Mademoiselle de Maupin (Illustrated Edition). Theophile Gautier
out than the younger Lepeintre or a hippopotamus, could drain the great beaker which he called Hercules' cup. The Maréchal de Bassompierre, who emptied his long boot to the health of the Thirteen Cantons, seems to me a singularly estimable personage in his way and very hard to improve upon. What economist will enlarge our stomachs so that they will hold as many beefsteaks as the late Milo of Crotona, who ate an ox? The bill of fare at Véfour's Café Anglais, or at any other culinary celebrity's that you choose, seems to me very ill-supplied and commonplace compared to the menu of Trimalcion's dinner.—At whose table in these days are a sow and her twelve shoats served on a single platter? Who has eaten muræna and lampreys fattened on man? Do you really think that Brillat-Savarin has improved upon Apicius? Could Vitellius's big tripe-man find at Chevet's the wherewithal to fill his famous Minerva's shield with pheasants' and peacocks' brains, tongues of flamingoes and scarus livers?—The oysters you eat at the Rocher de Cancale are such a great delicacy compared with the oysters of Lucrin, for which a lake was made expressly.—The little establishments in the suburbs kept by the marquises of the Regency were wretched little boxes, if we compare them with the villas of the Roman patricians at Baiæ, Capri, and Tibur. The Cyclopean splendor of the great voluptuaries who erected everlasting monuments for a day's pleasure should cause us to fall flat on our faces before the genius of antiquity and erase forever from our dictionaries the word perfectibility.
Has a new capital crime been invented? Unfortunately there are only seven of them as before, the number of the just man's backslidings for one day, which is very moderate.—Indeed, I do not think that after a century of progress, at the rate we are travelling, any lover would be capable of renewing the thirteenth labor of Hercules.—Can a man be agreeable to his divinity a single time oftener than in the days of Solomon? Many very illustrious scholars and very respectable ladies answer that question in the negative, and aver that amiability is on the wane. Very good! if that is so, why do you talk of progress?—I know that you will tell me that there is an Upper Chamber and a Lower Chamber, that you hope that everybody will soon be an elector and the number of representatives doubled or trebled. Do you think that there are not enough mistakes in grammar made in the national tribune as it is, and that the deputies are not numerous enough for the vile work they have to do? I can hardly understand the utility of quartering two or three hundred provincials in a wooden barrack, with a ceiling painted by Monsieur Fragonard, there to botch and bungle nobody knows how many absurd or atrocious little laws.—What difference does it make whether it is a sabre, a holy-water sprinkler, or an umbrella that governs us?—It is a club all the same, and I am amazed that progressive men should dispute as to the kind of club that is to make their shoulders tingle, when it would be much more progressive and less expensive to break it and throw the pieces to all the devils.
The only one of you who has any common sense is a madman, a great genius, an imbecile, a divine poet far above Lamartine, Hugo, and Byron; it is Charles Fourrier, the phalansterian, who is all that in his single person: he alone is logical and has the courage to carry his theory through to its inevitable consequence.—He asserts, without hesitation, that man will soon have a tail fifteen feet long with an eye at the end of it; that surely is progress and will permit us to do a thousand fine things we could not do before, such as killing elephants without striking a blow, balancing ourselves on trees without swings, as handily as the most expert ape, doing without sunshade or umbrella by raising the tail above the head like a plume, as squirrels do, who get along very well without umbrellas; and other prerogatives too numerous to mention. Several phalansterians claim that they already have a little tail that asks nothing better than to grow longer, if only God gives them length of days.
Charles Fourrier has invented as many species of animals as George Cuvier, the great naturalist. He invented horses that will be thrice the size of elephants, dogs as large as tigers, fish capable of feeding more people than the three small fishes of the Saviour, which the incredulous Voltaireans believe were poissons d'Avril,[1] and I the text of a noble parable. He has built cities beside which Rome, Tyre, and Babylon are simply mole-hills; he has piled Babels one upon another and built spiral stairways ascending among the clouds to a greater height than all those in John Martinn's engravings; he has conceived I cannot say how many orders of architecture and new sauces; he has drawn a plan for a theatre which would seem immense even to Romans of the Empire, and prepared a dinner menu that Lucius or Nomentanus might have deemed sufficient for a dinner to their friends; he promises to create new forms of pleasure and to develop the organs and the senses; he is to make women fairer and more voluptuous, men more robust and sturdy; he guarantees you children and proposes to reduce the population of the world so that every one will be in easy circumstances; which is more reasonable than to urge paupers to make other paupers, with the idea of shooting them down in the streets when they breed too fast and sending them bullets instead of bread.
Progress is possible in no other way.—All the rest is bitter mockery, buffoonery without wit, which is not even calculated to deceive gullible fools.
The phalanstery is really a step in advance of the abbey of Thélème, and definitely relegates the earthly paradise to the ranks of those things that are altogether superannuated and old-fashioned. The Thousand and One Nights and Madame d'Aulnay's Tales alone can contend successfully with the phalanstery. What fertility! what invention! There is material there from which to supply marvels for three thousand cartloads of romantic or classic poems; and our versifiers, whether academicians or not, are paltry inventors compared to Monsieur Charles Fourrier, the inventor of startling attractions.—This idea of making use of impulses which people have hitherto sought to repress, is most assuredly a lofty and powerful idea.
Ah! you say that we are making progress!—Suppose that a volcano should open its maw to-morrow at Montmartre, and should make a winding-sheet of ashes and a tomb of lava for Paris, as Vesuvius once did for Stabia, Pompeii, and Herculaneum, and that, some thousand years hence, the antiquaries of that day should make excavations and exhume the corpse of the dead city, tell me what monument would remain standing to bear witness to the splendor of the mighty entombed, the Gothic Notre-Dame?—They would form truly a fine idea of our artistic development when they cleared away the rubbish from the Tuileries, redecorated by Monsieur Fontaine! The statues on Pont Louis XV. would look splendid in the museums of those days. And were it not for the pictures of the ancient schools and the statues of antiquity or the Renaissance crowded together in the gallery of the Louvre, that long shapeless conduit; were it not for the ceiling by Ingres, which would show that Paris was not a Barbary camp or a village of Welches or Topinamboux, the things that would be unearthed from the ruins would be very interesting.—Short swords carried by National Guardsmen, firemen's helmets, coins struck from pyriform dies, that is the kind of thing they would find instead of the beautiful, curiously-carved weapons that the Middle Ages left in the recesses of their towers and ruined tombs, the medallions that fill the Etruscan vases and pave the cellars of all Roman buildings. As for our wretched veneered furniture, all the cheap boxes, naked and ugly and shabby, that we call commodes or secretaries, and all our shapeless, fragile utensils—I trust that time would have been compassionate enough to destroy the last vestige of them.
Once, this whim of erecting a magnificent, pretentious monument took possession of us. In the first place we were obliged to borrow the plan from the old Romans; and even before it was finished, our Panthéon tottered on its legs like a child with the rickets and staggered like a drunken man, so that we had to give it crutches of stone, otherwise it would have measured its shameful length on the ground, in sight of all the world, and would have given the nations something to laugh at for more than a hundred francs.—We thought it better to set up an obelisk on one of our squares; we had to go and filch it at Luxor, and we were two years bringing it home. Old Egypt lined its roads with obelisks as we line ours with poplars; it carried bundles of them under its arm as the market-gardener carries bunches of asparagus, and carved a monolith from the sides of its mountains of granite more easily than we make tooth-picks or ear-picks. A few centuries ago Raphael was living and Michael Angelo; now we have Monsieur Paul Delaroche, all because we are progressing.—You boast of your Opéra; ten Opéras like yours could dance a saraband in a Roman circus. Monsieur Martin, himself, with his tame tiger and his poor gouty lion, sound asleep like a subscriber to the Gazette, makes a very poor showing beside the gladiator of antiquity. Take your benefit