The Enemies of Women (Los enemigos de la mujer). Vicente Blasco Ibanez
majority of his fights. But his wounds were "lucky wounds" as the soldiers say. They left marks of glory on his body without destroying his vigorous health.
Finding himself alone in Paris, where his only resource was the admiration of a few elderly "legitimist" ladies of the aristocratic Faubourg Saint Germain, he left for Vienna. There his king had friends and relatives. His youth and his exploits gained him admission as a hero of the old monarchy to the circle of archdukes. The war between Russia and Turkey tore him away from his pleasant life as an interesting hanger-on. Being a fighting man and a Catholic, he felt it his duty to wage war against the Turks; and with recommendations as a protégé of some influential Austrians, he went to the Court at Saint Petersburg. General Saldaña became a mere Commander of a Squadron in the Russian Cavalry. The officers conversed with him in French. His horsemen understood him well enough when he placed himself in front of his division, and, unsheathing his sword, galloped ahead of them against the enemy.
Various successful charges and two more "lucky wounds" won him a certain celebrity. At the end of the war he had gained numerous friends among officers of the nobility, and was presented in the most aristocratic drawing rooms. One evening at a ball given by a Grand Duchess, he saw close at hand the most fashionable and most talked of young woman of the season: the Princess Lubimoff.
She was twenty-two, an orphan, with a fortune said to be one of the largest in Russia. The first to bear the title of Prince Lubimoff, a poor but handsome Cossack, unable to read or write, succeeded in winning the attention of the Great Catherine, who made him the favorite among her lovers of second rank. During the years that her imperial caprice lasted, the new Prince was forced to seek his fortune far from the Court, since the favorites before him had gained possession of all that was near at hand. The Czarina allowed him to make his selection on the map of her immense Empire; distant territories beyond the Urals, which the new proprietor was, like the majority of his successors, never to see. With the introduction of the railroad, enormous riches came to light in these lands chosen by the Cossack; in some, veins of platinum were discovered; in others, quarries of malachite, deposits of lapis lazuli, and rich oil wells. Besides, tens of thousands of serfs, recently freed by the Czar, continued to work the land for the Lubimoff heirs, just as they had before the emancipation. And all this immense fortune, which nearly doubled each year with new discoveries, belonged entirely to one woman, the young Princess, who considered herself as one of the Imperial family owing to the relationship of her ancestor, and had more than once given the sovereign cause for worry through the eccentricities of her character.
She was an aggressive young woman, capricious and inconsistent in both words and deeds, a puzzle to everyone through the sharp contradictions in her conduct. She mingled with the officers of the Guard, treating them as comrades, smoking and drinking with them and taking a hand in their exercises in horsemanship; and then suddenly she would shut herself up in her palace for whole weeks, on her knees most of the time, before the holy ikons, absorbed in mystic fervor, and loudly imploring the forgiveness of her sins. She looked on the Emperor with veneration, as the representative of God. At the same time she was known to sympathize with the Nihilists.
The courtiers were scandalized whenever they told how she had accompanied a girl, whom the police were watching to a wretched house on the outskirts of the capital, and had there mingled with the revolutionary rabble composed of workmen and students. With them she had entered a narrow room, and joined the line passing before a coffin that was constantly in danger of being upset by the pushing of the gloomy curious crowd. The dead man's name was Fedor Dostoiewsky. The princess had scattered a bouquet of the most costly roses on the protruding forehead and monkish beard of the novelist.
And in her moments of anger this same Nadina Lubimoff beat the servants in her Palace, as though they were still serfs, and forced her maids to grovel at her feet. Her irritability and fiery temper turned everything upside down, to such an extent that a certain elderly Prince, who by Imperial order had been chosen as her guardian, desired, in spite of the fact that it would mean to him loss of the management of an immense fortune, to see her married as soon as possible.
Nadina Lubimoff inspired a feeling of dread in her suitors. They were all afraid that she would answer their request for her hand with a cruel jest. Twice she had announced her engagement to gentlemen of the Court, and at the last moment she herself had begged the Czar to refuse his consent. By this time no one dared propose, for fear of laughter and comment. Yet in spite of the freedom and unconventionality of her conduct, no one doubted the uprightness of her character.
On seeing her, Saldaña thought of a naiad of the North, rising from an emerald river, in which cakes of ice were floating. She was tall and majestic, with a somewhat massive figure, like the divinities painted in frescos for ceilings. Her skin was of radiant whiteness. The pupils of her gray eyes gave out a greenish light, and her silky hair was a faded washed-out red. Owing to the marvelous whiteness of her complexion, her flesh appeared somewhat soft, but a fresh fragrance emanated from it, "the fragrance of running brooks," to use the words of her admirers. Her nostrils were rather wide, and in the stress of emotion they quivered, like those of a horse, thus recalling her glorious ancestor, the virile Cossack of the Czarina.
The ball was nearly over before she noticed the Spaniard. There were so many officers constantly at her heels, greeting her cruel jokes and vulgar expressions with a smile of gratitude!—Suddenly Saldaña, who was standing between two doorways, was startled by a clear but commanding female voice.
"Your arm, Marquis."
And before he could offer it to her the young Princess took it, and led him off to the buffet in the drawing room.
Nadina drank a good sized glass of vodka, preferring this liquor of the people to the champagne which the servants were pouring out in large quantities. Then smiling at her companion she drew him into the embrasure of a window where they were almost hidden by the curtains.
"Your wounds! … I want to see your wounds!"
Saldaña was dumfounded at the command of this great lady accustomed to carrying out her most whimsical ideas. Blushing like a soldier, who had lived all his life among men, he finally drew up the left sleeve of his uniform, revealing a brown, hairy forearm, with large tendons, and deeply furrowed by the scar of a bullet wound received back in Spain.
The Princess admired his athletic arm, with its dark skin, cut by the jagged white of the new tissue.
"The other—the others! I want to see the rest of them!" she commanded, gazing at him fiercely, as though she were ready to bite, while her lips, moist and shining, curved sharply downward.
She had seized his arm with a hand that trembled, while with the other she tried to undo the gold cords on the officer's breast.
Saldaña drew back, stammering. "Oh! Princess!" What she desired was impossible. It was impossible to show the other wounds to a lady. …
He felt on the one visible scar the contact of two lips. Nadina, bowing her proud head, was kissing his arm.
"Hero! … Oh! my hero!"
Immediately afterward she drew herself up again, cold and distant, with no other sign of emotion than a slight quivering of her nostrils. No longer was she tormented by the desire to see immediately those frightful scars of which she had heard from some of the comrades of the brave adventurer. She was sure of being able to see them to her heart's content whenever she pleased.
In a few days the rumor began to circulate that the Princess Lubimoff was to be married to the Spaniard. She herself had started the news going, without bothering to ascertain beforehand the inclination of her future husband.
The arguments with which she justified her decision could not have been more weighty. She was blond and Saldaña was dark. They had both been born at outermost limits of Europe. These considerations were sufficient to make a happy marriage. Besides, the Princess was convinced that she had always been fond of Spain, although she would not have been able to place it accurately on the map. She recalled certain verses of Heine mentioning Toledo, and others by Musset addressing Andalusian Marquises of Barcelona; and she used to hum a love song about the oranges of Seville. … Her hero must surely be from Toledo, or, better