The Collected Works of Charles Lamb and Mary Lamb. Charles Lamb
is properly to look down upon him with none, or the least possible emotion. But when Clementina, who has lately lost her lover, with bosom heaving, eyes flashing, and her whole frame in agitation, pronounces, with a peculiar emphasis, that she "despises the fellow," depend upon it that he is not quite so despicable in her eyes as she would have us imagine.—One more instance:—If we must naturalize that portentous phrase, a truism, it were well that we limited the use of it. Every commonplace or trite observation is not a truism. For example: A good name helps a man on in the world. This is nothing but a simple truth, however hackneyed. It has a distinct subject and predicate. But when the thing predicated is involved in the term of the subject, and so necessarily involved that by no possible conception they can be separated, then it becomes a truism, as to say, A good name is a proof of a man's estimation in the world. We seem to be saying something when we say nothing. I was describing to F—— some knavish tricks of a mutual friend of ours. "If he did so and so," was the reply, "he cannot be an honest man." Here was a genuine truism—truth upon truth—inference and proposition identical; or rather a dictionary definition usurping the place of an inference.
The vices of some men are magnificent. Compare the amours of Henry the Eighth and Charles the Second. The Stuart had mistresses—the Tudor kept wives.
We are ashamed at sight of a monkey—somehow as we are shy of poor relations.
C—— imagined a Caledonian compartment in Hades, where there should be fire without sulphur.
Absurd images are sometimes irresistible. I will mention two. An elephant in a coach-office gravely coming to have his trunk booked;—a mermaid over a fish-kettle cooking her own tail.
It is the praise of Shakspeare, with reference to the play-writers, his contemporaries, that he has so few revolting characters. Yet he has one that is singularly mean and disagreeable—the King in Hamlet. Neither has he characters of insignificance, unless the phantom that stalks over the stage as Julius Cæsar, in the play of that name, may be accounted one. Neither has he envious characters, excepting the short part of Don John, in Much Ado about Nothing. Neither has he unentertaining characters, if we except Parolles, and the little that there is of the Clown, in All's Well that Ends Well.
It would settle the dispute, as to whether Shakspeare intended Othello for a jealous character, to consider how differently we are affected towards him, and for Leontes in the Winter's Tale. Leontes is that character. Othello's fault was simply credulity.
Is it possible that Shakspeare should never have read Homer, in Chapman's version at least? If he had read it, could he mean to travesty it in the parts of those big boobies, Ajax and Achilles? Ulysses, Nestor, and Agamemnon, are true to their parts in the Iliad: they are gentlemen at least. Thersites, though unamusing, is fairly deducible from it. Troilus and Cressida are a fine graft upon it. But those two big bulks——
It is a desideratum in works that treat de re culinariâ, that we have no rationale of sauces, or theory of mixed flavours; as to show why cabbage is reprehensible with roast beef, laudable with bacon; why the haunch of mutton seeks the alliance of currant jelly, the shoulder civilly declineth it; why loin of veal (a pretty problem), being itself unctuous, seeketh the adventitious lubricity of melted butter; and why the same part in pork, not more oleaginous, abhorreth from it; why the French bean sympathizes with the flesh of deer; why salt fish points to parsnip, brawn makes a dead set at mustard; why cats prefer valerian to hearts-ease, old ladies vice versâ—though this is rather travelling out of the road of the dietetics, and may be thought a question more curious than relevant;—why salmon (a strong sapor per se,) fortifieth its condition with the mighty lobster sauce, whose embraces are fatal to the delicater relish of the turbot; why oysters in death rise up against the contamination of brown sugar, while they are posthumously amorous of vinegar; why the sour mango and the sweet jam [? yam] by turns court, and are accepted by, the compliable mutton hash—she not yet decidedly declaring for either. We are as yet but in the empirical stage of cookery. We feed ignorantly, and want to be able to give a reason of the relish that is in us; so that if Nature should furnish us with a new meat, or be prodigally pleased to restore the phœnix, upon a given flavour, we might be able to pronounce instantly, on philosophical principles, what the sauce to it should be—what the curious adjuncts.
THE DEATH OF COLERIDGE
In the Album of Mr. Keymer
(1834)
When I heard of the death of Coleridge, it was without grief. It seemed to me that he long had been on the confines of the next world—that he had a hunger for eternity. I grieved then that I could not grieve. But since, I feel how great a part he was of me. His great and dear spirit haunts me. I cannot think a thought, I cannot make a criticism on men or books, without an ineffectual turning and reference to him. He was the proof and touchstone of all my cogitations. He was a Grecian (or in the first form) at Christ's Hospital, where I was deputy Grecian; and the same subordination and deference to him I have preserved through a life-long acquaintance. Great in his writings, he was greatest in his conversation. In him was disproved that old maxim, that we should allow every one his share of talk. He would talk from morn to dewy eve, nor cease till far midnight, yet who ever would interrupt him—who would obstruct that continuous flow of converse, fetched from Helicon or Zion? He had the tact of making the unintelligible seem plain. Many who read the abstruser parts of his "Friend" would complain that his works did not answer to his spoken wisdom. They were identical. But he had a tone in oral delivery, which seemed to convey sense to those who were otherwise imperfect recipients. He was my fifty years old friend without a dissension. Never saw I his likeness, nor probably the world can see again. I seem to love the house he died at more passionately than when he lived. I love the faithful Gilmans more than while they exercised their virtues towards him living. What was his mansion is consecrated to me a chapel.
Chs. Lamb.
Edmonton, November 21, 1834.
CUPID'S REVENGE
(Date unknown)
Leontius, Duke of Lycia, who in times past had borne the character of a wise and just governor, and was endeared to all ranks of his subjects, in his latter days fell into a sort of dotage, which manifested itself in an extravagant fondness for his daughter Hidaspes. This young maiden, with the Prince Leucippus, her brother, were the only remembrances left to him of a deceased and beloved consort. For her nothing was thought too precious. Existence was of no value to him but as it afforded opportunities of gratifying her wishes. To be instrumental in relieving her from the least little pain, or grief, he would have lavished his treasures to the giving away of the one half of his dukedom.
All this deference on the part of the parent had yet no power upon the mind of the daughter to move her at any time to solicit any unbecoming suit, or to disturb the even tenor of her thoughts. The humility and dutifulness of her carriage seemed to keep pace with his apparent willingness to release her from the obligations of either. She might have satisfied her wildest humors and caprices; but in truth no such troublesome guests found harbor in the bosom of the quiet and unaspiring maiden.
Thus far the prudence of the Princess served to counteract any ill effects which this ungovernable partiality in a parent was calculated to produce in a less virtuous nature than Hidaspes's; and this foible of the duke's, so long as no evil resulted from it, was passed over by the courtiers as a piece of harmless frenzy.
But upon a solemn day—a sad one as it proved for Lycia—when the returning anniversary of the Princess's birth was kept with extraordinary rejoicings, the infatuated father set no bounds to his folly, but would have his subjects to do homage to her for that day, as to their natural sovereign; as if he, indeed, had been dead, and she, to the exclusion of the male succession,