Last Tales. Isak Dinesen
work of art. Of this strange understanding between the old and the young artist neither of them was really conscious, and if a third person had spoken to them of it, they would have rebuffed him with indifference, perhaps with impatience. The one who suspected it was the woman, Lucrezia. And through it she suspected—at the same time with a kind of dismay and giddiness—the hardness and coldness which may be found in the hearts of men and artists, even with regard to the ones whom these hearts do embrace with deepest tenderness. Her own heart lamented, in complete loneliness, much as a lamb laments when led by its shepherd to the shamble.
As now, through various unusual occurrences in his daily life, Leonidas realized that he was being watched and followed, and as from this fact he concluded that he was in great danger, he was seized so deeply by the idea of his own death, and of the approaching end to his artistic career, that his whole being closed round it. He spoke no word of his danger to the people surrounding him, because these people, in the course of a few weeks, to him had become infinitely distant and thus, in accordance with the law of perspective, infinitely small. He might have wished to complete the work on which he was engaged, but soon his work, too, to him seemed an unreasonable and inconvenient distraction from the matter which really engrossed him. In the last days before his arrest, he stepped out of his isolation, unwontedly gentle and considerate toward all those around him. He now also sent Lucrezia away to the house of a friend, the owner of a vineyard, in the mountains a few miles from town. As, in order to give a reason for this arrangement—for he did not wish her to have any suspicion of the actual position—he explained to her that she looked pale and feverish, he himself believed that he was using a casual pretense to persuade her to leave him, and he smiled at the deep concern with which she received his command.
* * * *
She at once sent word to Angelo and told him of her husband’s decision. The lovers, who in anguish had been seeking an opportunity to meet and fulfill their love, looked each other in the eyes in triumphant certainty that now, and from now on, all powers of life were uniting to serve them, and that their passion was the loadstone which according to its will attracted and ranged everything around them. Lucrezia before now had visited the farm; she instructed Angelo as to how, by a certain path in the mountains, he could approach the house unseen, and come to her window. The window faced west, the moon would be in her first quarter, she would be able to discern the figure of her lover between the vines. When he picked up a pebble from the ground and threw it against the windowpane, she would open the window. As, in the course of their deliberation, they came to this moment, the voices of both faltered. To regain his equilibrium Angelo told her that for the nocturnal journey he had bought himself a large and fine cloak of violet goat’s wool with brown embroidery, which a friend from the country, who was hard up for the moment, had offered him. All this they discussed in Lucrezia’s room next to the studio where the master was working, and with the door to it open. The meeting, they decided, was to take place on the second Saturday evening.
They parted; and just as, all through the following week, the thought of death and eternity accompanied the master, the thought of Lucrezia’s body against his own accompanied the young disciple. This thought, without having at any time really left him, constantly seemed to return to him anew like a forgotten, surprising, joyful message—“Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, and my locks with the drops of the night. Thou art all fair, my love; there is no spot in thee. I am my beloved’s, and my beloved is mine.”
On Sunday morning Leonidas Allori was arrested and taken to prison. In the course of the week several interrogations of him followed, and possibly the old patriot might have justified himself in some of the accusations brought against him. But in the first place the government was resolved this time to make an end of such a dangerous enemy, and in the second place the accused himself was resolved not to upset, by any ups and downs, the sublime balance of mind he had attained. There was from the very beginning no real doubt as to the outcome of the case. Judgment was passed, and orders were given that next Sunday morning that most famous son of the people should be stood up against the prison wall, to fall against the cobbles with six bullets in his breast.
Toward the end of the week the old artist asked to be paroled for twelve hours in order to go to the place where his wife was staying, and to take leave of her.
His plea was refused. But such great strength had this man still in him, and with such an aura of radiance did his fame and his integrity of heart surround his person, that his words could not die quickly in the ears of those to whom they were addressed. The last request of the condemned man was brought up again and weighed by his judges, even after he himself had give up hope.
It so happened that the topic was raised in a house where Cardinal Salviati was present.
“No doubt,” said His Eminence, “clemency here might set a dangerous precedent. But the country—and the royal house itself which possesses some of his works—is in debt to Allori. This man has often by his art restored men’s faith in themselves—maybe men should now have faith in him.”
He thought the matter over and continued: “It is said that the master—do they not call him the Lion of the Mountains?—is deeply loved by his pupils. We might find out if he has really been able to awaken a devotion which will defy death. We might, in his case, make use of the old rule which will allow a prisoner to leave his prison for a specified period, on the condition that he produce a hostage to die in his stead, if he does not return in time.
“Allori,” said the Cardinal, “last summer did me the honor of executing the reliefs on my villa at Ascoli. He had with him there his beautiful young wife and a very handsome young disciple, Angelo by name, whom he called his son. We might let Leonidas know that he can obtain his freedom for a period of twelve hours, during which, as he wishes, he can take leave of his wife. But the condition will be that this young Angelo shall enter the prison cell as he himself leaves it, and that it will be made clear to both the old and the young artist that at the expiration of the twelve hours, at all events an execution will be carried out in the prison yard.”
A feeling that in the circumstances it would be correct to decide on something unconventional made the powerful gentlemen with whom the matter rested accept the Cardinal’s suggestion. The condemned man was informed that his request had been granted, and on which conditions. Leonidas sent word to Angelo.
The young artist was not in his room when his schoolfellows came to bring him the message and to fetch him to prison. Even though he had not paid any attention to the sorrow of his friends, it had nevertheless upset and distressed him, since at this moment he himself conceived the universe as perfect in beauty and harmony, and life in itself as boundless grace. He had kept apart from his fellows in a sort of antagonism, just as in respect and commiseration they had kept apart from him. He had traveled afoot the long way to the Duke of Miranda’s villa to see a recently unearthed Greek statue of the god Dionysus. Still without really knowing it, he had wished and resolved to have a powerful work of art confirm his conviction of the divinity of the world.
His friends thus had to wait for him a long time in a small room high above the narrow street. When the chosen one finally entered, they pounced on him from all sides and informed him of the sad honor that awaited him.
So little had the master’s favorite understood the nature and extent of the misfortune that had befallen himself and all of them, that the messengers had to repeat their tidings to him. When at last he comprehended, he stood petrified for a while, in the deepest grief. In the manner of a sleepwalker he inquired about the sentence and the execution, and his comrades, with tears in their eyes, gave him their answers. But when they came to the offer made to Leonidas, and the prisoner’s request for Angelo, light returned to the young man’s eyes and color to his cheeks. He asked his friends, indignantly, why they had not informed him at once—then without words he tore himself from their grasp to hasten to the prison.
But on the doorstep he stopped, seized by the solemnity of the moment. He had walked a long way and had slept on the grass, his clothes were covered with dust, and he had torn a rent in one sleeve. He did not wish to appear before his master like this today. He lifted his big new cloak from the hook on which it hung, and put it on.
The warders in the