Joan of Arc. Lord Ronald Sutherland Gower

Joan of Arc - Lord Ronald Sutherland Gower


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her two younger brothers, John and Peter, had joined her. The faithful John de Metz and Bertrand de Poulangy were also at her side. The King had selected as her esquire John d'Aulon; besides this she was followed by two noble pages, Louis de Contes and Raimond. There were also some men-at-arms and a couple of heralds. A priest accompanied the little band, Brother John Pasquerel, who was also Joan's almoner. The King had furthermore made Joan a gift of a complete suit of armour, and the royal purse had armed her retainers.

      During her stay at Poitiers Joan prepared her standard, on which were emblazoned the lilies of France, in gold on a white ground. On one side of the standard was a painting representing the Almighty seated in the heavens, in one hand bearing a globe, flanked by two kneeling angels, each holding a fleur-de-lis. Besides this standard, which Joan greatly prized, she had had a smaller banner made, with the Annunciation painted on it. This standard was triangular in form; and, in addition to those mentioned, she had a banneret on which was represented the Crucifixion. These three flags or pennons were all symbolic of the Maid's mission: the large one was to be used on the field of battle and for general command; the smaller, to rally, in case of need, her followers around her; and probably she herself bore one of the smaller pennons. The names 'Jesu' and 'Maria' were inscribed in large golden letters on all the flags.

      The national royal standard of France till this period had been a dark blue, and it is not unlikely that the awe and veneration which these white flags of the Maid, with their sacred pictures on them, was the reason of the later French kings adopting the white ground as their characteristic colour on military banners.

      Joan never made use of her sword, and bore one of the smaller banners into the fight. She declared she would never use her sword, although she attached a deep importance to it.

      'My banner,' she declared, 'I love forty times as much as my sword!'

      And yet the sword which she obtained from the altar at Fierbois was in her eyes a sacred weapon.

      

       Table of Contents

       Table of Contents

      It will be now necessary to go back in our story to the commencement of the siege by the English of the town of Orleans, in order to understand the work which Joan of Arc had promised to accomplish. Orleans was the place of the utmost importance; not merely as being the second city in France, but as forming the 'tête du pont' for the passage of the river Loire. The French knew that were it to fall into the hands of the English the whole of France would soon become subject to the enemy.

      The town was strongly fortified; huge towers of immense thickness, and three stories in height, surrounded by deep and wide moats, encircled the city. The only bridge then in existence was also strongly defended with towers, called 'Les Tournelles,' while at the end of the town side of the bridge were large 'bastilles,' powerful fortresses which dated from the year 1417, when Henry V. threatened Orleans after his triumphal march through Normandy. In 1421 the Orleanists defied the victor of Agincourt: again they were in the agony of a desperate defence against their invaders, ready to sustain all the horrors of a siege.

      Equally keen and determined were the English leaders to take Orleans, which they rightly considered as the key of what remained unconquered to them in France. Both countries looked anxiously on as the siege progressed. Salisbury commanded the English; he had been up to this point successful in taking all the places of importance in the neighbourhood of Orleans, and that portion of the valley of the Loire was commanded by his forces, both above and below Orleans.

      On the approach of the enemy, the inhabitants of Orleans turned out to strengthen the outer fortifications, and to place cannon and catapults on the walls and ramparts. The priests on this occasion worked as hard as the other citizens, and even the women and children helped with a will.

      Besides Dunois, who commanded the besieged garrison, was Raoul de Gaucourt, who had defended Harfleur in 1415; he had but recently returned from imprisonment in England, and was burning to avenge his captivity. La Hire, Xaintrailles, Coulant, Coaraze, and Armagnac were among the defenders of Orleans. Many Gascons belonging to the Marshal-Saint Sévère and soldiers from Brittany helped to swell the forces of the besieged.

      It was on the 12th day of October (1428) that Salisbury crossed the Loire and established his besieging force at the village of Portereau, in front of the strongly defended bridge. In the meanwhile the besieged had razed the houses and the convent of St. Augustin, in order to prevent the enemy from entrenching themselves so near the city gates. Salisbury, however, threw up fortifications on the site of St. Augustin's, and placed a battery of guns opposite to the bridge and its 'bastilles,' whence he was able to bombard the town with huge stones. The English also placed mines below the bridge and the fortresses of the Tournelles.

      On the 21st, an assault was made on the bridge and its defences, which was vigorously repulsed; the whole population were in arms, and manned the walls; the women fought by the side of their husbands and brothers. After a severe fight of four hours, the besiegers were forced to withdraw.

      The Tournelles were now mined and counter-mined, and were soon found to be untenable. The besieged then abandoned this fortification, and retired further back towards the centre of the bridge, which, as well as its approaches, was defended by towers. Part of the bridge on the side near the English was blown up, and a drawbridge, which could be raised or lowered at pleasure, was thrown across the open space.

      Salisbury was satisfied with the result of that day's fighting, for he knew that, once he had the command of the northern side of the tower, he could take it when necessary from that quarter. What he aimed at for the present was to prevent all communication between the town and the south of France. Holding the bridge, he could prevent relief from coming to the city, and when the moment arrived he would be able to throw his men with certain success upon it from the northern side.

      The evening of the day in which he had made so successful an attack, Salisbury mounted into the Tournelles in order to inspect thence the city which lay beneath him. While gazing on it, a stray cannon shot struck him on the face; he was carried, mortally wounded, from the place. That fatal shot was said to have been fired by a lad, who, finding a loaded cannon on the ramparts, had discharged it. For the English, it was the deadliest shot of the whole war.

      Readers of Shakespeare will remember that, in the first part of Henry VI., the Master Gunner (no doubt that very 'Maître Jean' whose fame was great in the besieged town) and his boy are introduced on the scene, and that the boy fires the shot which proved fatal both to Salisbury and Sir Thomas Gargrave. The prominent place given to this French Master Gunner in the English play shows what a high reputation Maître Jean must have had, even among the English, at the siege.

      Salisbury's death, occurring a few days after he received the wound, caused the siege to languish. Glansdale succeeded Salisbury in the command; but it was not until the doughty Talbot and Lord Scales appeared on the scene that siege operations recommenced with vigour.

      The great pounding match then began again; the huge stone shot of the English, which weighed one hundred and sixty-four livres, came tumbling about the heads of the besieged, to which cannonade the French promptly replied by a heavy fire. They had a kind of bomb, of which they were not a little proud, wherefrom they fired iron shot of one hundred and twenty livres in weight. The Master of Gunners of Shakespeare's play, whose name was John de Monsteschère, made also extraordinary practice with his culverin; and he could pick off marked men in the Tournelles, as, for the misfortune of the English, had been proved in the case of Salisbury. At times Master John would sham dead, and, just as the English were congratulating themselves on his demise, would reappear, and again use his culverin with


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