The Real Adventure. Henry Kitchell Webster
CHAPTER III
FREDERICA'S PLAN AND WHAT HAPPENED TO IT
At twenty minutes after seven that evening, Frederica Whitney was about as nearly dressed as she usually was ten minutes before the hour at which she had invited guests to dinner—not quite near enough dressed to prevent a feeling that she had to hurry.
Ordinarily, though, she didn't mind. She'd been an acknowledged beauty for ten years and the fact had ceased to be exciting. She took it rather easily for granted, and knowing what she could do if she chose, didn't distress herself over being lighted up, on occasions, to something a good deal less than her full candle-power. To Frederica at thirty—or thereabout—the job of being a radiantly delightful object of regard lacked the sporting interest of uncertainty; was almost too simple a matter to bother about.
But to-night the tenseness of her movements and the faint trace of a wire edge in the tone in which she addressed the maid, revealed the fact that she wished she'd started half an hour earlier. Even her husband discovered it. He brought in a cigarette, left the door open behind him and stood smiling down at her with the peculiarly complacent look that characterizes a married man of forty when he finds himself dressed beyond cavil in the complete evening harness of civilization, ten minutes before his wife.
She shot a glance of rueful inquiry at him—"Now what have you come fussing around for?" would be perhaps a fair interpretation of it—and asked him what time it was, in the evident hope that the boudoir clock on her dressing-table had deceived her. It had, but in the wrong direction.
"Seven twenty-two, thirty-six," he told her. It was a perfectly harmless passion he had for minute divisions of time, but to-night it irritated her. He might have spared her that thirty-six seconds.
She made no comment except with her eyebrows, but he must have been looking at her, for he wanted to know, good-humoredly, what all the excitement was about.
"You could go down as you are and not a man here to-night would know the difference. And as for the women—well, if they have something on you for once, they'll be all the better pleased."
"Don't try to be knowing and philosophical, and—Havelock Ellish, Martin, dear," she admonished him, pending a minute operation with an infinitesimal hairpin. "It isn't your lay a bit. Just concentrate your mind on one thing, and that's being nice to Hermione Woodruff. … "
She broke off for a long stare into her hand-glass; then finished, casually, " … and on seeing that Roddy is."
He asked, "Why Rodney?" in a tone that matched hers; looked at her, widened his eyes, said "Huh!" to himself and, finally, shook his head. "Nothing to it," he pronounced.
She said, "Nothing to what?" but abandoned this position as untenable. She despatched the maid with the key to the wall safe in her husband's room. "Why isn't there?" she demanded. "Rodney won't look at young girls. They bore him to death—and no wonder, because he freezes them perfectly brittle with fright. But Hermione's really pretty intelligent. She can understand fully half the things he talks about and she's clever enough to pretend about the rest. She's got lots of tact and skill, she's good-looking and young enough—no older than I and I'm two years younger than Roddy. She'll appreciate a real husband, after having been married five years to John Woodruff. And she's rich enough, now, so that his wild-eyed way of practising law won't matter."
"All very nice and reasonable," he conceded, "but somehow the notion of Rodney Aldrich trying to marry a rich widow is one I'm not equal to without a handicap of at least two cocktails." He looked at his watch again. "By the way, didn't you say he was coming early?"
She nodded. "That's what he told me this morning when I telephoned him to remind him that it was to-night. He said he had something he wanted to talk to me about. I knew I shouldn't have a minute, but I didn't say so because I thought if he tried to get here early, he might miss being late."
They heard, just then, faint and far-away, the ring of the door-bell, at which she cried, "Oh, dear! There's some one already."
"Wait a second," he said. "Let's see if it's him."
The paneled walls and ceiling of their hall were very efficient sounding-boards and there was no mistaking the voice they heard speaking the moment the door opened—a voice with a crisp ring to it that sounded always younger than his years. What he said didn't matter, just a cheerful greeting to the butler. But what they heard the butler say to him was disconcerting.
"You're terribly wet, sir."
Frederica turned on her husband a look of despair.
"He didn't come in a taxi! He's walked or something, through that rain! Do run down and see what he's like. And if he's very bad, send him up to me. I can imagine how he'll look."
She was mistaken about that though. For once Frederica had overestimated her powers, stimulated though they were by the way she heard her husband say, "Good lord!" when the sight of his brother-in-law burst on him.
"Praise heaven you can wear my clothes," she heard him add. "Run along up-stairs and break yourself gently to Freddy."
She heard him come squudging up the stairs and along the hall, and then in her doorway she saw him. His baggy gray tweed suit was dark with the water that saturated it. The lower part of his trousers-legs, in irregular vertical creases, clung dismally to his ankles and toned down almost indistinguishably into his once tan boots by the medium of a liberal stipple of mud spatters. Evidently, he had worn no overcoat. Both his side pockets had been, apparently, strained to the utmost to accommodate what looked like a bunch of pasteboard-bound note-books, now far on the way to their original pulp, and lopped despondently outward. A melancholy pool had already begun forming about his feet.
The maddening, but yet—though she hadn't much room for any other emotion—touching thing about the look of him, was the way his face, above the dismal wreck, beamed good-humored innocent affection at her. It was a big featured, strong, rosy face, and the unmistakable intellectual power of it, which became apparent the moment he got his faculties into action, had a trick of hiding, at other times, behind a mere robust simplicity.
"Good gracious!" he said. "I didn't know you were going to have a party."
It seemed though, he didn't want to make an issue of that. He hedged. "I know you said something about a birthday cake, but I thought it would just be the family. So instead of dressing, I thought I'd walk down from home. It takes about the same time. And then it came on to rain, so I took a street-car—and got put off."
It appeared from the way she echoed his last two words that she wanted an explanation. He was painting with a large brush and a few details got obliterated.
"Got into a row with the conductor, who wanted to collect two fares for one ride, so I walked over to the elevated—and back, and here I am."
"Yes, here you are," said Frederica.
She didn't mean anything by that. Already she was making up her mind what she would do with him. His own suggestion was that he should decamp furtively by the back stairs, the sound of new arrivals to the dinner party warning him that the other way of escape was barred. Waiters could be instructed to rescue his hat for him, and he could toddle along down-town again.
She didn't give him time to complete the outline of this masterly stratagem. "Don't be impossible, Rod," she said. "Don't you even know whose birthday party this is?"
He looked at her, frowned, then laughed. He had a great big laugh.
"I thought it was one of the kid's," he said.
"Well, it isn't," she told him. "It's yours. And those people down