The Manga Artist's Handbook: Drawing Dynamic Manga Characters. Junka Morozumi

The Manga Artist's Handbook: Drawing Dynamic Manga Characters - Junka Morozumi


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a polished, fi nished artwork. Instead, they create a rough sketch,

       which they then go back over in pencil before adding color and refi ning the

       illustration in pen. The lines used while blocking-in are faint, so they can be

       easily erased, making it simple to correct the fi gure‛s positioning or to rethink

       poses. Blocking-in is invaluable when drawing characters‛ signature poses or when

       fi tting multiple characters into a single cell or frame.

      DRAWING MANGA

       IS NOT A RACE BUT

       A STEADY PROGRESSION

       OF PENCIL STROKES UNTIL

       YOU GET THE POSE AND

       EXPRESSION JUST RIGHT!

      HERE‛S WHAT HAPPENED

       WHEN WE TRIED DRAWING

       VARIOUS SCENES…

      SEE THE NEXT PAGE!

      BLOCKING-IN

      BLOCKING-IN +

       PRELIMINARY

       DRAWING

      ADDING PEN + COLOR

      5

      HOW TO MAKE (EVEN

       BETTER!) FRIENDS

       WITH BLOCKING-IN

       BY JUNKA MOROZUMI

      BANG!

       HEY, MANGA PROF,

       GUESS WHAT!?

      I PRACTICED

       BLOCKING-IN,

       AND NOW I‛VE

       TRIED DRAWING A

       WHOLE FIGURE!

      EXPLAINING

       AGAIN

      REALLY?

       SHOW ME!

      OK!

      I TRIED A FEW

       DIFFERENT

       EXPRESSIONS. WHAT

       DO YOU THINK?

      HMM…

      THE ONLY

       DIFFERENCE

       IS IN THE

       MOUTHS…

      FROM THE NECK

       DOWN, THE

       MOVEMENTS

       DON‛T MATCH THE

       EMOTIONS.

      BUT…

       BUT I DON‛T

       KNOW HOW TO

       DRAW FACIAL

       EXPRESSIONS!

      SHOWING

       EXPRESSION

       IN THE

       BODY…!?

      EXPRESSION ISN‛T

       ONLY ABOUT THE

       MOUTH! IT‛S SHOWN

       IN THE MOVEMENT OF

       THE WHOLE BODY!

      YES!

       FOR EXAMPLE…

      6

      CLASPING THE HANDS

       IN FRONT OF THE FACE

       DEPICTS FALLING IN

       LOVE.

      ADDING CLENCHED FISTS

       TO A SMILING FIGURE

       MAKES FOR AN ENERGETIC,

       POWERFUL LOOK!

      DOWNCAST EYES AND

       ARMS WRAPPED AROUND

       THE BODY SHOW UNEASE

       AND LONELINESS.

      YOU‛RE RIGHT! I CAN

       SHOW EXPRESSION

       IN THE BODY, NOT

       JUST THE FACE!

      DEEP

       BREATHS

      SEE? THESE POSES HELP

       TO CONVEY THE EMOTIONS

       MORE FULLY THAN IF YOU‛D

       JUST DRAWN THE FACE.

      FIRST OF ALL,

       I‛LL TRY THE

       “FALLING IN

       LOVE” POSE!

      GETTING THE

       WRONG IDEA!

      SO THIS TIME,

       PRACTICE USING

       THE BODY AND THE

       FACE TO SHOW

       EXPRESSION.

      OK!

      DON‛T LOOK

       AT ME AS YOU

       SAY THAT!

      7

      Gallery of Expressions

      This chart allows you to use facial expressions to

       search for the poses you want to draw. It is roughly

       color-coded into emotional genres.

      FACE…P.24 POSE…P.43

      POSE…P.88

      POSE…P.61

      FACE…P.20 POSE…P.34

      FACE…P.20 POSE…P.35

      FACE…P.22 POSE…P.39

      FACE…P.23 POSE…P.41

      POSE…P.46

      FACE…P.26 POSE…P.54

      FACE…P.25 POSE…P.56

      FACE…P.28 POSE…P.84

      POSE…P.75

      POSE…P.65

      FACE…P.25 POSE…Скачать книгу