The Usurper. Gautier Judith
Some were already dressed in their holiday garb, of bright colors, covered with embroidery. Others, more prudent, naked to the waist, preferred to finish their toilet after their hair was dressed. Vegetable-sellers and fish-merchants moved about through the throng, loudly praising their wares, which they carried in two buckets hanging from a cross piece of wood laid over one shoulder.
On every side people were trimming their houses with pennants, and streamers, and embroidered stuffs covered with Chinese inscriptions in gold on a black or purple ground; lanterns were hung up, and blossoming boughs.
As the morning advanced, the streets became fuller and fuller of merry tumult. Bearers of norimonos, clad in light tunics drawn tightly round their waist, with large shield-shaped hats, shouted to the people to make room. Samurais went by on horseback, preceded by runners, who, with lowered head and arms extended, forced a passage through the crowd. Groups paused to talk, sheltered from the sun by huge parasols, and formed motionless islands in the midst of the surging, billowy sea of promenaders. A doctor hurried by, fanning himself gravely, and followed by his two assistants carrying the medicine-chest.
"Illustrious master, are you not going to the feast!" cried the passers-by.
"Sick men pay no heed to feasts," he answered with a sigh; "and as there are none for them, there can be none for us."
On the banks of Yedogava the excitement was still greater. The river was literally hidden by thousands of vessels; the masts trimmed, the sails still unset, but ready to unfurl, like wings; the hatchways hung with silks and satins; the prows decked with banners whose golden fringe, dipped into the water, glittered in the sun, and stained the azure stream with many-colored ripples.
Bands of young women in brilliant attire came down the snowy steps of the river-banks cut into broad terraces. They entered elegant boats made of camphor-wood, set off by carvings and ornaments of copper, and filled them with flowers, which spread perfumes through the air.
From the top of Kiobassi—that fine bridge which resembles a bent bow—were hung pieces of gauze; crape, and light silk, of the most delicate colors, and covered with inscriptions. A gentle breeze softly stirred these lovely stuffs, which the boats, moving up and down, pushed aside as they passed. In, the distance glistened the tall tower of the palace and the two monstrous goldfish which adorn its pinnacle. At the entrance to the city, to right and left of the river, the two superb bastions looking out to sea displayed on every tower, at each angle of the wall, the national standard, white with a scarlet disk—an emblem of the sun rising through the morning mists. Scattered pagodas upreared above the trees against the radiant sky their many roofs, curled upward at the edge in Chinese fashion.
The pagoda of Yebis, the divinity of the sea, attracted especial attention upon this day; not that its towers were higher, or its sacred doors more numerous, than those of neighboring temples, but from its gardens was to start the religious procession so eagerly awaited by the crowd.
At last, in the distance, the drum sounded. Every ear was bent to catch the sacred rhythm familiar to all: a few violent blows at regular intervals, then a hasty roll, gradually fading and dying, then again abrupt blows.
A tremendous roar of delight rose from the crowd, who instantly took their places along the houses on either side of the streets through which the procession was to pass.
The Kashiras, district police, rapidly stretched cords from stake to stake, to prevent the throng from trespassing on the main street. The procession had started; it had passed through the Tory, or sacred gateway which stands outside the pagoda of Yebis; and soon it defiled before the impatient multitude.
First came sixteen archers, one behind the other, in two lines, each man at a convenient distance from the other. They wore armor made of plates of black horn fastened together by stitches of red wool. Two swords were thrust through their sashes, barbed arrows extended above their shoulders, and in their hands they held huge bows of black and gold lacquer. Behind them came a body of servants bearing long staffs tufted with silk. Then appeared Tartar musicians, whose advent was announced by a joyous racket. Metallic vibrations of the gong sounded at intervals, mingled with drums beaten vigorously, shuddering cymbals, conch-shells giving out sonorous notes, shrill flute-tones, and blasts of trumpets rending the air, formed such an intensity of noise, that the nearest spectators winked and blinked, and seemed almost blinded.
After the musicians came, borne on a high platform, a gigantic crawfish, ridden by a bonze. Flags of every hue, long and narrow, bearing the arms of the city, and held by boys, swung to and fro about the enormous crustacean. Following, were fifty lancers, wearing round lacquer hats, and carrying on their shoulders a lance trimmed with a red tassel. Two servants led next a splendidly caparisoned horse, whose mane, drawn up above his neck, was braided and arranged like a rich fancy trimming. Standard-bearers marched behind this horse; their banners were blue, and covered with golden characters. Then advanced two great Corean tigers, with open jaws and bloodshot eyes. Children in the crowd screamed with fright; but the tigers were of pasteboard, and men, hidden in their paws, made them move. A monstrous drum, of cylindrical form, followed, borne by two bonzes; a third walked beside it and struck the drum incessantly with his clenched fist.
Finally came seven splendidly dressed young women, who were received with merry applause. These were the most famous and most beautiful courtesans of the town. They walked one after the other majestically, full of pride, each accompanied by a maid, and followed by a man who held a large silken parasol over her. The people, who knew them well, named them as they passed.
"There's the woman with the silver teal!" Two of those birds were embroidered on the large loose-sleeved cloak which she wore over her many dresses, whose collars were folded one above the other upon her breast. The cloak was of green satin, the embroidery of white silk, mixed with silver. The fair one's headdress was stuck full of enormous tortoise-shell pins, forming a semicircle of rays around her face.
"That one there, that is the seaweed woman!"
The beautiful growth, whose silken roots were lost in the embroideries of the cloak, floated out from the stuff and fluttered in the wind.
Then came the beauty with the golden dolphin; the beauty with the almond-blossoms; the beauties with the swan, the peacocks, and the blue monkey. All walked barefooted upon high clogs made of ebony, which increased their apparent height. Their heads bristled with shell-pins, and their faces, skilfully painted, seemed young and charming under the soft shadow of the parasol.
Behind these women marched men bearing willow-branches; then a whole army of priests, carrying on litters, or under pretty canopies with gilded tops, the accessories, ornaments, and furniture of the temple, which was purified during the progress of the procession.
After all these came the shrine of Yebis, the God of the Sea, the indefatigable fisher who spends entire days wrapped in a net, a line in his hand, standing on a rock half submerged in the water. The octagonal roof was covered with blue and silver, bordered with a pearl fringe, and surmounted by a great bird with outspread wings. This shrine, containing the God Yebis invisible within, was borne by fifty bonzes naked to the waist.
Behind, upon a litter, was borne the magnificent fish consecrated to Yebis, the Akama, or scarlet lady—the favorite dish of all those who are fond of dainty fare. Thirty horsemen armed with pikes ended the procession.
The long train crossed the city, followed by the crowd which gathered in its rear; it reached the suburbs, and after a long march came out upon the sea-shore.
Simultaneously with its arrival, thousands of vessels reached the mouth of Yedogava, which wafted them gently towards the ocean. The sails were spread, the oars bit the water, banners floated on the breeze, while the sun flashed myriad sparkles across the blue, dancing waves.
Fide-Yori also reached the shore by the road that skirts the river bank; he stopped his horse and sat motionless in the midst of his suite, which was but scanty, the Regent being unwilling to eclipse the religious cortége by the royal luxury.
Hieyas himself was carried in a norimono, as were the mother and wife of the Shogun. He declared himself ill.
Fifty