Seraphita. Honore de Balzac

Seraphita - Honore de Balzac


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protect against the severity of the cold and the fleeting but terrible heat of the sun with the shrewd ability which Norwegians display in the two-fold struggle. The difficulty of communication with the outer world, either by land where the roads are impassable, or by sea where none but tiny boats can thread their way through the maritime defiles that guard the entrance to the bay, hinder these people from growing rich by the sale of their timber. It would cost enormous sums to either blast a channel out to sea or construct a way to the interior. The roads from Christiana to Trondhjem all turn toward the Strom-fiord, and cross the Sieg by a bridge some score of miles above its fall into the bay. The country to the north, between Jarvis and Trondhjem, is covered with impenetrable forests, while to the south the Falberg is nearly as much separated from Christiana by inaccessible precipices. The village of Jarvis might perhaps have communicated with the interior of Norway and Sweden by the river Sieg; but to do this and to be thus brought into contact with civilization, the Strom-fiord needed the presence of a man of genius. Such a man did actually appear there—a poet, a Swede of great religious fervor, who died admiring, even reverencing this region as one of the noblest works of the Creator.

      Minds endowed by study with an inward sight, and whose quick perceptions bring before the soul, as though painted on a canvas, the contrasting scenery of this universe, will now apprehend the general features of the Strom-fiord. They alone, perhaps, can thread their way through the tortuous channels of the reef, or flee with the battling waves to the everlasting rebuff of the Falberg whose white peaks mingle with the vaporous clouds of the pearl-gray sky, or watch with delight the curving sheet of waters, or hear the rushing of the Sieg as it hangs for an instant in long fillets and then falls over a picturesque abatis of noble trees toppled confusedly together, sometimes upright, sometimes half-sunken beneath the rocks. It may be that such minds alone can dwell upon the smiling scenes nestling among the lower hills of Jarvis; where the luscious Northern vegetables spring up in families, in myriads, where the white birches bend, graceful as maidens, where colonnades of beeches rear their boles mossy with the growth of centuries, where shades of green contrast, and white clouds float amid the blackness of the distant pines, and tracts of many-tinted crimson and purple shrubs are shaded endlessly; in short, where blend all colors, all perfumes of a flora whose wonders are still ignored. Widen the boundaries of this limited ampitheatre, spring upward to the clouds, lose yourself among the rocks where the seals are lying and even then your thought cannot compass the wealth of beauty nor the poetry of this Norwegian coast. Can your thought be as vast as the ocean that bounds it? as weird as the fantastic forms drawn by these forests, these clouds, these shadows, these changeful lights?

      Do you see above the meadows on that lowest slope which undulates around the higher hills of Jarvis two or three hundred houses roofed with “noever,” a sort of thatch made of birch-bark—frail houses, long and low, looking like silk-worms on a mulberry-leaf tossed hither by the winds? Above these humble, peaceful dwellings stands the church, built with a simplicity in keeping with the poverty of the villagers. A graveyard surrounds the chancel, and a little farther on you see the parsonage. Higher up, on a projection of the mountain is a dwelling-house, the only one of stone; for which reason the inhabitants of the village call it “the Swedish Castle.” In fact, a wealthy Swede settled in Jarvis about thirty years before this history begins, and did his best to ameliorate its condition. This little house, certainly not a castle, built with the intention of leading the inhabitants to build others like it, was noticeable for its solidity and for the wall that inclosed it, a rare thing in Norway where, notwithstanding the abundance of stone, wood alone is used for all fences, even those of fields. This Swedish house, thus protected against the climate, stood on rising ground in the centre of an immense courtyard. The windows were sheltered by those projecting pent-house roofs supported by squared trunks of trees which give so patriarchal an air to Northern dwellings. From beneath them the eye could see the savage nudity of the Falberg, or compare the infinitude of the open sea with the tiny drop of water in the foaming fiord; the ear could hear the flowing of the Sieg, whose white sheet far away looked motionless as it fell into its granite cup edged for miles around with glaciers—in short, from this vantage ground the whole landscape whereon our simple yet superhuman drama was about to be enacted could be seen and noted.

      The winter of 1799–1800 was one of the most severe ever known to Europeans. The Norwegian sea was frozen in all the fiords, where, as a usual thing, the violence of the surf kept the ice from forming. A wind, whose effects were like those of the Spanish levanter, swept the ice of the Strom-fiord, driving the snow to the upper end of the gulf. Seldom indeed could the people of Jarvis see the mirror of frozen waters reflecting the colors of the sky; a wondrous site in the bosom of these mountains when all other aspects of nature are levelled beneath successive sheets of snow, and crests and valleys are alike mere folds of the vast mantle flung by winter across a landscape at once so mournfully dazzling and so monotonous. The falling volume of the Sieg, suddenly frozen, formed an immense arcade beneath which the inhabitants might have crossed under shelter from the blast had any dared to risk themselves inland. But the dangers of every step away from their own surroundings kept even the boldest hunters in their homes, afraid lest the narrow paths along the precipices, the clefts and fissures among the rocks, might be unrecognizable beneath the snow.

      Thus it was that no human creature gave life to the white desert where Boreas reigned, his voice alone resounding at distant intervals. The sky, nearly always gray, gave tones of polished steel to the ice of the fiord. Perchance some ancient eider-duck crossed the expanse, trusting to the warm down beneath which dream, in other lands, the luxurious rich, little knowing of the dangers through which their luxury has come to them. Like the Bedouin of the desert who darts alone across the sands of Africa, the bird is neither seen nor heard; the torpid atmosphere, deprived of its electrical conditions, echoes neither the whirr of its wings nor its joyous notes. Besides, what human eye was strong enough to bear the glitter of those pinnacles adorned with sparkling crystals, or the sharp reflections of the snow, iridescent on the summits in the rays of a pallid sun which infrequently appeared, like a dying man seeking to make known that he still lives. Often, when the flocks of gray clouds, driven in squadrons athwart the mountains and among the tree-tops, hid the sky with their triple veils Earth, lacking the celestial lights, lit herself by herself.

      Here, then, we meet the majesty of Cold, seated eternally at the pole in that regal silence which is the attribute of all absolute monarchy. Every extreme principle carries with it an appearance of negation and the symptoms of death; for is not life the struggle of two forces? Here in this Northern nature nothing lived. One sole power—the unproductive power of ice—reigned unchallenged. The roar of the open sea no longer reached the deaf, dumb inlet, where during one short season of the year Nature made haste to produce the slender harvests necessary for the food of the patient people. A few tall pine-trees lifted their black pyramids garlanded with snow, and the form of their long branches and depending shoots completed the mourning garments of those solemn heights.

      Each household gathered in its chimney-corner, in houses carefully closed from the outer air, and well supplied with biscuit, melted butter, dried fish, and other provisions laid in for the seven-months winter. The very smoke of these dwellings was hardly seen, half-hidden as they were beneath the snow, against the weight of which they were protected by long planks reaching from the roof and fastened at some distance to solid blocks on the ground, forming a covered way around each building.

      During these terrible winter months the women spun and dyed the woollen stuffs and the linen fabrics with which they clothed their families, while the men read, or fell into those endless meditations which have given birth to so many profound theories, to the mystic dreams of the North, to its beliefs, to its studies (so full and so complete in one science, at least, sounded as with a plummet), to its manners and its morals, half-monastic, which force the soul to react and feed upon itself and make the Norwegian peasant a being apart among the peoples of Europe.

      Such was the condition of the Strom-fiord in the first year of the nineteenth century and about the middle of the month of May.

      On a morning when the sun burst forth upon this landscape, lighting the fires of the ephemeral diamonds produced by crystallizations of the snow and ice, two beings crossed the fiord and flew along the base of the Falberg, rising thence from ledge to ledge toward the summit. What were they? human creatures, or two arrows? They might have been taken


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