Seraphita. Honore de Balzac
with them, necessarily, both advancement and an End. Man himself is not a finished creation; if he were, God would not Be.”
“How is it that in thy short life thou hast found the time to learn so many things?” said the young girl.
“I remember,” he replied.
“Thou art nobler than all else I see.”
“We are the noblest of God’s greatest works. Has He not given us the faculty of reflecting on Nature; of gathering it within us by thought; of making it a footstool and stepping-stone from and by which to rise to Him? We love according to the greater or the lesser portion of heaven our souls contain. But do not be unjust, Minna; behold the magnificence spread before you. Ocean expands at your feet like a carpet; the mountains resemble ampitheatres; heaven’s ether is above them like the arching folds of a stage curtain. Here we may breathe the thoughts of God, as it were like a perfume. See! the angry billows which engulf the ships laden with men seem to us, where we are, mere bubbles; and if we raise our eyes and look above, all there is blue. Behold that diadem of stars! Here the tints of earthly impressions disappear; standing on this nature rarefied by space do you not feel within you something deeper far than mind, grander than enthusiasm, of greater energy than will? Are you not conscious of emotions whose interpretation is no longer in us? Do you not feel your pinions? Let us pray.”
Seraphitus knelt down and crossed his hands upon his breast, while Minna fell, weeping, on her knees. Thus they remained for a time, while the azure dome above their heads grew larger and strong rays of light enveloped them without their knowledge.
“Why dost thou not weep when I weep?” said Minna, in a broken voice.
“They who are all spirit do not weep,” replied Seraphitus rising; “Why should I weep? I see no longer human wretchedness. Here, Good appears in all its majesty. There, beneath us, I hear the supplications and the wailings of that harp of sorrows which vibrates in the hands of captive souls. Here, I listen to the choir of harps harmonious. There, below, is hope, the glorious inception of faith; but here is faith—it reigns, hope realized!”
“You will never love me; I am too imperfect; you disdain me,” said the young girl.
“Minna, the violet hidden at the feet of the oak whispers to itself: ‘The sun does not love me; he comes not.’ The sun says: ‘If my rays shine upon her she will perish, poor flower.’ Friend of the flower, he sends his beams through the oak leaves, he veils, he tempers them, and thus they color the petals of his beloved. I have not veils enough, I fear lest you see me too closely; you would tremble if you knew me better. Listen: I have no taste for earthly fruits. Your joys, I know them all too well, and, like the sated emperors of pagan Rome, I have reached disgust of all things; I have received the gift of vision. Leave me! abandon me!” he murmured, sorrowfully.
Seraphitus turned and seated himself on a projecting rock, dropping his head upon his breast.
“Why do you drive me to despair?” said Minna.
“Go, go!” cried Seraphitus, “I have nothing that you want of me. Your love is too earthly for my love. Why do you not love Wilfrid? Wilfrid is a man, tested by passions; he would clasp you in his vigorous arms and make you feel a hand both broad and strong. His hair is black, his eyes are full of human thoughts, his heart pours lava in every word he utters; he could kill you with caresses. Let him be your beloved, your husband! Yes, thine be Wilfrid!”
Minna wept aloud.
“Dare you say that you do not love him?” he went on, in a voice which pierced her like a dagger.
“Have mercy, have mercy, my Seraphitus!”
“Love him, poor child of Earth to which thy destiny has indissolubly bound thee,” said the strange being, beckoning Minna by a gesture, and forcing her to the edge of the saeter, whence he pointed downward to a scene that might well inspire a young girl full of enthusiasm with the fancy that she stood above this earth.
“I longed for a companion to the kingdom of Light; I wished to show you that morsel of mud, I find you bound to it. Farewell. Remain on earth; enjoy through the senses; obey your nature; turn pale with pallid men; blush with women; sport with children; pray with the guilty; raise your eyes to heaven when sorrows overtake you; tremble, hope, throb in all your pulses; you will have a companion; you can laugh and weep, and give and receive. I—I am an exile, far from heaven; a monster, far from earth. I live of myself and by myself. I feel by the spirit; I breathe through my brow; I see by thought; I die of impatience and of longing. No one here below can fulfil my desires or calm my griefs. I have forgotten how to weep. I am alone. I resign myself, and I wait.”
Seraphitus looked at the flowery mound on which he had seated Minna; then he turned and faced the frowning heights, whose pinnacles were wrapped in clouds; to them he cast, unspoken, the remainder of his thoughts.
“Minna, do you hear those delightful strains?” he said after a pause, with the voice of a dove, for the eagle’s cry was hushed; “it is like the music of those Eolian harps your poets hang in forests and on the mountains. Do you see the shadowy figures passing among the clouds, the winged feet of those who are making ready the gifts of heaven? They bring refreshment to the soul; the skies are about to open and shed the flowers of spring upon the earth. See, a gleam is darting from the pole. Let us fly, let us fly! It is time we go!”
In a moment their skees were refastened, and the pair descended the Falberg by the steep slopes which join the mountain to the valleys of the Sieg. Miraculous perception guided their course, or, to speak more properly, their flight. When fissures covered with snow intercepted them, Seraphitus caught Minna in his arms and darted with rapid motion, lightly as a bird, over the crumbling causeways of the abyss. Sometimes, while propelling his companion, he deviated to the right or left to avoid a precipice, a tree, a projecting rock, which he seemed to see beneath the snow, as an old sailor, familiar with the ocean, discerns the hidden reefs by the color, the trend, or the eddying of the water. When they reached the paths of the Siegdahlen, where they could fearlessly follow a straight line to regain the ice of the fiord, Seraphitus stopped Minna.
“You have nothing to say to me?” he asked.
“I thought you would rather think alone,” she answered respectfully.
“Let us hasten, Minette; it is almost night,” he said.
Minna quivered as she heard the voice, now so changed, of her guide—a pure voice, like that of a young girl, which dissolved the fantastic dream through which she had been passing. Seraphitus seemed to be laying aside his male force and the too keen intellect that flames from his eyes. Presently the charming pair glided across the fiord and reached the snow-field which divides the shore from the first range of houses; then, hurrying forward as daylight faded, they sprang up the hill toward the parsonage, as though they were mounting the steps of a great staircase.
“My father must be anxious,” said Minna.
“No,” answered Seraphitus.
As he spoke the couple reached the porch of the humble dwelling where Monsieur Becker, the pastor of Jarvis, sat reading while awaiting his daughter for the evening meal.
“Dear Monsieur Becker,” said Seraphitus, “I have brought Minna back to you safe and sound.”
“Thank you, mademoiselle,” said the old man, laying his spectacles on his book; “you must be very tired.”
“Oh, no,” said Minna, and as she spoke she felt the soft breath of her companion on her brow.
“Dear heart, will you come day after to-morrow evening and take tea with me?”
“Gladly, dear.”
“Monsieur Becker, you will bring her, will you not?”
“Yes, mademoiselle.”
Seraphitus inclined his head with a pretty gesture, and bowed to the old pastor as he left the house. A few moments later he reached the great courtyard of the Swedish villa. An