Detective Lecoq - Complete Murder Mysteries. Emile Gaboriau
scarcely speak.
“Sir,” said he, “viscount, be quick, fly and hide, save yourself, they are here, it is the —”
A commissary of police, wearing his sash, appeared at the door. He was followed by a number of men, among whom M. Tabaret could be seen, keeping as much out of sight as possible.
The commissary approached Albert.
“You are,” he asked, “Guy Louis Marie Albert de Rheteau de Commarin?”
“Yes, sir.”
The commissary placed his hand upon him, while pronouncing the usual formula: “M. de Commarin, in the name of the law I arrest you.”
“Me, sir? me?”
Albert, aroused suddenly from his painful dreams, seemed hardly to comprehend what was taking place, seemed to ask himself — “Am I really awake? Is not this some hideous nightmare?”
He threw a stupid, astonished look upon the commissary of police, his men, and M. Tabaret, who had not taken his eyes off him.
“Here is the warrant,” added the commissary, unfolding the paper.
Mechanically Albert glanced over it.
“Claudine assassinated!” he cried.
Then very low, but distinct enough to be heard by the commissary, by one of his officers, and by old Tabaret, he added — “I am lost!”
While the commissary was making inquiries, which immediately follow all arrests, the police officers spread through the apartments, and proceeded to a searching examination of them. They had received orders to obey M. Tabaret, and the old fellow guided them in their search, made them ransack drawers and closets, and move the furniture to look underneath or behind. They seized a number of articles belonging to the viscount — documents, manuscripts, and a very voluminous correspondence; but it was with especial delight that M. Tabaret put his hands on certain articles, which were carefully described in their proper order in the official report:
1 In the ante-room, hung with all sorts of weapons, a broken foil was found behind a sofa. This foil has a peculiar handle, and is unlike those commonly sold. It is ornamented with the count’s coronet, and the initials A. C. It has been broken at about the middle; and the end cannot be found. When questioned, the viscount declared that he did not know what had become of the missing end.
2 In the dressing-room, a pair of black cloth trousers was discovered still damp, and bearing stains of mud or rather of mould. All one side is smeared with greenish moss, like that which grows on walls. On the front are numerous rents; and one near the knee is about four inches long. These trousers had not been hung up with the other clothes; but appear to have been hidden between two large trunks full of clothing.
3 In the pocket of the above mentioned trousers was found a pair of lavender kid gloves. The palm of the right hand glove bears a large greenish stain, produced by grass or moss. The tips of the fingers have been worn as if by rubbing. Upon the backs of both gloves are some scratches, apparently made by finger-nails.
4 There were also found in the dressing-room two pairs of boots, one of which, though clean and polished, was still very damp; and an umbrella recently wetted, the end of which was still covered with a light coloured mud.
5 In a large room, called the library, were found a box of cigars of the trabucos brand, and on the mantel-shelf a number of cigar-holders in amber and meerschaum.
The last article noted down, M. Tabaret approached the commissary of police.
“I have everything I could desire,” he whispered.
“And I have finished,” replied the commissary. “Our prisoner does not appear to know exactly how to act. You heard what he said. He gave in at once. I suppose YOU will call it lack of experience.”
“In the middle of the day,” replied the amateur detective in a whisper, “he would not have been quite so crestfallen. But early in the morning, suddenly awakened, you know — Always arrest a person early in the morning, when he’s hungry, and only half awake.”
“I have questioned some of the servants. Their evidence is rather peculiar.”
“Very well; we shall see. But I must hurry off and find the investigating magistrate, who is impatiently expecting me.”
Albert was beginning to recover a little from the stupor into which he had been plunged by the entrance of the commissary of police.
“Sir,” he asked, “will you permit me to say a few words in your presence to the Count de Commarin? I am the victim of some mistake, which will be very soon discovered.”
“It’s always a mistake,” muttered old Tabaret.
“What you ask is impossible,” replied the commissary. “I have special orders of the strictest sort. You must not henceforth communicate with a living soul. A cab is in waiting below. Have the goodness to accompany me to it.”
In crossing the vestibule, Albert noticed a great stir among the servants; they all seemed to have lost their senses. M. Denis gave some orders in a sharp, imperative tone. Then he thought he heard that the Count de Commarin had been struck down with apoplexy. After that, he remembered nothing. They almost carried him to the cab which drove off as fast as the two little horses could go. M. Tabaret had just hastened away in a more rapid vehicle.
Chapter X.
The visitor who risks himself in the labyrinth of galleries and stairways in the Palais de Justice, and mounts to the third story in the left wing, will find himself in a long, low-studded gallery, badly lighted by narrow windows, and pierced at short intervals by little doors, like a hall at the ministry or at a lodging-house.
It is a place difficult to view calmly, the imagination makes it appear so dark and dismal.
It needs a Dante to compose an inscription to place above the doors which lead from it. From morning to night, the flagstones resound under the heavy tread of the gendarmes, who accompany the prisoners. You can scarcely recall anything but sad figures there. There are the parents or friends of the accused, the witnesses, the detectives. In this gallery, far from the sight of men, the judicial curriculum is gone through with.
Each one of the little doors, which has its number painted over it in black, opens into the office of a judge of inquiry. All the rooms are just alike: if you see one, you have seen them all. They have nothing terrible nor sad in themselves; and yet it is difficult to enter one of them without a shudder. They are cold. The walls all seem moist with the tears which have been shed there. You shudder, at thinking of the avowals wrested from the criminals, of the confessions broken with sobs murmured there.
In the office of the judge of inquiry, Justice clothes herself in none of that apparel which she afterwards dons in order to strike fear into the masses. She is still simple, and almost disposed to kindness. She says to the prisoner —
“I have strong reasons for thinking you guilty; but prove to me your innocence, and I will release you.”
On entering one of these rooms, a stranger would imagine that he got into a cheap shop by mistake. The furniture is of the most primitive sort, as is the case in all places where important matters are transacted. Of what consequence are surroundings to the judge hunting down the author of a crime, or to the accused who is defending his life?
A desk full of documents for the judge, a table for the clerk, an arm-chair, and one or two chairs besides comprise the entire furniture of the antechamber of the court of assize. The walls are hung with green paper; the curtains are green, and the floors are carpeted in the same color. Monsieur Daburon’s office bore the number fifteen.
M. Daburon had arrived at his office in the Palais de Justice at nine o’clock in the morning, and was waiting. His course