Shakespeare and the Modern Stage; with Other Essays. Sir Sidney Lee
Shakespeare in Oral Tradition
I. | The Reception of the News of Shakespeare's Death | 49 |
II. | The Evolution in England of Formal Biography | 51 |
III. | Oral Tradition concerning Shakespeare in Theatrical Circles | 57 |
IV. | The Testimonies of Seventeenth-century Actors | 61 |
V. | Sir William D'Avenant's Devotion to Shakespeare's Memory | 69 |
VI. | Early Oral Tradition at Stratford-on-Avon | 73 |
VII. | Shakespeare's Fame among Seventeenth-century Scholars and Statesmen | 78 |
VIII. | Nicholas Rowe's Place among Shakespeare's Biographers. The Present State of Knowledge respecting Shakespeare's Life | 79 |
Pepys and Shakespeare
I. | Pepys the Microcosm of the Average Playgoer | 82 |
II. | The London Theatres of Pepys's Diary | 85 |
III. | Pepys's Enthusiasm for the Later Elizabethan Drama | 90 |
IV. | Pepys's Criticism of Shakespeare. His Admiration of Betterton in Shakespearean rôles | 93 |
V. | The Garbled Versions of Shakespeare on the Stage of the Restoration | 102 |
VI. | The Saving Grace of the Restoration Theatre. Betterton's Masterly Interpretation of Shakespeare | 109 |
Mr. Benson and Shakespearean Drama
I. | A Return to the Ancient Ways | 111 |
II. | The Advantages of a Constant Change of Programme. The Opportunities offered Actors by Shakespeare's Minor Characters. John of Gaunt | 113 |
III. | The Benefit of Performing the Play of Hamlet without Abbreviation | 116 |
IV. | Mr. Benson as a Trainer of Actors. The Succession to Phelps | 119 |
The Municipal Theatre
I. | The True Aim of the Municipal Theatre | 122 |
II. |
Private Theatrical Enterprise and Literary Drama. The Advantages and Disadvantages of the Actor-Manager System. The Control |