The Haunted Bookshop & The Prequel "Parnassus on Wheels". Christopher Morley
As I stooped to unfasten the chain from his collar I heard some one talking through the telephone. The hotel lobby was just over my head, and the window was open.
"What did you say?"
"—— —— —— ——"
"McGill? Yes, sir, registered here last night. She's here now."
I didn't wait to hear more. Unfastening Bock, I hurried to tell Mifflin. His eyes sparkled.
"The Sage is evidently on our spoor," he chuckled. "Well, let's be off. I don't see what he can do even if he overhauls us."
The clerk was calling me from the window: "Miss McGill, your brother's on the wire and asks to speak to you."
"Tell him I'm busy," I retorted, and climbed onto the seat. It was not a diplomatic reply, I'm afraid, but I was too exhilarated by the keen morning and the spirit of adventure to stop to think of a better answer. Mifflin clucked to Peg, and off we went.
The road from Shelby to Port Vigor runs across the broad hill slopes that trend toward the Sound; and below, on our left, the river lay glittering in the valley. It was a perfect landscape: the woods were all bronze and gold; the clouds were snowy white and seemed like heavenly washing hung out to air; the sun was warm and swam gloriously in an arch of superb blue. My heart was uplifted indeed. For the first time, I think, I knew how Andrew feels on those vagabond trips of his. Why had all this been hidden from me before? Why had the transcendent mystery of baking bread blinded me so long to the mysteries of sun and sky and wind in the trees? We passed a white farmhouse close to the road. By the gate sat the farmer on a log, whittling a stick and smoking his pipe. Through the kitchen window I could see a woman blacking the stove. I wanted to cry out: "Oh, silly woman! Leave your stove, your pots and pans and chores, even if only for one day! Come out and see the sun in the sky and the river in the distance!" The farmer looked blankly at Parnassus as we passed, and then I remembered my mission as a distributor of literature. Mifflin was sitting with one foot on his bulging portmanteau, watching the tree tops rocking in the cool wind. He seemed to be far away in a morning muse. I threw down the reins and accosted the farmer.
"Good-morning, friend."
"Morning to you, ma'am," he said firmly.
"I'm selling books," I said. "I wonder if there isn't something you need?"
"Thanks, lady," he said, "but I bought a mort o' books last year an' I don't believe I'll ever read 'em this side Jordan. A whole set o' 'Funereal Orations' what an agent left on me at a dollar a month. I could qualify as earnest mourner at any death-bed merrymakin' now, I reckon."
"You need some books to teach you how to live, not how to die," I said. "How about your wife—wouldn't she enjoy a good book? How about some fairy tales for the children?"
"Bless me," he said, "I ain't got a wife. I never was a daring man, and I guess I'll confine my melancholy pleasures to them funereal orators for some time yet."
"Well, now, hold on a minute!" I exclaimed. "I've got just the thing for you." I had been looking over the shelves with some care, and remembered seeing a copy of "Reveries of a Bachelor." I clambered down, raised the flap of the van (it gave me quite a thrill to do it myself for the first time), and hunted out the book. I looked inside the cover and saw the letters n m in Mifflin's neat hand.
"Here you are," I said. "I'll sell you that for thirty cents."
"Thank you kindly, ma'am," he said courteously. "But honestly I wouldn't know what to do with it. I am working through a government report on scabworm and fungus, and I sandwich in a little of them funereal speeches with it, and honestly that's about all the readin' I figure on. That an' the Port Vigor Clarion."
I saw that he really meant it, so I climbed back on the seat. I would have liked to talk to the woman in the kitchen who was peering out of the window in amazement, but I decided it would be better to jog on and not waste time. The farmer and I exchanged friendly salutes, and Parnassus rumbled on.
The morning was so lovely that I did not feel talkative, and as the Professor seemed pensive I said nothing. But as Peg plodded slowly up a gentle slope he suddenly pulled a book out of his pocket and began to read aloud. I was watching the river, and did not turn round, but listened carefully:
"Rolling cloud, volleying wind, and wheeling sun—the blue tabernacle of sky, the circle of the seasons, the sparkling multitude of the stars—all these are surely part of one rhythmic, mystic whole. Everywhere, as we go about our small business, we must discern the fingerprints of the gigantic plan, the orderly and inexorable routine with neither beginning nor end, in which death is but a preface to another birth, and birth the certain forerunner of another death. We human beings are as powerless to conceive the motive or the moral of it all as the dog is powerless to understand the reasoning in his master's mind. He sees the master's acts, benevolent or malevolent, and wags his tail. But the master's acts are always inscrutable to him. And so with us.
"And therefore, brethren, let us take the road with a light heart. Let us praise the bronze of the leaves and the crash of the surf while we have eyes to see and ears to hear. An honest amazement at the unspeakable beauties of the world is a comely posture for the scholar. Let us all be scholars under Mother Nature's eye.
"How do you like that?" he asked.
"A little heavy, but very good," I said. "There's nothing in it about the transcendent mystery of baking bread!"
He looked rather blank.
"Do you know who wrote it?" he asked.
I made a valiant effort to summon some of my governessly recollections of literature.
"I give it up," I said feebly. "Is it Carlyle?"
"That is by Andrew McGill," he said. "One of his cosmic passages which are now beginning to be reprinted in schoolbooks. The blighter writes well."
I began to be uneasy lest I should be put through a literary catechism, so I said nothing, but roused Peg into an amble. To tell the truth I was more curious to hear the Professor talk about his own book than about Andrew's. I had always carefully refrained from reading Andrew's stuff, as I thought it rather dull.
"As for me," said the Professor, "I have no facility at the grand style. I have always suffered from the feeling that it's better to read a good book than to write a poor one; and I've done so much mixed reading in my time that my mind is full of echoes and voices of better men. But this book I'm worrying about now really deserves to be written, I think, for it has a message of its own."
He gazed almost wistfully across the sunny valley. In the distance I caught a glint of the Sound. The Professor's faded tweed cap was slanted over one ear, and his stubby little beard shone bright red in the sun. I kept a sympathetic silence. He seemed pleased to have some one to talk to about his precious book.
"The world is full of great writers about literature," he said, "but they're all selfish and aristocratic. Addison, Lamb, Hazlitt, Emerson, Lowell—take any one you choose—they all conceive the love of books as a rare and perfect mystery for the few—a thing of the secluded study where they can sit alone at night with a candle, and a cigar, and a glass of port on the table and a spaniel on the hearthrug. What I say is, who has ever gone out into high roads and hedges to bring literature home to the plain man? To bring it home to his business and bosom, as somebody says? The farther into the country you go, the fewer and worse books you find. I've spent several years joggling around with this citadel of crime, and by the bones of Ben Ezra I don't think I ever found a really good book (except the Bible) at a farmhouse yet, unless I put it there myself. The mandarins of culture—what do they do to teach the common folk to read? It's no good writing down lists of books for farmers and compiling five-foot shelves; you've got to go out and visit the people yourself—take the books to them, talk to the teachers and bully the editors of country newspapers and farm magazines and tell the children stories—and then little by little you begin to get good books circulating in the veins of the nation. It's a great work, mind you! It's like carrying the Holy Grail to some of these way-back farmhouses. And I wish there were a thousand Parnassuses instead of this one. I'd never give it up if it weren't for