

       SHADOWY SUBJECTS

       CHAPTER 6

       Draw It Chibi Style!

       SADNESS, DISAPPOINTMENT AND TURNING TO LOOK BACK 93

       WATCHING FROM THE SHADOWS, INSANE LAUGHTER AND BACKED INTO A CORNER 94

       NOW LET YOUR IMAGINATION SOAR! 95

      HOW CAN I MAKE MY

       CHARACTERS MORE DYNAMIC?

      Since publishing The Manga Artist‛s Handbook: Drawing Basic Manga Characters, this is the question readers have most frequently asked. The focus of that guide was on the basics: proportion, framing, block- ing-in and the various poses manga artists need to master. The goal was to give beginning manga artists an understanding of balance and composition, by tracing the blocked-in drawings in their own style.

      Now you manga maniacs want to stretch your skills, creating char-

       acters with more animated expressions and more complex poses. As

       with our other manual, the guiding principle here is the same, follow

       the tips and learn the techniques all while applying and developing

       your own style.

      No matter what your character is doing, the entire body is in-

       volved. Elation, dejection, fear, emotions are felt and expressed in

       the entire body, and now you can capture these nuances and details

       with realism and clarity. Expression is not reserved for the face

       alone, so mastering motion and movement is essential to elevating

       your personal style. Learn the ropes while adapting these tips and

       techniques to your own vision and the story only you—and your char-

       acters!—can tell.

      Compelling and complex poses and eloquently expressive faces are

       now as easy as 1, 2, 3. Trace the faces, fill in the bodies, then add

       the details, the embellishments and finishing touches only you can

       include when creating a manga universe all your own.

      4

      What Is Blocking-In?

      Blocking-in means roughly sketching an outline or a form in order to fl esh out

       a character‛s shape and pose. Professional


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