Letters of Edward FitzGerald to Fanny Kemble (1871-1883). Edward FitzGerald

Letters of Edward FitzGerald to Fanny Kemble (1871-1883) - Edward FitzGerald


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of half its Dulness. And I am now going to transcribe you a Vau-de-vire of old Olivier de Basselin, [23a] which will show you something of that which I miss in Béranger. But I think I had better write it on a separate Paper. Till which, what think you of these lines of Clément Marot on the Death of some French Princess who desired to be buried among the Poor? [23b]

      [P.S.—These also must go on the Fly-leaf: being too long, Alexandrine, for these Pages.]

      What a Letter! But if you are still at your Vicarage, you can read it in the Intervals of Church. I was surprised at your coming so early from Italy: the famous Holy Week there is now, I suppose, somewhat shorn of its Glory.—If you were not so sincere I should think you were persiflaging me about the Photo, as applied to myself, and yourself. Some years ago I said—and now say—I wanted one of you; and if this letter were not so long, would tell you a little how to sit. Which you would not attend to; but I should be all the same, your long-winded

      Friend

       E. F.G.

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      Woodbridge, May 1, [1873.]

      Dear Mrs. Kemble,

      I am very glad that you will be Photographed: though not by the Ipswich Man who did me, there are no doubt many much better in London.

      Of course the whole Figure is best, if it can be artistically arranged. But certainly the safe plan is to venture as little as possible when an Artist’s hand cannot harmonize the Lines and the Lights, as in a Picture. And as the Face is the Chief Object, I say the safest thing is to sit for the Face, neck, and Shoulders only. By this, one not only avoids any conflict about Arms and Hands (which generally disturb the Photo), but also the Lines and Lights of Chair, Table, etc.

      For the same reason, I vote for nothing but a plain Background, like a Curtain, or sober-coloured Wall.

      I think also that there should be no White in the Dress, which is apt to be too positive for the Face. Nothing nearer White than such material as (I think) Brussels Lace (?) of a yellowish or even dirty hue; of which there may be a Fringe between Dress and Skin. I have advised Men Friends to sit in a—dirty Shirt!

      I think a three-quarter face is better that a Full; for one reason, that I think the Sitter feels more at ease looking somewhat away, rather than direct at the luminous Machine. This will suit you, who have a finely turned Head, which is finely placed on Neck and Shoulders. But, as your Eyes are fine also, don’t let them be turned too much aside, nor at all downcast: but simply looking as to a Door or Window a little on one side.

      Lastly (!) I advise sitting in a lightly clouded Day; not in a bright Sunlight at all.

      You will think that I am preaching my own Photo to you. And it is true that, though I did not sit with any one of these rules in my head; but just as I got out of a Cab, etc., yet the success of the Thing made me consider afterward why it succeeded; and I have now read you my Lecture on the Subject. Pray do not forgo your Intention—nay, your Promise, as I regard it—to sit, and send me the result. [25]

      Here has been a bevy of Letters, and long ones, from me, you see. I don’t know if it is reasonable that one should feel it so much easier to write to a Friend in England than to the same Friend abroad; but so it is, with me at least. I suppose that a Letter directed to Stoneleigh will find you before you leave—for America!—and even after that. But I shall not feel the same confidence and ease in transcribing for you pretty Norman Songs, or gossiping about them as I have done when my Letters were only to travel to Kenilworth: which very place—which very name of a Place—makes the English world akin. I suppose you have been at Stratford before this—an event in one’s Life. It was not the Town itself—or even the Church—that touched me most: but the old Footpaths over the Fields which He must have crossed three Centuries ago.

      Spedding tells me he is nearing Land with his Bacon. And one begins to think Macready a Great Man amid the Dwarfs that now occupy his Place.

      Ever yours sincerely

      E. F.G.

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      September 18/73.

      Dear Mrs. Kemble,

      I have not forgotten you at all, all these months—What a Consolation to you! But I felt I had nothing to send among the Alps after you: I have been nowhere but for two Days to the Field of Naseby in Northamptonshire, where I went to identify the spot where I dug up the Dead for Carlyle thirty years ago. I went; saw; made sure; and now—the Trustees of the Estate won’t let us put up the Memorial stone we proposed to put up; they approve (we hear) neither of the Stone, nor the Inscription; both as plain and innocent as a Milestone, says Carlyle, and indeed much of the same Nature. This Decision of the foolish Trustees I only had some ten days ago: posted it to Carlyle who answered from Dumfries; and his Answer shows that he is in full vigour, though (as ever since I have known him) he protests that Travelling has utterly discomfited him, and he will move no more. But it is very silly of these Trustees. [28a]

      And, as I have been nowhere, I have seen no one; nor read anything but the Tichborne Trial, and some of my old Books—among them Walpole, Wesley, and Johnson (Boswell, I mean), three very different men whose Lives extend over the same times, and whose diverse ways of looking at the world they lived in make a curious study. I wish some one would write a good Paper on this subject; I don’t mean to hint that I am the man; on the contrary, I couldn’t at all; but I could supply some [one] else with some material that he would not care to hunt up in the Books perhaps.

      Well: all this being all, I had no heart to write—to the Alps! And now I remember well you told me you [were] coming back to England—for a little while—a little while—and then to the New World for ever—which I don’t believe! [28b] Oh no! you will come back in spite of yourself, depend upon it—and yet I doubt that my saying so will be one little reason why you will not! But do let me hear of you first: and believe me ever yours

      E. F.G.

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      [Woodbridge, 1873.]

      Dear Mrs. Kemble,

      You must attribute this third Letter to an ‘Idée’ that has come into my head relating to those Memoirs of yourself which you say you are at some loss to dispose of. I can easily understand that your Children, born and bred (I think) in another World, would not take so much interest in them as some of your old Friends who make part of your Recollections: as you yourself occupy much of theirs. But then they are old Friends; and are not their Children, Executors and Assigns, as little to be depended on as your own Kith and Kin? Well; I bethink me of one of your old Friends’ Children whom I could reckon upon for you, as I would for myself: Mowbray Donne: the Son of one who you know loves you of old, and inheriting all his Father’s Loyalty to his Father’s Friends. I am quite convinced that he is to be perfectly depended upon in all respects for this purpose; for his Love, his Honour, and his Intelligence. I should then make him one day read the Memoirs to me—for I can’t be assured of my own Eyes interpreting your MS. without so much difficulty as would disturb one’s Enjoyment, or Appreciation, of such a Memoir. Unless indeed you should one day come down yourself to my Château in dull Woodbridge, and there read it over, and talk it over.

      Well; this is what I seriously advise, always supposing that you have decided not to print and publish the Memoir during your Life. No doubt you could make money of it, beside ‘bolting up’ [30] such Accident as the Future comprehends. The latter would, I know, be the only recommendation to you.


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