The Influence of India and Persia on the Poetry of Germany. Arthur F. J. Remy

The Influence of India and Persia on the Poetry of Germany - Arthur F. J. Remy


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       Arthur F. J. Remy

      The Influence of India and Persia on the Poetry of Germany

      Published by Good Press, 2019

       [email protected]

      EAN 4064066242008

       PREFACE.

       List of Works most frequently consulted.

       Abbreviations.

       Transcription.

       CHAPTER I.

       INTRODUCTION.

       CHAPTER II.

       FROM THE PORTUGUESE DISCOVERIES TO THE TIME OF SIR WILLIAM JONES.

       CHAPTER III.

       HERDER.

       CHAPTER IV.

       GOETHE.

       CHAPTER V.

       SCHILLER.

       CHAPTER VI.

       THE SCHLEGELS.

       CHAPTER VII.

       PLATEN.

       CHAPTER VIII.

       RÜCKERT.

       CHAPTER IX.

       HEINE.

       CHAPTER X.

       BODENSTEDT.

       CHAPTER XI.

       THE MINOR ORIENTALIZING POETS.

       CHAPTER XII.

       VON SCHACK.

       CHAPTER XIII.

       CONCLUSION.

       Table of Contents

      The Oriental movement which manifested itself so strikingly in German literature during the nineteenth century is familiar to every student of that literature. Although the general nature of this movement is pretty clearly understood, no systematic investigation of it, so far as I know, has ever been undertaken. In the following pages an attempt is made to trace the influence which the Indo-Iranian East—the Semitic part is not considered—exerted on German poetry. The work does not claim to be exhaustive in the sense that it gives a list of all the poets that ever came under that influence. Nor does it pretend to be anything like a complete catalogue of the sources whence the poets derived their material. The performance of such a task would have required far more time and space than were at my disposal. A selection was absolutely necessary. It is hoped that the material presented in the case of each poet is sufficient to give a clear idea of the extent to which he was subject to Oriental influence, as well as of the part that he took in the movement under discussion.

      It is my pleasant duty to acknowledge the obligations under which I am to various scholars. In the first place, my sincere thanks are due to Professor Jackson, at whose suggestion this investigation was undertaken and whose encouragement and advice have never been wanting. I am also indebted for helpful suggestions to Professors Carpenter and Thomas of the Germanic department, who kindly volunteered to read the proof-sheets. Furthermore, I wish to thank Mr. Yohannan for assistance rendered in connection with the transliteration of some of the lithographic editions of Persian authors. And, finally, I am indebted to the kindness of Dr. Gray for the use of several rare volumes which otherwise would have been inaccessible to me.

      Arthur F.J. Remy.

      New York, May 1, 1901.

       Table of Contents

      Bahāristān. The Bahāristān by Jāmī. Printed by the Kama Shastra Society for Private Subscribers only. Benares, 1887.

      Bhartṛhari. Śatakatrayam, 2d ed. Nirṇaya Sāgara Press. Bombay, 1891.

       Quotations are from this edition.

      Bodenstedt, Friedr. Martin. Gesammelte Schriften. 12 Bde. Berlin, 1865.

       Tausend und ein Tag im Orient in vols. i and ii.

       References to Mirza Schaffy songs are based on this edition.

      Firdausī. See Shāh Nāmah.

      Goethe's Werke. 36 Bde. Berlin (Hempel), 1879.

       Quotations are from this edition.

      Grundriss der iranischen Philologie. Hrsg. von W. Geiger und E. Kuhn. Strassburg, 1896——.

      Gulistān. The Gulistān of Shaiḵẖ Muṣlihu'd dīn Saʻdī of Shīrāz, ed. John Platts. 2d ed. London, 1874.

       Quotations are from this edition.

      —— or Rose garden. Printed by the Kama Shastra Society for Private Subscribers only. Benares, 1888.

      Hāfiḍ. Die Lieder


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