THE LAUGHING CAVALIER (& Its Sequel The First Sir Percy). Emma Orczy
and I took to my heels. It was yesterday at noon, and I have been running ever since, running, running, with but brief intervals to regain my breath and beg for a drink of water — when thirst became more unendurable than the thought of capture. I did not even know which way I was running till I saw the spires of Haarlem rising from out the evening haze; then I thought of you, Gilda, and of this house. You would not sell me, Gilda, for you are rich, and you loved me once," he added hoarsely, while his thin, grimy hands clutched the arms of the chair and he half-raised himself from his seat, as if ready to spring up and to start running again; running, running until he dropped.
But obviously his strength was exhausted, for the next moment he fell back against the cushions, the swollen lids fell upon the hollow eyes, the sunken cheeks and parched lips became ashen white.
"Water!" he murmured.
She ministered to him kindly and gently, first holding the water to his lips, then when he had quenched that raging thirst, she pulled the table up close to his chair, and gave him milk to drink and bread and meat to eat.
He seemed quite dazed, conscious only of bodily needs, for he ate and drank ravenously without thought at first of thanking her. Only when he had finished did he lean back once again against the cushions which her kindly hand had placed behind him, and he murmured feebly like a tired but satisfied child:
"You are an angel of goodness, Gilda. Had you not helped me to-night, I should either have perished in a ditch, or fallen in the hands of the Stadholder's minions."
Quickly she put a restraining hand on his shoulder. A firm step had echoed in the flagged corridor beyond the oaken door.
"My father!" she whispered.
In a moment the instinct for life and liberty was fully aroused in the fugitive; his apathy and exhaustion were forgotten; terror, mad, unreasoning terror, had once more taken possession of his mind.
"Hide me, Gilda," he entreated hoarsely, and his hands clutched wildly at her gown, "don't let him see me ... he would give me up ... he would give me up...."
"Hush, in the name of God," she commanded, "he will hear you if you speak."
Swiftly she blew out the candles, then with dilated anxious eyes searched the recesses of the room for a hiding-place — the cupboard which was too small — the wide hearth which was too exposed — the bed in the wall....
His knees had given way under him, and, as he clutched at her gown, he fell forward at her feet, and remained there crouching, trembling, his circled eyes trying to pierce the surrounding gloom, to locate the position of the door behind which lurked the most immediate danger.
"Hide me, Gilda," he murmured almost audibly under his breath, "for the love you bore me once."
"Gilda!" came in a loud, kindly voice from the other side of the door.
"Yes, father!"
"You are not yet abed, are you, my girl?"
"I have just blown out the candles, dear," she contrived to reply with a fairly steady voice.
"Why is your door locked?"
"I was a little nervous to-night, father dear. I don't know why."
"Well! open then! and say good-night."
"One moment, dear."
She was white to the lips, white as the gown which fell in straight heavy folds from her hips, and which Stoutenburg was still clutching with convulsive fingers. Alone her white figure detached itself from the darkness around. The wretched man as he looked up could see her small pale head, the stiff collar that rose above her shoulders, her embroidered corslet, and the row of pearls round her neck.
"Save me, Gilda," he repeated with the agony of despair, "do not let your father hand me over to the Stadtholder ... there will be no mercy for me, Gilda ... hide me ... for the love of God."
Noiselessly she glided across the room, dragging him after her by the hand. She pulled aside the bed-curtains, without a word pointed to the recess. The bed, built into the wall, was narrow but sure; it smelt sweetly of lavender; the hunted man, his very senses blurred by that overwhelming desire to save his life at any cost, accepted the shelter so innocently offered him. Gathering his long limbs together, he was soon hidden underneath the coverlet.
"Gilda!" came more insistently from behind the heavy door.
"One moment, father. I was fastening my gown."
"Don't trouble to do that. I only wished to say good-night."
She pulled the curtains together very carefully in front of the bed: she even took the precaution of taking off her stiff collar and embroidered corslet. Then she lighted one of the candles, and with it in her hand she went to the door.
Then she drew back the bolt.
"May I not come in?" said Mynheer Beresteyn gaily, for she remained standing on the threshold.
"Well no, father!" she replied, "my room is very untidy ... I was just getting into bed...."
"Just getting into bed," he retorted with a laugh, "why, child, you have not begun to undress."
"I wished to undress in the dark. My head aches terribly ... it must be the spring air ... Good-night, dear."
"Good-night, little one!" said Beresteyn, as he kissed his daughter tenderly. "Nicolaes has just come home," he added, "he wanted to see you too."
"Ask him to wait till to-morrow then. My head feels heavy. I can scarcely hold it up."
"You are not ill, little one?" asked the father anxiously.
"No, no ... only oppressed with this first hot breath of spring."
"Why is not Maria here to undress you? I'll send her."
"Not just now, father. She will come presently. Her chattering wearied me and I sent her away."
"Well! good-night again, my girl. God bless you. You will not see Nicolaes?"
"Not to-night, father. Tell him I am not well. Good-night."
Mynheer Beresteyn went away at last, not before Gilda feared that she must drop or faint under the stress of this nerve-racking situation.
Even now when at last she was alone, when once again she was able to close and bolt the door, she could scarcely stand. She leaned against the wall with eyes closed, and heart that beat so furiously and so fast that she thought she must choke.
The sound of her father's footsteps died away along the corridor. She heard him opening and shutting a door at the further end of the passage, where there were two or three living rooms and his own sleeping chamber. For awhile now the house was still, so still that she could almost hear those furious heart-beats beneath her gown. Then only did she dare to move. With noiseless steps she crossed the room to that recess in the wall hidden by the gay-flowered cotton curtains.
She paused close beside these.
"My lord!" she called softly.
No answer.
"My lord! my father has gone! you are in no danger for the moment!"
Still no answer, and as she paused, straining her ears to listen, she caught the sound of slow and regular breathing. Going back to the table she took up the candle, then with it in her hand she returned to the recess and gently drew aside the curtain. The light from the candle fell full upon Stoutenburg's face. Inexpressibly weary, exhausted both bodily and mentally, not even the imminence of present danger had succeeded in keeping him awake. The moment that he felt the downy pillow under his head, he had dropped off to sleep as peacefully as he used to do years ago before the shadow of premeditated crime had left its impress on his wan face.
Gilda looking down on him sought in vain in the harsh and haggard features, the traces of those boyish good looks which had fascinated her years ago; she tried in vain to read on those thin, set lips those words of passionate affection which had so readily flown from them then.
She