The Collected Works of Charles Lamb and Mary Lamb. Charles Lamb

The Collected Works of Charles Lamb and Mary Lamb - Charles  Lamb


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      The narrowness of his domestic habits to the very last, was the consequence of his hard bringing up, and unexpected emergence into opulence. While rolling up to the ears in Russian rubles, a penny was still in his eyes the same important thing, which it had with some reason seemed to be, when a few shillings were his daily earnings. When he visited England a short time before his death, he reminded an artist of a commission, which he had executed for him in Russia, the package of which was "still unpaid." At this time he was not unreasonably supposed to have realized a sum little short of half a million sterling. What became of it was never known; what gulf, or what Arctic vorago, sucked it in, his acquaintance in those parts have better means of guessing, than his countrymen. It is certain that few of the latter were any thing the better for it.

      It was before he expatriated himself, but subsequently to his acquisition of pictorial honours in this country, that he brought home two of his brother Academicians to dine with him. He had given no orders extraordinary to his housekeeper. He trusted, as he always did, to her providing. She was a shrewd lass, and knew, as we say, a bit of her master's mind.

      It had happened that on the day before, D. passing near Clare Market by one of those open shambles, where tripe and cow-heel are exposed for sale, his eye was arrested by the sight of some tempting flesh rolled up. It is a part of the intestines of some animal, which my olfactory sensibilities never permitted me to stay long enough to enquire the name of. D. marked the curious involutions of the unacquainted luxury; the harmony of its colours—a sable vert—pleased his eye; and, warmed with the prospect of a new flavour, for a few farthings he bore it off in triumph to his housekeeper. It so happened that his day's dinner was provided, so the cooking of the novelty was for that time necessarily suspended.

      I will do D. the justice to say, that on such occasions he took what happened in the best humour possible. He had no false modesty—though I have generally observed, that persons, who are quite deficient in that mauvais[e] honte, are seldom over-troubled with the quality itself, of which it is the counterfeit.

      By what arts, with his pretensions, D. contrived to wriggle himself into a seat in the Academy, I am not acquainted enough with the intrigues of that body (more involved than those of an Italian conclave) to pronounce. It is certain, that neither for love to him, nor out of any respect to his talents, did they elect him. Individually he was obnoxious to them all. I have heard that, in his passion for attaining this object, he went so far as to go down upon his knees to some of the members, whom he thought least favourable, and beg their suffrage with many tears.

      But death, which extends the measure of a man's stature to appearance; and wealth, which men worship in life and death, which makes giants of punies, and embalms insignificance; called around the exequies of this pigmy Painter the rank, the riches, the fashion of the world. By Academic hands his pall was borne; by the carriages of nobles of the land, and of ambassadors from foreign powers, his bier was followed; and St. Paul's (O worthy casket for the shrine of such a Zeuxis) now holds—all that was mortal of G. D.

      THE LATIN POEMS OF VINCENT BOURNE

       Table of Contents

      (1831)

      "There is bird, which by its coat——"

      A recent writer has lately added nine more to the number; we wish he would proceed with the remainder, for of all modern Latinity, that of Vincent Bourne is the most to our taste. He is "so Latin," and yet "so English" all the while. In diction worthy of the Augustan age, he presents us with no images that are not familiar to his countrymen. His topics are even closelier drawn; they are not so properly English, as Londonish. From the streets, and from the alleys, of his beloved metropolis he culled his objects, which he has invested with an Hogarthian richness of colouring. No town picture by that artist can go beyond his Ballad-Singers; Gay's Trivia alone, in verse, comes up to the life and humour of it.

      Quæ septem vicos conterminat una columna,

       Consistunt nymphæ Sirenum ex agmine binæ;

       Stramineum capiti tegimen, collumque per omne

       Ingentes electri orbes: utrique pependit

       Crustato vestis cœno, limoque rigescens

       Crure usque a medio calcem defluxit ad imum.

       Exiguam secum pendentem ex ubere natam

       Altera; venales dextrâ tulit altera chartas.

       His vix dispositis, pueri innuptæque puellæ

       Accurrunt: sutor primus, cui lorea vitta

       Impediit crines, humili, quæ proxima stabat,

       Proruit è cellâ, chartas, si forte placerent,

       Empturus; namque ille etiam se carmine multo

       Oblectat, longos solus quo rite labores

       Diminuit, fallitque hybernæ tædia noctis.

       Collecti murmur sensim increbrescere vulgi

       Auditi, et excurrit nudis ancilla lacertis.

       Incudem follesque et opus fabrile relinquens,

       Se densæ immiscet plebi niger ora Pyracmon.

       It juxta, depressum ingens cui mantica tergum

       Incurvat, tardo passu; simul ille coronam

       Aspectat vulgi, spe carminis arrigit aures;

       Statque moræ patiens, humeris nec pondera sentit.

       Sic ubi Tartareum Regem Rhodopeïus Orpheus

       Threiciis studuit fidibus mulcere, laboris

       Immemor, Æolides stupuit modulamina plectri,

       Nec sensit funesti onera incumbentia saxi.

       Sæbe interventus rhedæ crepitantis, ab illo

       Vicorum, ant illo, stipantem hinc inde catervam

       Dividit; at rursus coëunt, ubi transiit illa,

       Ut coëunt rursus, puppis quas dividit, undæ.

      Canticulæ interea narraverat argumentum

       Altera Sirenum, infidi perjuria nautæ,

       Deceptamque dolo nympham; tum flebile carmen

       Flebilibus movit numeris, quos altera versu

       Alterno excepit: patulis stant rictibus omnes:

       Dextram ille acclinat, lævam ille attentius aurem,

       Promissum carmen captare paratus hiatu.

       Longa referre mora est, animum quâ vicerit arte

       Virgineum juvenis. Jam poscunt undique chartas

       Protensæ emptorum dextræ, quas illa vel illa

       Distribuit, cantatque simul: neque ferreus iste

       Est usquam auditor, dulcis cui lene camæna

       Non adhibet tormentum, et furtivum elicit assem.

       Stat medios inter baculoque innititur Irus;

       Nec tamen hic loculo parcit, sed prodigus æris

      


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