Iceland: Horseback tours in saga land. W. S. C. Russell

Iceland: Horseback tours in saga land - W. S. C. Russell


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It was formerly the custom for prospective mothers to visit the mainland to save their children from this dread disease. Improved sanitary conditions and scientific medical treatment have lately made this customary precaution unnecessary. Formerly the inhabitants were recruited by residents of the north of Iceland.

      Heimaey, the “Home Island,” has an area of only four square miles and a population of less than one thousand. The village is on the northern side of the island, on the south shore of a little bay, under the bird cliffs which afford a harbor for small craft and then only in calm weather. This little bay is separated from the strait by the grand bird cliffs 2000 feet high, which are attached to the island by a narrow rim of volcanic sand. A solitary cone, Helgafell, with a black crater stands at the center of the island and Heimaey clings to the lower slope of the volcano, apparently ready to loose its grip and slip into the sea. The land slopes gently upward to the cone of cinder, tufa, and ash. The lower slopes are covered with a scanty carpet of grass freely sprinkled with flowers, where uncertain pasturage invites the sheep and forms a strong contrast to the red and black cone which rises naked against sea and sky.

      The remainder of the island is a rough and jagged mass of lava, partly disintegrated into a desolate moor and partly storm-swept to the very ribs of the island. No brook chatters in the dark ravines, no trees shadow the sheep from summer’s long sunshine. Wherever the lava has crumbled to mingle with the droppings of uncounted generations of seabirds, the grass is emerald green as if in memory of the first settlers from the Emerald Isle. The climate is mild and enjoys the highest mean temperature in all Iceland. For centuries the people have had to depend upon their own resources. In recent years they have obtained supplies from Europe in exchange for oil, fish and feathers.

      The houses, for the most part, are tidy little homes often with a little patch of carefully guarded cultivation. At the rear of the village stands the modest parish church, containing a good altar piece painted upon wood. Beside the church is the cemetery enclosed with a wall of lava and turf. The graves are mounds raised high above the level of the land, because the lava is so near the surface that to dig a grave is impossible and dirt is carried to the cemetery to form the mounds.

      Excavations made in the volcanic sand in 1910 by Baron Klinckowström of Stockholm help to fix the date of the last eruption of the volcano. In the sand and ash he found evidences of a former people, a comb of ancient Scandinavian construction and the bones of the seal and sheep. One great volcano formerly covered this entire area and poured out ashes and cinder all around it. This material has since solidified into tufa and much of the tufa has been worn away, leaving many solid columns of the original lava core, which stand isolated in the sea. Then came the second eruption when the crater of Helgafell was formed. The references given in the Landámabók and the exhumed material fix the date of this eruption subsequent to the settlement of the island by the Irish slaves. The tufa itself is very hard for this class of volcanic rock. It is weathered in fantastic forms with myriads of niches and contains several sea caves. One of these is so large that we entered it in a thirty foot naptha launch and turned about within. The view from within is strange and impressive. The deep azure of the waters, the light brown tufa dome, the dark cone of Helgafell rising above the village and the clouds of sea birds shadowing the entrance to the cave and filling the air with a resounding clangor on our exit made a mark on memory’s tablet never to be effaced.

      The most interesting occupation in Heimaey is bird catching. Of course the fish curing is worthy of attention, but then it is much the same whether we see it on the drear coast of Labrador, the green slopes of the Faroes, the lava blocks of Iceland or the wood stages of Gloucester. With the inhabitants of this volcanic pile it is not only a business it is a pleasure and an art which has culminated with generations of experience. The fulmar, puffin and guillemot are the principal birds taken. Throughout the summer the raucid clamor of the fulmars on the face of the cliffs mingles with the complaints of the puffins which stand in long rows like lines of soldiers, and the guillemots scan each other sagely from their captured niches in the tufa. These mammoth cliffs are riddled with holes and cracks and ornamented with narrow, projecting ledges. Above the cliffs there is an abundance of loose material where the shearwaters and puffins excavate their burrows.

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