Shakespeare and the Modern Stage; with Other Essays. Sir Sidney Lee
of the Capitalist
Aspects of Shakespeare's Philosophy
I. | The Conflicting Attitudes of Bacon and Shakespeare to Formal Philosophy | 142 |
II. | Shakespeare's "Natural" Philosophy. Concealment of his Personality in his Plays | 148 |
III. | His Lofty Conception of Public Virtue. Frequency of his Denunciation of Royal "Ceremony" | 152 |
IV. | The Duty of Obedience to Authority | 161 |
V. | The Moral Atmosphere of Shakespearean Drama | 164 |
VI. | Shakespeare's Insistence on the Freedom of the Will | 166 |
VII. | His Humour and Optimism | 169 |
Shakespeare and Patriotism
I. | The Natural Instinct of Patriotism. Dangers of Excess and Defect | 170 |
II. | An Attempt to Co-ordinate Shakespeare's Detached Illustrations of the Working of Patriotic Sentiment. His Ridicule of Bellicose Ecstasy. Coriolanus illustrates the Danger of Disavowing Patriotism | 172 |
III. | Criticism of One's Fellow-countrymen Consistent with Patriotism. Shakespeare on the Political History of England. The Country's Dependence on the Command of the Sea. The Respect Due to a Nation's Traditions and Experience | 179 |
IV. | Shakespeare's Exposure of Social Foibles and Errors | 184 |
V. | Relevance of Shakespeare's Doctrine of Patriotism to Current Affairs | 187 |
A Peril of Shakespearean Research
I. | An Alleged Meeting of Peele, Ben Jonson, Alleyn, and Shakespeare at "The Globe" in 1600 | 188 |
II. | The Fabrication by George Steevens in 1763 of a Letter signed "G. Peel" | 190 |
III. | Popular Acceptance of the Forgery. Its Unchallenged Circulation through the Eighteenth, Nineteenth, and Twentieth Centuries | 194 |
Shakespeare in France
I. | Amicable Literary Relations between France and England from the Fourteenth to the Present Century |
198
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