Under Greek Skies. Ioulia D. Dragoume
one old woman was still leaning against the trunk of the tree, waiting for her pitcher to fill itself. As she saw Mattina she stepped forward.
“It is well I find you. Tell your aunt that the clothes are finished. She can send you to take them.”
“I will tell it to her.”
“It is to-morrow you leave?”
“Yes, it is to-morrow.”
“And who takes you?”
“I go with Yanni, the messenger.”
“Listen, Mattina,” said the old woman, “I have stitched you a pocket into the brown frock. In the town it is not like here; sometimes you may have some money, or someone may send you a letter; you must have somewhere to put things.”
Mattina’s eyes brightened.
“A pocket!” she exclaimed, “like the big maids have!”
“You are well nigh a big maid now!”
The word pocket reminded Mattina of her sugared almonds.
“Kyra Sophoula,” she begged, “see, I have some sweets here. A sailor gave them to me, he said they were from a christening. Take them, you, and hide them away, and to-morrow after I go, take this little one to your house for a while, and give them to him. He cries when I leave him; and the others at the house, they torment him always. Do this for me, and may your children live to you!”
The old woman took the twist of muslin and put it into her apron pocket.
“Surely, I will, my daughter, surely I will.” Then she lifted her pitcher which had filled, gurgled, and overflowed, set it carefully on the ledge, and turned to Zacharia who was struggling for what remained of his koulouri, with a woolly black puppy.
“Come here, you little one!”
MATTINA·SAT·DOWN·
Kyra Sophoula was a funny old woman, as brown and as wrinkled as a quince that has been hung up too long, but children never ran away from her, even the tiny ones. Zacharia successfully rescued the last remnant of the koulouri from the puppy’s teeth, and came, looking up at her with round black baby eyes.
“If a good little boy who does not cry … a golden little boy, comes with me to my house to-morrow, I shall have … two sugar comfits, and a whole dried fig to give him! And if this golden little child never cries at all, there will be some more comfits the next day! I wonder if I shall find a good little boy, like that?”
Zacharia rubbed his black curls confidingly against the old woman’s skirts, and murmured:—
“Me!”
“Ah, we shall see fine things, that golden boy and I!” then turning to Mattina:—
“Tell me; your uncle Anastasi and his wife, have they found a good house in which you may serve?”
“Not yet; my uncle sent a letter to say that it would be better if I did not go till September, because there are more people who change servants at that time, but my uncle Yoryi here, he says that I must go to my uncle Anastasi’s now at once, and let them find a house for me to serve, when they can. He says he will keep the little one, but that I am a big girl, and that he has fed me long enough. It is true,” she added gravely, “that my hunger is great.”
Kyra Sophoula nodded her head.
“Yoryi is a poor man,” she said, “also, he has daughters to marry.”
“Is it far to Athens?” asked Mattina.
“Myself—I have never been there, but Metro has told me that one does not reach the town till long after noon.”
“Kyra Sophoula, do you think that after some time, when I earn money and can pay the fare on the steamer myself, that where I serve they will let me return for a few days to see if the little one be well?”
The old woman shrugged her shoulders.
“Do I know?”
“But if I tell them how little he is, and that we have no mother?”
“Listen, my daughter!” said Kyra Sophoula, as both she and Mattina shouldered their pitchers and turned towards the dark arch, Zacharia pattering behind them on little bare brown feet, “listen! there is one thing that you must put well into your head, that in the town it is not like here on the island, where everyone knows you and who your father and mother were. I know, because Andriana served, and Calliope served, and my Maroussa served also for a time. In the town when they take you as a servant and pay you a wage for serving, it is work that they want from you, as much as they can get. They do not know you, nor do they mind whether you like to work, nor whether you are well or ill, as long as your legs will hold you; neither do they care whether your heart be glad or troubled. But you, you must remember always that your father was a good man, and that your mother was a hard-working housewife who always kept her floors well scrubbed, and kneaded her own bread, and for whom all had a good word; and you must do the work that they give you, and not be thinking all day long of when you can leave it. As for the child, be easy! Kyra Kanella has not a bad heart, and I will see him often, and perhaps some time when the schoolmaster has leisure I will ask him to send you a letter. But you, be a good girl in the town, and mind well that you never touch aught without it be given to you, even if you have to go hungry, for as they say, ‘Better to lose your eye than your good name.’ ”
II
It was a forlorn little figure that knelt on a bench of the out-going steamer next morning. A little figure clad for the journey in a short outgrown print frock, with an old gray jacket which had once belonged to her aunt, tightly buttoned over it.
Mattina was looking with wide open eyes at all the familiar landmarks as they seemed to glide past her; at the big clock tower of the Naval School with its waving flag, at the little coffee-house of the White Cat down on the shore, at the Red House on the hill, at the Garden on the mainland where she had often been with her mother to help in the picking of the lemons, at the white blur far away in the hills, which was the village of Damala. But when the steamer turned round the corner by the lighthouse and Poros was hidden from her sight, she twisted herself round and sat down on the bench, her back huddled up like an old woman’s, and her eyes fixed on the deck.
When the steamer stopped at Methana,6 she stood up and watched the shore, but it already seemed strange and foreign to her; the gray rocks, bare of pine trees, the line of bathing houses, the bright yellow colour of the water close to the land, which someone said came from the sulphur of the baths, the big white hotel, the strange boatmen rowing backwards and forwards; all was new and in some curious way terrifying. The boatmen shouting to each other seemed to be shouting at her, and the sun shining on the sea made so many glittering little pinpricks of light that she closed her eyes not to see them.
After Methana, the steamer began to move a great deal more than it had done at first, and she went back to her bench for fear she should fall. For a short time she was interested in a little toddling boy belonging to a woman who seemed asleep, her kerchief shadowing the upper part of her face. The boy was not at all like Zacharia, being much fatter, and with hair which was almost yellow, but he took bites out of his koulouri all round, just as Zacharia did. Mattina made timid advances to him, but he ran away from her to a white-bearded old priest on the next bench, and began to wipe his wet little mouth and hands, all over koulouri crumbs, on the black robes. Mattina expected that the old priest would be angry, but he only smiled and patted the little yellow head.
While she watched them, the priest’s black figure seemed to mount up, up, up, against the glittering sea, and then to sink down again as though it were never coming up. It hurt