The Children of the World. Paul Heyse
charge to her husband, in order to go into the kitchen and mix the dough herself, for the usual birthday cake. She would not relinquish this task, though there was a confectioner's shop at the very next corner. For ever since Reginchin was four years old, she had been very fond of a certain kind of home-made plumb-cake, and, though she could rarely do anything exactly to her mother's mind, and was continually subject to her criticism, the young girl was, as she very well knew, the apple of her mother's eye, and, for her the good woman would have gone through fire. So, hot as the day was, Madame Feyertag stood without a murmur beside the servant at the fire, allowing herself to be troubled but little by the principal anxiety which usually rendered her unwilling to have her husband in the shop: the jealous fear that some female customers might come in, and that the shoemaker might find other feet, whose measure he would be obliged to take, prettier than those adorned with the legitimate slippers of his wife.
To be sure the worthy man, though he might have been a sly fellow in his bachelor days, had given very little cause for such a suspicion during twenty-three years of extremely peaceful married life. But within a few months a change had taken place which attracted the attention of his clever wife; a change not much apparent in his actions and conduct, since he quietly continued his regular mode of life and did not even oppose the before-mentioned slippers, but noticeable in his language. She was already accustomed to hear him talk much of progress, and inveigh against all tyranny, especially domestic slavery, giving utterance to very forcible expressions, and this harmless amusement she willingly countenanced, since all affairs of state and family pursued, as before, their even course. But during the last three months his revolutionary table-talk had changed its tone, and had been steadily pointed against "women," of whom he repeated the most malicious things, usually in strange, outlandish words. Perhaps he had merely picked up these contemptuous epithets at the liberal trades-union, to which he owed all his progressive ideas; and if so, it was something to be thankful for. But except on certain festive occasions, women were excluded from these meetings, and at the entertainments a very decorous tone always prevailed, to say nothing of the obligatory toast to the fair sex. So, when all at once in speaking of "women," he used the word "females," and talked of the "sex" with a shade of contempt, for which Madame Feyertag's person and conduct did not give the slightest cause, nothing was more probable than that the shoemaker had obtained his new knowledge of feminine nature in other circles, and, perhaps led astray by some acquaintances formed in the shop, had approached nearer to the light-minded portion of the sex than could be at all desirable for the peace of the household. Since that time, Madame Feyertag had kept a sharp eye on the secret sinner, no longer permitting his presence in the shop, and had emphatically forbidden the utterance of his offensive remarks, at least in Reginchen's presence. For this restraint the worthy man indemnified himself by talking all the more freely to others, and on this very morning, when, contrary to his usual custom, we find him in the shop, he was in the act of giving vent to the pent-up emotions of his heart. Compelled to keep silence, his companion with some little surprise, patiently submitted to the torrent of his eloquence. He was a little old-fashioned gentleman, with a timid but lively manner, whose delicate regular features bore an expression of such winning kindness that the most casual observer could not fail to notice it; his was one of those faces, which, in consequence of the delicacy of the skin, become prematurely withered, and yet never grow old. A small grey moustache endeavored in vain to give a martial air to the innocent childish face, and the forehead, which, through baldness, seemed to reach to the crown of his head, failed just as signally to cast upon its owner the air of a deep thinker. Yet when any important subject was under discussion, the mild eyes could sparkle with a strange fire, and the whole face become transfigured with interest and excitement.
This little man wore a neatly brushed but rather threadbare coat, cut in a fashion that had prevailed ten years before, and a large white cravat, fastened with a pin containing a woman's picture. He had placed upon the counter an old-fashioned grey hat, with a piece of crape twisted around it, and, with both hands resting on his cane, he sat opposite the shoemaker, who had just examined the slippers, and said that they could be mended so as to look very well, only that a part of the embroidery would be lost.
"Spare as much of it as you can," pleaded the little gentleman. "They were my dead wife's last birthday gift; she worked them herself. I have worn them constantly for five years; but I step so lightly that I don't wear out many shoes. I suppose I am your worst customer," he added, with an apologetic smile.
"That is of no consequence, Herr König," replied the shoemaker; "it is always an honor as well as a pleasure to work for you and your family, not only on account of the high instep which you all have, but because you are an artist and have an eye for shape. As for the durableness of the shoes, that is not your fault, but the fault of the leather. But wait till your daughter goes to balls. Good work is of no avail then, Herr König; dancing shoes which are not as delicate and as easily broken as poppy-leaves, do the shoemaker no credit."
The little gentleman shook his head thoughtfully.
"My daughter, I fear, will give you little opportunity to earn money in that article," said he, "She has no desire for any of the seemly amusements which I would willingly grant her; her mind is filled with her work and her father; she can't be induced to attend to anything else."
"Well, well," said the shoemaker, drawing from his jacket a little silver snuff-box, which he offered the artist, "those things will come as a matter of course. Young ladies always have some peculiarities, you know; they do not forget the mother; but women are women, Herr König, and there is no virtue in youth. True, you yourself still wear crape around your hat; in your case constancy may be in the blood. But wait a while. The will, Herr König, is master; the perception weak; of how weak it is, we have sometimes little idea."
"You are mistaken," replied the other, fixing his eyes which wore a quiet, thoughtful expression upon the floor. "She has become perfectly cheerful again, and I also, though every day I still miss my dead wife. God does not like to see discontented faces, He has made the world too beautiful for that. The crape--yes, I have kept it on my hat. Why should I take it off, and when? It would seem very strange to me, to say to myself on a certain day: From this time things shall no longer be as they were yesterday; I will now remove this token of remembrance. Should I thereby blot out the memory too? But even if her mother were still alive, I do not think the child would be any different. She has a very peculiar character."
"Be kind enough to permit me to differ from you," said the shoemaker with great positiveness, despite the courteous language he studiously adopted. "Women--true women--have generally no character of their own, but one that belongs in common to all the sex. For the sole object for which they are in the world, is, to use Salvenia's words, only to continue the species, or, as we term it, for propagation. A woman who desires anything else, has something wrong about her; I say this without intending to cast any reflections upon your daughter."
The artist opened his little eyes to their widest extent. "My dear Feyertag, why do you say such strange things?" he said, naïvely. "Is not a woman as much a creature of the dear God as we ourselves? formed in his image, and endowed with soul and mind?"
The shoemaker laughed, as if fully conscious of his own superiority.
"Don't take it amiss, Herr König," he said, "but that is an exploded opinion. Have you never heard of the great philosopher, Schopenhauer? He will make you understand it thoroughly; he will prove as plainly as that twice two make four, of what account is the so-called emancipation of women."
"I don't have much time to read," replied the little artist. "But the little you have told me does not render me anxious to become familiar with an author who has thought so slightingly of the noblest and most lovable portion of humanity. I prefer to say with my beloved Schiller, 'Honor to women'!"
"'They spin and weave,'" replied, the shoemaker. "Yes, and they can do it very skillfully, and it is an extremely useful occupation. But in other things, in the employments of men--this low-statured, narrow-shouldered, broad-hipped, and short-legged sex, as Herr Schopenhauer expresses it,--no, Herr König, men must not allow them to become too strong. Propagation, nothing more. But propaganda, you see, for the liberal and progressive, is our affair. For instance, there is my wife; the best woman in the world! But if I did not now and then show her that I am master, where