The Real Adventure. Henry Kitchell Webster
Yet, on this particular day, it could not have happened differently. It had been a red-letter day from the beginning, from no assignable cause an exciting joyous day, and the thrill of the hard fast game, the shower, the rub, the walk, had brought her up to what engineers speak of as a "peak."
Well, the conductor didn't know that. If he had, he would either have let the girl go by, or have put a good deal more force into his attempt to stop her. And the first thing he knew, he found both his wrists pinned in the grip of her two hands; found himself staring stupidly into a pair of great blazing blue eyes—it's a wrathful color, blue, when you light it up—and listening uncomprehendingly to a voice that said, "Don't dare touch me like that!"
The episode might have ended right there, for the conductor's consternation was complete. If she could have walked straight into the car, he would not have pursued her. But her note-books were scattered everywhere and had to be gathered up, and there were two or three of the passengers who thought the situation was funny, and laughed, which did not improve the conductor's temper.
Rose was aware, as she gathered up her note-books, of another hand that was helping her—a gloved masculine hand. She took the books it held out to her as she straightened up, and said, "Thank you," but without looking around for the face that went with it. The conductor's intentions were still at the focal point of her mind. They were, apparently, unaltered. He had jerked the bell while she was collecting her note-books and the car was grinding down to a stop.
"You pay your fare," he repeated, "or you get off the car right here."
"Right here" was in the middle of what looked like a lake, and the rain was pouring down with a roar.
She didn't hesitate long, but before she could answer a voice spoke—a voice which, with intuitive certainty, she associated with the gloved hand that had helped gather up her note-books—a very crisp, finely modulated voice.
"That's perfectly outrageous," it said. "The young lady has paid her fare."
"Did you see her pay it?" demanded the conductor.
"Naturally not," said the voice. "I got on at the last corner. She was here then. But if she said she did, she did."
It seemed to relieve the conductor to have some one of his own sex to quarrel with. He delivered a stream of admonition somewhat sulphurously phrased, to the general effect that any one whose concern the present affair was not, could, at his option, close his jaw or have his block knocked off.
Rose hadn't, as yet, looked round at her champion. But she now became aware that inside a shaggy gray sleeve which hung beside her, there was a sudden tension of big muscles; the gloved hand that had helped gather up her note-books, clenched itself into a formidable fist. The thought of the sort of thud that fist might make against the over-active jaw of the conductor was pleasant. Still, the thing mustn't be allowed to happen.
She spoke quickly and decisively. "I won't pay another fare, but of course you may put me off the car."
"All right," said the conductor.
The girl smiled over the very gingerly way in which he reached out for her elbow to guide her around the rail and toward the step. Technically, the action constituted putting her off the car. She heard the crisp voice once more, this time repeating a number, "twenty-two-naught-five," or something like that, just as she splashed down into the two-inch lake that covered the hollow in the pavement. The bell rang twice, the car started with a jerk, there was another splash, and a big gray-clad figure alighted in the lake beside her.
"I've got his number," the crisp voice said triumphantly.
"But," gasped the girl, "but what in the world did you get off the car for?"
It wasn't raining. It was doing an imitation of Niagara Falls, and the roar of it almost drowned their voices.
"What did I get off the car for!" he shouted. "Why, I wouldn't have missed it for anything. It was immense! It's so confounded seldom," he went on, "that you find anybody with backbone enough to stick up for a principle … "
He heard a brief, deep-throated little laugh and pulled up short with a, "What's the joke?"
"I laughed," she said, "because you have been deceived." And she added quickly, "I don't believe it's quite so deep on the sidewalk, is it?" With that she waded away toward the curb.
He followed, then led the way to a lee-wall that offered, comparatively speaking, shelter.
Then, "Where's the deception?" he asked.
On any other day, it's probable she'd have acted differently; would have paid some heed, though a bit contemptuously, perhaps, to the precepts of ladylike behavior, in which she'd been admirably grounded. The case for reticence and discretion was a strong one. The night was dark; the rain-lashed street deserted; the man an utterly casual stranger—why, she hadn't even had a straight look into his face. His motive in getting off the car was at least dubitable. Even if not sinister, it could easily be unpleasantly gallant. A man might not contemplate doing her bodily harm, and still be capable of trying to collect some sort of sentimental reward for the ducking he had submitted himself to.
Her instinct rejected all that. The sound of his voice, the general—atmosphere of him had been exactly right. And then, he'd left undone the things he ought not to have done. He hadn't tried to take hold of her arm as they had splashed along through the lake to the curb. He hadn't exhibited any tenderly chivalrous concern over how wet she was. And, to-day being to-day, she consigned ladylike considerations to the inventor of them, and gave instinct its head.
She laughed again as she answered his question. "The deception was that I pretended to do it from principle. The real reason why I wouldn't pay another fare, is because I had only one more nickel."
"Good lord!" said the man.
"And," she went on, "that nickel will pay my fare home on the elevated. It's only about half a mile to the station, but from there home it's ten. So you see I'd rather walk this than that."
"But that's dreadful," he cried. "Isn't there … Couldn't you let me … "
"Oh," she said, "it isn't so bad as that. It's just one of the silly things that happen to you sometimes, you know. I didn't have very much money when I started, it being Friday. And then I paid my subscription to The Maroon. … " She didn't laugh audibly, but without seeing her face, he knew she smiled, the quality of her voice enriching itself somehow. … "And I ate a bigger lunch than usual, and that brought me down to ten cents. I could have got more of course from anybody, but ten cents, except for that conductor, would have been enough."
"You will make a complaint about that, won't you?" he urged. "Even if it wasn't on principle that you refused to pay another fare? And let me back you up in it. I've his number, you know."
"You deserve that, I suppose," she said, "because you did get off the car on principle. But—well, really, unless we could prove that I did pay my fare, by some other passenger, you know, they'd probably think the conductor did exactly right. Of course he took hold of me, but that was because I was going right by him. And then, think what I did to him!"
He grumbled that this was nonsense—the man had been guilty at least of excessive zeal—but he didn't urge her, any further, to complain.
"There's another car coming," he now announced, peering around the end of the wall. "You will let me pay your fare on it, won't you?"
She hesitated. The rain was thinning. "I would," she said, "if I honestly wouldn't rather walk. I'm wet through now, and it'll be pleasanter to—walk a little of it off than to squeeze into that car. Thanks, really very, very much, though. Don't you miss it." She thrust out her hand. "Good-by!"
"I can't pretend to think you need an escort to the elevated," he said. "I saw what you did to the conductor. I haven't the least doubt you could have thrown him off the car. But I'd—really like it very much if you would let me walk along with you."
"Why," she said, "of course! I'd like it too. Come along."