The Complete Works. Henry Cabot Lodge
essay. It is very beautiful in every way, with a rich, civilized, fertile beauty—the rapid brook twisting among its reed beds, the rich green of trees and grass, the stately woods, the gardens and fields, the exceedingly picturesque cottages, the great handsome houses standing in their parks. Birds were plentiful; I know but few places in America where one would see such an abundance of individuals, and I was struck by seeing such large birds as coots, water hens, grebes, tufted ducks, pigeons, and peewits. In places in America as thickly settled as the valley of the Itchen, I should not expect to see any like number of birds of this size; but I hope that the efforts of the Audubon societies and kindred organizations will gradually make themselves felt until it becomes a point of honor not only with the American man, but with the American small boy, to shield and protect all forms of harmless wild life. True sportsmen should take the lead in such a movement, for if there is to be any shooting there must be something to shoot; the prime necessity is to keep, and not kill out, even the birds which in legitimate numbers may be shot.
The New Forest is a wild, uninhabited stretch of heath and woodland, many of the trees gnarled and aged, and its very wildness, the lack of cultivation, the ruggedness, made it strongly attractive in my eyes, and suggested my own country. The birds of course were much less plentiful than beside the Itchen.
The bird that most impressed me on my walk was the blackbird. I had already heard nightingales in abundance near Lake Como, and had also listened to larks, but I had never heard either the blackbird, the song thrush, or the blackcap warbler; and while I knew that all three were good singers, I did not know what really beautiful singers they were. Blackbirds were very abundant, and they played a prominent part in the chorus which we heard throughout the day on every hand, though perhaps loudest the following morning at dawn. In its habits and manners the blackbird strikingly resembles our American robin, and indeed looks exactly like a robin, with a yellow bill and coal-black plumage. It hops everywhere over the lawns, just as our robin does, and it lives and nests in the gardens in the same fashion. Its song has a general resemblance to that of our robin, but many of the notes are far more musical, more like those of our wood thrush. Indeed, there were individuals among those we heard certain of whose notes seemed to me almost to equal in point of melody the chimes of the wood thrush; and the highest possible praise for any song-bird is to liken its song to that of the wood thrush or hermit thrush. I certainly do not think that the blackbird has received full justice in the books. I knew that he was a singer, but I really had no idea how fine a singer he was. I suppose one of his troubles has been his name, just as with our own catbird. When he appears in the ballads as the merle, bracketed with his cousin the mavis, the song thrush, it is far easier to recognize him as the master singer that he is. It is a fine thing for England to have such an asset of the countryside, a bird so common, so much in evidence, so fearless, and such a really beautiful singer.
The thrush is a fine singer too, a better singer than our American robin, but to my mind not at the best quite as good as the blackbird at his best; although often I found difficulty in telling the song of one from the song of the other, especially if I only heard two or three notes.
The larks were, of course, exceedingly attractive. It was fascinating to see them spring from the grass, circle upwards, steadily singing and soaring for several minutes, and then return to the point whence they had started. As my companion pointed out, they exactly fulfilled Wordsworth's description; they soared but did not roam. It is quite impossible wholly to differentiate a bird's voice from its habits and surroundings. Although in the lark's song there are occasional musical notes, the song as a whole is not very musical; but it is so joyous, buoyant and unbroken, and uttered under such conditions as fully to entitle the bird to the place he occupies with both poet and prose writer.
The most musical singer we heard was the blackcap warbler. To my ear its song seemed more musical than that of the nightingale. It was astonishingly powerful for so small a bird; in volume and continuity it does not come up to the songs of the thrushes and of certain other birds, but in quality, as an isolated bit of melody, it can hardly be surpassed.
Among the minor singers the robin was noticeable. We all know this pretty little bird from the books, and I was prepared to find him as friendly and attractive as he proved to be, but I had not realized how well he sang. It is not a loud song, but very musical and attractive, and the bird is said to sing practically all through the year. The song of the wren interested me much, because it was not in the least like that of our house wren, but, on the contrary, like that of our winter wren. The theme is the same as the winter wren's, but the song did not seem to me to be as brilliantly musical as that of the tiny singer of the North Woods. The sedge warbler sang in the thick reeds a mocking ventriloquial lay, which reminded me at times of the less pronounced parts of our yellow-breasted chat's song. The cuckoo's cry was singularly attractive and musical, far more so than the rolling, many times repeated, note of our rain-crow.
We did not reach the inn at Brockenhurst until about nine o'clock, just at nightfall, and a few minutes before that we heard a nightjar. It did not sound in the least like either our whip-poor-will or our night-hawk, uttering a long-continued call of one or two syllables, repeated over and over. The chaffinch was very much in evidence, continually chaunting its unimportant little ditty. I was pleased to see the bold, masterful missel thrush, the stormcock as it is often called; but this bird breeds and sings in the early spring, when the weather is still tempestuous, and had long been silent when we saw it. The starlings, rooks, and jackdaws did not sing, and their calls were attractive merely as the calls of our grackles are attractive; and the other birds that we heard sing, though they played their part in the general chorus, were performers of no especial note, like our tree-creepers, pine warblers, and chipping sparrows. The great spring chorus had already begun to subside, but the woods and fields were still vocal with beautiful bird music, the country was very lovely, the inn as comfortable as possible, and the bath and supper very enjoyable after our tramp; and altogether I passed no pleasanter twenty-four hours during my entire European trip.
Ten days later, at Sagamore Hill, I was among my own birds, and was much interested as I listened to and looked at them in remembering the notes and actions of the birds I had seen in England. On the evening of the first day I sat in my rocking-chair on the broad veranda, looking across the Sound towards the glory of the sunset. The thickly grassed hillside sloped down in front of me to a belt of forest from which rose the golden, leisurely chiming of the wood thrushes, chanting their vespers; through the still air came the warble of vireo and tanager; and after nightfall we heard the flight song of an ovenbird from the same belt of timber. Overhead an oriole sang in the weeping elm, now and then breaking his song to scold like an overgrown wren. Song-sparrows and catbirds sang in the shrubbery; one robin had built its nest over the front and one over the back door, and there was a chippy's nest in the wistaria vine by the stoop. During the next twenty-four hours I saw and heard, either right around the house or while walking down to bathe, through the woods, the following forty-two birds:
Little green heron, night heron, red-tailed hawk, yellow-billed cuckoo, kingfisher, flicker, humming-bird, swift, meadow-lark, red-winged blackbird, sharp-tailed finch, song sparrow, chipping sparrow, bush sparrow, purple finch, Baltimore oriole, cowbunting, robin, wood thrush, thrasher, catbird, scarlet tanager, red-eyed vireo, yellow warbler, black-throated green warbler, kingbird, wood peewee, crow, blue jay, cedar-bird, Maryland yellowthroat, chickadee, black and white creeper, barn swallow, white-breasted swallow, ovenbird, thistlefinch, vesperfinch, indigo bunting, towhee, grasshopper-sparrow, and screech owl.
The birds were still in full song, for on Long Island there is little abatement in the chorus until about the second week of July, when the blossoming of the chestnut trees patches the woodland with frothy greenish-yellow.10
Our most beautiful singers are the wood thrushes; they sing not only in the early morning but throughout the long hot June afternoons. Sometimes they sing in the trees immediately around the house, and if the air is still we can always hear them from among the tall trees at the foot of the hill. The thrashers sing in the hedgerows beyond the garden, the catbirds everywhere. The catbirds have such an attractive song that it is extremely irritating to know that at any moment they may interrupt it to mew and squeal. The bold, cheery music of the robins always seems typical of the bold, cheery birds themselves. The Baltimore